Julie Hesmondhalgh and Frances De La Tour, among others, star in the heartbreakingly excellent Still Life: Untold Stories of Nottingham Now
“So, this is where the magic happens”
At a moment when theatreland is full of news of planned reopenings and hopes for the future, it is good to still be able to look at the cultural contributions that reflect on the recent past. Still Life: Untold Stories of Nottingham Now does just that by offering up 5 short tales of what life in Nottingham during lockdown has been like, stories that speak to the human impact of a global pandemic.
Writers Olu Alakija, Nathan Ellis, Amy Guyler and Emteaz Hussain take us through the full gamut of experiences – from volunteering at food banks to life as a delivery driver, students dealing with disrupted schooling and the strange ballet of getting a COVID safe Uber. And not only that, there’s a special short but spiky sketch from Alan Bennett performed by the luminous Frances De La Tour. Continue reading “Review: Still Life: Untold Stories of Nottingham Now”
Nottingham Playhouse has announced a season of live and digital productions that celebrate local stories and support East Midlands’ talent. The shows and events range from dance, music, drama, and Bollywood to horror, comedy and romance. Most the productions will be available to rent for On Demand viewing over five days, with others livestreamed. Prices start from just a small suggested donation to its Curtain Up appeal, to £20 per household. Bookings for live events will go on general sale on Tuesday 23 March. On Demand productions will steadily become available for rental from 16 March 2021 through to June 2021. Continue reading “News: Nottingham Playhouse reveals a Spring Loaded season of 23 events”
We’re beginning to see the fruits of some more of the lockdown programming that has seen theatres across England respond in a variety of impressive ways
Nottingham Playhouse’s Unlocked Festivalcontinues to rocket up the must-see list as it announces more details. Their local writing commission has ended up with two winners – Wayward Thread’sHand Me Downand Lapelle’s Factory’s Shuck, both of which will now receive work-in-progress performances as part of the festival.
Casting has also been announced for James Graham’s Bubble, which will star the marvellous Pearl Mackie and the equally marvellous Jessica Raine. They join the likes of Mark Gatiss and Jade Anouka reading ghost stories on
Halloween, new work from Naomi Obeng and a concert starring Rosalie Craig,Sandra Marvin and Jodie Prenger.Continue reading “News: October UK theatre news update”
Nottingham Playhouse and Leeds Playhouse have announced that they’re postponing their co-production of Piaf until next year, but cushioned the blow with this exquisite video featuring Jenna Russell, Sara Poyzer and Sally Ann Triplett
I like almost everything about The Madness of George III at Nottingham Playhouse Theatre apart from the main performance…
“I am not going out of my mind, my mind is going out of me”
Mark Gatiss has been getting rave reviews for his performance inThe Madness of George IIIat Nottingham Playhouse but for me, there was just a little bit too much of
for my liking. There’s lots to love in Adam Penfold’s production, particularly in key supporting roles like Adrian Scarborough’s Dr Willis and Debra Gillett’s Queen Charlotte, and some of the smaller parts like Nadia Albina’s Fitzroy and Jack Holden’s Greville.
And I enjoyed that Penfold cast several of the ostensibly male parts with women, allowing the likes of Louise Jameson and Stephanie Jacob. Throw in a lusciously opulent design from Robert Jones and strikingly dramatic lighting from Richard Howell, and it’s a real theatrical treat, a real statement of intent from this nicely ambitious artistic director. Continue reading “Review: The Madness of George III, Nottingham Playhouse”
The UK Theatre Awards are the only nationwide Awards to honour and celebrate outstanding achievements in regional theatre throughout England, Scotland, Wales and Northern Ireland and they have just announced the winners for the 2018 awards, which include a well-deserved Award for Outstanding Contribution to British Theatre for Maxine Peake– take a look at her acceptance speech here.
A sparkling lead turn from Rebecca Trehearn, and brilliant choreography from Alistair David, enliven this Sweet Charity at Nottingham Playhouse
“Your game makes very good sense”
So pleased to have managed to squeak into Nottingham Playhouse’s Sweet Charitybefore it finished, this is what everyone uses their annual leave for, right…?! The second major production of the show in recent months following the Watermill’s strong actor-muso interpretation this summer, it is one which makes a bold move in introducing Alistair David’s choreography to give this 1966 musical a fresh lick of paint.
It’s the only real sense of updating that Bill Buckhurst’s production provides but it is an impactful one, David reimagining almost wholesale and invigorating the almost-too-familiar sounds of Cy Coleman’s classic score. In takis’ podium-based design, it looks a dream and more than justifies new AD Adam Lenson’s decision to reintroduce musicals to the programme here after an absence of more than a decade. Continue reading “Review: Sweet Charity, Nottingham Playhouse”
“The world’s changing. It’s not going to go back to the way it was”
There’s something admirable in actors who remain loyal to their roots – I’m thinking of the likes of Maxine Peake who has established a good deal of her stage career in her native North West and now Vicky McClure, who is making her professional stage debut in Nottingham, the town of her birth. Riding high on sterling TV credits like This is England and Line of Duty, she likely had opportunities aplenty in London theatres so it is salutary that it is to Nottingham Playhouse she has turned.
And not only that, it is to a local play by a local writer, Stephen Lowe’s Touched, which lends the 1977 play a real sense of authenticity (and more exposure to Nottingham dialect than I’ve ever had before!). Set in 1945 in the 100 day period between VE Day and VJ Day, it focuses on the lives of the women left holding the country together in this time of great upheaval, which shows no signs of slowing down as a new Labour government look set to win the election and nuclear bombs about to fall. Continue reading “Review: Touched, Nottingham Playhouse”
You might, not unreasonably, think that I’d had my fill of Glass Menageries, having seen three in the space of a month late last year but Tennessee Williams’ memory play is one I enjoy especially and am usually keen to see. And so it was with Giles Croft’s production ofThe Glass Menagerie for Nottingham Playhouse where he is Artistic Director, this play being the one that inspired him to become a director and now 40 years later, he feels ready to tackle for himself.
Another key factor in my decision was this theatre’s participation in the Ramps on the Moon project, helping to mainstream disability arts and culture through programming and increased opportunities, here taking the form of casting wheelchair user Amy Trigg as Laura, the young woman whose physical fragility is matched by her emotional wellbeing, smothered as she is by overbearing mother Amanda and abandoned by brother guilt-ridden Tom. Continue reading “Review: The Glass Menagerie, Nottingham Playhouse”