The producers of FIVER, the sell-out hit musical, which follows the dramatic journey of a five-pound note, are releasing a cast album in March. The album, titled Fiver (Live Concert Recording), is the product of three special, live streamed concert versions of the show, written by Alex James Ellison and Tom Lees, which played to a global audience in November 2020.
Theatre Royal Bath will reopen on 3 December with a revised performance schedule for Oleannaand Copenhagen, the final two plays in the theatre’s Welcome Back Season.
David Mamet’s provocative drama Oleanna, directed by Lucy Bailey will star Rosie Sheehy and Jonathan Slinger, who replaces John Heffernan in the role of John. The play will now run in Theatre Royal Bath’s Ustinov Studio from 3 December to 22 December and again from 4 January to 16 January 2021. Reduced capacity at the Ustinov Studio will allow for an audience of 60 persons per performance.
The November run of Michael Frayn’s multi award-winning Copenhagenhas been postponed until the new year when it will play Theatre Royal Bath’s Main House from 20 January to 6 February 2021. Directed by Polly Findlay it will star Haydn Gwynne, Philip Arditti, and in a change to original billing of Michael Gould, Malcolm Sinclair. Continue reading “UK theatre casting news – November update”
Lots of exciting news coming out of the National Theatre today, including actors Nicola Walker, Giles Terera and Kristin Scott Thomas, directors Simon Stone, Lynette Linton and Nicole Charles, and returns for Small Island, Beginningand The Ocean at the End of the Lane
The National Theatre has today announced nine productions that will play on the South Bank in 2020-2021 alongside previouslyannounced shows. These run alongside their international touring productions, three plays that will tour to multiple venues across the UK and a West End transfer. The NT also announces today that it will increase the quantity of low-price tickets on the South Bank by 25%, with 250,000 available across the year at £20 or less.
Robert Hastie’s production of Guys and Dolls brings all kind of Christmas cheer at the Crucible Theatre
“Call it dumb, call it clever Ah, but you can get odds forever”
There’s a touch of the predictable about going for a classic like Guys and Dolls as your Christmas musical, but can you blame Sheffield Theatres when its a stone-cold classic like this. And even if I’ve seen it fair few times in recent years (Royal Exchange, West End, Chichester), its joyous spirit is one which is hard to resist.
And that spirit is in fine evidence in Robert Hastie’s exuberant production at the Crucible. In Kadiff Kirwan’s highly personable Sky Masterson and Alex Young’s pleasingly self-assured Sarah Brown, and Martin Marquez’s Nathan Detroit and Natalie Casey’s Miss Adelaide, it has a cracking central quartet who have no problem in whisking us away from our troubles, if only for a couple of hours. Continue reading “Review: Guys and Dolls, Crucible”
The nominations for the 20th Annual WhatsOnStage Awards have been announced and I have a thought or two #justiceforAnneHathaway
As a publicly nominated affair, the What’s On Stage Awards always throw up an interesting set of nominations, as fanbases engage alongside theatregoers to produce an idiosyncratic reflection on the year. This year though, the nominees for the nine creative categories (Choreography, Costume Design, Direction, Graphic Design, Lighting Design, Musical Direction, Set Design, Sound Design and Video Design) have been decided by an independent panel of industry experts appointed, which has resulted in some pleasing inclusions for the likes of Equus and Small Island.
Acting-wise, the focus does land a little heavily on the more famous names (plus ça change) and that Supporting Actress in a Musical category is super-crowded (the Dear Evan Hansen mothers would have been a shoo-in for me there). My only real point of issue comes with the categorisation for the & Juliet players – are you really going to nominate Oliver Tompsett as a lead and then put Cassidy Janson in the supporting category? Did you not see the show, or get any of its message at all?!
The UK Theatre Awards are the only nationwide Awards to honour and celebrate outstanding achievements in regional theatre throughout England, Scotland, Wales and Northern Ireland. And looking at this list of winners, it was a great day for Sheffield Theatres!
Best New Play WINNER–LIFE OF PIadapted by Lolita Chakrabarti from the novel by Yann Martel – a Sheffield Theatres production THE WATSONS by Laura Wade – a Chichester Festival Theatre production ULSTER AMERICAN by David Ireland – a Traverse Theatre Company production at Lyric Theatre, Belfast
Best Musical Production THE COLOR PURPLE directed by Tinuke Craig – a Curve and Birmingham Hippodrome co-production WINNER– STANDING AT THE SKY’S EDGEdirected by Robert Hastie – a Sheffield Theatres production WEST SIDE STORY directed by Sarah Frankcom – a Royal Exchange Theatre, Manchester production Continue reading “Full list of 2019 UK Theatre Awards winners”
The UK Theatre Awards are the only nationwide Awards to honour and celebrate outstanding achievements in regional theatre throughout England, Scotland, Wales and Northern Ireland and they have just announced the nominations for the 2019 awards, the results of which will be revealed at a ceremony on Sunday 27th October. It’s always interesting to see a different perspective on award season, particularly one that doesn’t focus on London productions, but it does make me wish I’d could have taken in a few more of these UK-wide shows from this year.
Best New Play LIFE OF PI adapted by Lolita Chakrabarti from the novel by Yann Martel – a Sheffield Theatres production THE WATSONS by Laura Wade – a Chichester Festival Theatre production ULSTER AMERICAN by David Ireland – a Traverse Theatre Company production at Lyric Theatre, Belfast
Best Musical Production THE COLOR PURPLE directed by Tinuke Craig – a Curve and Birmingham Hippodrome co-production STANDING AT THE SKY’S EDGE directed by Robert Hastie – a Sheffield Theatres production WEST SIDE STORY directed by Sarah Frankcom – a Royal Exchange Theatre, Manchester production Continue reading “Nominations for the 2019 UK Theatre Awards”