Priyanga Burford, Jake Davies and Siena Kelly have been cast in That Is Not Who I Am by Dave Davidson, directed by Royal Court Theatre Associate Director Lucy Morrison. The production will run from Friday 10 June 2022 to Saturday 16 July 2022 with press night on Thursday 16 June 2022, 7pm.
Commenting on the play, the cast said; Continue reading “News: Royal Court reveal Priyanga Burford, Jake Davies and Siena Kelly in That Is Not Who I Am “
Best Leading Performer in a New Production of a Musical
Arinzé Kene, Get Up, Stand Up! The Bob Marley Musical, Lyric Theatre
Beverley Knight, The Drifters Girl, Garrick Theatre
Carrie Hope Fletcher, Cinderella, Gillian Lynne Theatre
Dianne Pilkington, Bedknobs and Broomsticks, UK Tour
Eddie Redmayne, Cabaret, Playhouse Theatre
Ivano Turco, Cinderella, Gillian Lynne Theatre
Jessie Buckley, Cabaret, Playhouse Theatre
Julian Ovenden, South Pacific, Chichester Festival Theatre
Olly Dobson, Back to the Future: The Musical, Adelphi Theatre
Stephanie McKeon, Frozen, Theatre Royal Drury Lane
Sutton Foster, Anything Goes, Barbican
Tom Francis, Rent, Hope Mill Theatre, Manchester Continue reading “2021 BroadwayWorld UK Awards Shortlist”
Playwright Alistair McDowall returns to the Royal Court Theatre with the fascinatingly if challengingly constructed The Glow
“Matter may decay, but the spirit persists. The energy we exude remains“
If you’re in any way familiar with Alistair McDowall’s work (X, Pomona), you know that we’re not ever going to go straight from A to B. His latest play for the Royal Court is The Glow and once again is full of hugely fascinating ideas and a hugely ambitious approach to form that is quite the challenge.
We start in a forgotten cell in an underground Victorian asylum where a spiritualist is hunting for a medium whose power she wants to tap into. But the woman she finds is uniquely powerful and we find ourselves ricocheting from prehistoric times to 1970s Wales to medieval Europe and beyond. Continue reading “Review: The Glow, Royal Court”
debbie tucker green’s extraordinary ear for eye receives a striking cinematic treatment
“You shouldn’t have to be unshakeable son”
I was blown away by debbie tucker green’s ear for eye when I saw it at the Royal Court back in 2018 and was highly intrigued to hear that she would be adapting it for the screen. tucker green has previous – Random was similarly reworked and filmed – and there’s an episodic structure to this new piece that means it transfers well.
It’s a blistering look at the Black experience in both the UK and the US, split into three parts. A communal sharing of stories, a two-hander that rips into white privileges, a video installation that simply presents us with the US laws that codified slavery. Unstinting in its essential truths that are so often ignored, it is uncompromising and unmissable.
ear for eye is available to watch on BBC iPlayer
In 2020, for the first time in centuries, heavy red curtains swept closed on stages across the West End; all theatres were closed. Two actors – Lloyd McDonagh and Salvatore Scarpa- keenly feeling the loss of their theatre homes, turned to a form of art that could still thrive over the following months, and set about photographing the stage doors of the deserted city.
An extraordinary collaborative project almost two years in the making, Exeunt – The Stage Door Project collects together these moving images, alongside anecdotes from some of the world’s leading luminaries who have trodden the boards of the pictured theatres. Continue reading “News: Exeunt – The Stage Door Project book announced”
NIck Payne adapts his play Wanderlust for TV, with a great lead performance from Toni Collette and stunning work from Sophie Okonedo
“I thought old people were supposed to go off sex”
It being more than 10 years since I saw Nick Payne’s play Wanderlust at the Royal Court, I’d be hard pressed to tell you much about how it differed from this TV adaptation which aired back in 2018 but essentially, Payne circles around notions of sex and intimacy and the different roles they can play in different relationships. At the heart of the tale here are Joy and Alan, long married but sexually stale and thus we follow their decision to open out their marriage, with all the attendant difficulties that presents to their tightly-wound emotional states.
We also see the ripple effects on their teenage children, each finding their own way through love and sex and life and friendship, and we also see a lot of Joy’s therapy clients, the significance of which comes heavily to bear late on. Toni Collette and Steven Mackintosh are great value for money as Joy and Alan, Paul Kaye and Zawe Ashton also entertain as their new sex partners, and Kate O’Flynn and Anastasia Hille both thrill in supporting parts. The whole damn thing is worth it though for the simply spectacular Episode 5 in which locks Collette’s Joy and Sophie Okonedo as her own therapist in a room and keeps them there, to just stunning effect.
Today’s Advent treat is this TV version of Joe Penhall’s Birthday, making it a belated Roger Michell tribute first seen at the Royal Court
“Men can take the pain”
Joe Penhall’s Birthday was first seen onstage at the Royal Court back in 2012 and, in the strange way of these things, was chosen for televisual adaptation as part of Sky Art’s Playhouse Presents… programme in 2015. Roger Michell returned to direct with three-quarters of the original cast, only replacing Lisa Dillon with Anna Maxwell Martin (a mildly interesting decision given that’s his wife…!).
Birthday follows a couple in the final stages of pregnancy. The only thing is it is Ed who is nine months pregnant and Lisa who is pacing the hospital corridors and forgetting to pack the raspberry leaf tea. This is a world where men can have artificial wombs implanted but despite those advances, the often patronising manner that so many pregnant people experience remains very much intact. Continue reading “#AdventwithClowns Day 2 – Joe Penhall’s Birthday”
Casting updates for the Young Vic’s Best of Enemies, Hampstead Theatre’s Peggy For You, audio drama Ghost Walk and the Royal Court’s A Fight Against…
The Young Vic has revealed the complete cast and creative team for James Graham’s bold new play Best of Enemies, directed by Jeremy Herrin, in a co-production with Headlong.
1968 – a year of protest that divided America. As two men fight to become the next President, all eyes are on the battle between two others: the cunningly conservative William F Buckley Jr., and the iconoclastic liberal Gore Vidal. Beliefs are challenged and slurs slung as these political idols feud nightly in a new television format, debating the moral landscape of a shattered nation. Little do they know they’re about to open up a new frontier in American politics, and transform television news forever…
Charles Edwards plays Gore Vidal and David Harewood plays William F. Buckley Jr. The complete cast also includes Margo Cargill, Emilio Doorgasingh, Clare Foster, Tom Godwin, John Hodgkinson, Justina Kehinde, Syrus Lowe, Kevin McMonagle and Sam Otto. Continue reading “Plays update November 2021”
I revisit debbie tucker green’s random, this time on screen, 13 years after seeing it onstage, and am still blown away by Nadine Marshall’s talent and the delicious Mariah Carey shade
“Never trouble trouble til trouble trouble you”
debbie tucker green’s play random has a special place in my heart as it was the first show I ever saw at the Royal Court, back in 2008. I may have liked rather than loved it at the time but the urgency of Nadine Marshall’s solo delivery lingered long in the mind, particularly in the way her performance encapsulated several members of the same family, first going about their daily business and then reeling from a traumatic shock, a random act of violence.
tucker green directs her own adaptation here and finds an intriguing way to blend that monologue form with a wider visual representation of the world it depicts. Marshall returns as Sister, who once again inhabits all the dramatis personae of the story, but tucker green intersperses her backstage-set delivery with on-location shots featuring those characters, sometimes even letting them speak their own lines. Continue reading “Film Review: random (2011)”
The Black British Theatre Awards (BBTAs) is the UK’s first award show to celebrate the excellence and influence of Black performers and creatives within the UK theatre industry.
BEST DIRECTOR AWARD FOR A PLAY OR MUSICAL
Anthony Simpson-Pike, Lava, Bush Theatre
Miranda Cromwell, and breathe…, Almeida Theatre
Tinuke Craig, The Color Purple – at Home, Curve, in association with Birmingham Hippodrome
BEST MUSICAL DIRECTOR
Femi Temowo, and breathe…, Almeida Theatre
Ian Oakley, From Here, Chiswick Playhouse
Nadine Lee, Bagdad Cafe, The Old Vic
BEST PRODUCER AWARD
Almeida Theatre, and breathe…
Chris Steward and Shanay Holmes, West End Musical Celebration at Palace Theatre
Tanisha Spring, A Killer Party
BEST CHOREOGRAPHER AWARD
Dannielle ‘Rhimes’ Lecointe, The Sun, The Moon and The Stars, Theatre Royal Stratford East
Ingrid Mackinnon, Romeo and Juliet, Regent’s Park Open Air Theatre
Sarah Golding, Cruise, Duchess Theatre Continue reading “Nominations for the 2021 Black British Theatre Awards”