Staged in celebration of the story’s 50th anniversary of publication, David Greig and Charlie Fink’s Olivier Award-nominated adaptation of The Lorax will be inventively transformed for OLD VIC: IN CAMERA into a semi-staged pint-size version to keep young (and older) minds entertained, enchanted and empowered with its central message of protecting the planet.
The cast includes Audrey Brisson, Richard Katz, Melanie La Barrie, David Ricardo-Pearce, Ben Thompson, Jamael Westman and Silas Wyatt-Barke. Should you be so inclined, you can read both of my rhyming reviews for the previous productions of the show here and here.
Dr. Seuss’s The Lorax will be streamed live from The Old Vic stage this Easter from 14th–17th April. All performances will offer audio description and captioning.
I mean, just look at this absolute treasure trove of theatrical talent!
I’m off to listen to Patsy Ferran read Tom Wells, and Gabby Wong read Alexi Kaye Campbell, and Sarah Niles read Winsome Pinnock and…and…
I might have taken a break from reviewing in June, but I didn’t stop going to the theatre – I had too many things already booked in. Here’s some brief thoughts on what I saw.
Betrayal, Harold Pinter
Shit-Faced Shakespeare – Hamlet, Barbican
The Knight of the Burning Pestle, Cheek By Jowl at the Barbican
Somnium, Sadler’s Wells
Les Damnés, Comédie-Française at the Barbican
Vanya and Sonia and Masha and Spike, Theatre Royal Bath
Blithe Spirit, Theatre Royal Bath
The Hunt, Almeida
Present Laughter, Old Vic
Europe, Donmar Warehouse
The Deep Blue Sea, Minerva
Plenty, Chichester Festival Theatre
Pictures of Dorian Gray, Jermyn Street
The Light in the Piazza, Royal Festival Hall
Hair of the Dog, Tristan Bates Continue reading “June theatre round-up”
Two winters ago if you went to the Old Vic,
Your life would have been filled with something fantastic.
A musical treat fit for all of the fam’ly,
The Lorax is as good as such a show could be.
Returning for half-term with some new cast members,
The musical’s just as good as I remember.
It’s heartfelt and funny and really quite moving,
A powerful message but not too reproving. Continue reading “Re-review: The Lorax, Old Vic”
“People fall through the world all the time”
Former Noah and the Whale front-man and songwriter Charlie Fink is no stranger to the Old Vic, having composed the rather lovely score for The Lorax, but his return takes a rather unconventional form in the shape of Cover My Tracks. It occupies that strange place of ‘play with songs’, or ‘live gig and modern folk tale’, or ‘night of live music and theatre’, anything but call it a musical apparently – that probably wouldn’t fit with the brand that the Old Vic are trying to establish with their Lates programme.
In the end, it doesn’t really matter what you call it, as the combination here is subtly beguiling. Reuniting with Lorax scribe David Greig, Fink plays Frank, a depressive young songwriter who has split with his band due to ‘artistic differences’ of a sort and Jade Anouka takes the role of Sarah, the hotel worker who intervenes in his life at a crucial moment, seemingly setting it on a new path. Frank though, is determined to find a uniquely 21st century route into rockstar immortality which involves disappearing completely. Continue reading “Review: Cover My Tracks, Old Vic”
If Dr Seuss stories are what makes you tick,
Then this Christmastime you should hit the Old Vic.
The Lorax adapted by scribe David Greig
is so damn delightful for tickets you’ll beg.
Director Max Webster has served up a treat
with such charm no panto could ever compete.
A show for all ages, it’s also a musical,
I had my doubts but it’s something quite beautiful. Continue reading “Review: The Lorax, Old Vic”
“You’re drawing my secrets from me. You’re pulling out my guts and when you go you’ll leave nothing but an empty shell around you.”
The Genesis Future Directors Award aims to nurture promising talent by plugging them into the creative network of the Young Vic and using this opportunity, 2015 winner Rikki Henry has chosen to present David Greig’s adaptation of Strindberg’s Creditors in the Clare Theatre there. Truth be told I’m not the biggest fan of the Swede and so I’ve never actually seen this play before but I know enough to know that Henry has tinkered with it to gay it up just a little.
So Tekla becomes a man and the play becomes a study of the corrosive effects of love gone awry, the love that used to dare not speak its name that is, refracted through the prism of gay marriage. Creative souls Adolph and Tekla are seemingly loved up but their marriage comes under scrutiny when the enigmatic Gustav appears on the scene whilst Tesla is away to successfully plant seeds of doubt in Adolph’s mind and expose what it truly means to give yourself to someone. Continue reading “Review: Creditors, Young Vic”
“Beyond this door, surprises in store”
Third time lucky for me and the great glass elevator! The first time I saw Charlie and the Chocolate Factory at the Theatre Royal Drury Lane, the climactic lift effect wasn’t ready, the second time it broke down before it even really started so if nothing else, it was great to finally get to see the sequence as it was intended. My main reason for revisiting the show though was the cast change, with favourites like Josefina Gabrielle and Richard Dempsey joining the company and Alex Jennings stepping into the role of Willy Wonka, replacing Douglas Hodge.
And rather unexpectedly, I absolutely loved it. It was a show I had previously liked rather than truly enjoyed but it really seems to have settled into its skin now, subtle alterations helping with the pace (although I am sad to see the animated prologue having been removed) and a generally sharper feel to the whole proceeding. For me though, the best aspect was Jennings’ reinterpretation of Wonka, a completely new take on the character that works brilliantly and feeds into the fabric of David Greig’s book, based on Roald Dahl’s writings of course, in a more instinctive and convincing manner. Continue reading “Re-review: Charlie and the Chocolate Factory, Theatre Royal Drury Lane”
Because I am just that kind of guy, I have 2 tickets to give away for The Events on Saturday 5th April at Queen Elizabeth Hall in the Southbank Centre. The official blurb is as follows:
“Awarded five stars from The Daily Telegraph, The Events tells a story of tragedy, community, reconciliation and our destructive desire to fathom the unfathomable. Originally developed by Actors Touring Company with Southbank Centre’s Voicelab, The Events has moved audiences and featured local choirs throughout the UK since its premiere in August 2013. As part of our Chorus Festival, we’re bringing together 250 singers from all over the country to form an epic choir in a unique one-off performance.” Continue reading “Competition: win 2 tickets to The Events”
“There comes a point when you’re shooting people and you just realise how silly it is”
David Greig’s The Events turned out to be quite the success in 2013, deeply affecting audiences from the Edinburgh Fringe through to the Guardian critics who voted it their show of the year. So it is perhaps unsurprising to see Actors Touring Company resurrecting their production for a new tour in 2014 but what is more impressive is the reach that this piece of theatre has managed to achieve in so relatively short a space of time. A Norwegian production has just opened, a German translation has played Vienna and will go to Dammen, and this particular tour will revisit the Young Vic, amongst other places, before heading over to the USA.
So clearly, something is working in this quietly dramatic response to the atrocities committed by Anders Breivik when he slaughtered 77 Norwegians in the summer of 2011. With director Ramin Gray, Greig explores how a similar but fictional tragedy reverberates throughout a community – the differing individual responses from victims and those more tangentially affected, the communal reaction as a whole, even the experiences of the killer himself, as a liberal priest searches for answers as to why she survived the attack that left so many of her fellow choir-members dead. Continue reading “Review: The Events, Artsdepot”