News: Casting for MUM, The Mirror and the Light and The Rise and Fall of Little Voice

© Jeremy Freedman

Francesca Moody Productions, Soho Theatre and Theatre Royal Plymouth in association with Popcorn Group have announced that Sophie Melville, Denise Black and Cat Simmons will appear in the world premiere of MUM.  This provocative and unflinching portrayal of early motherhood and mental health, written by Olivier award-winning playwright Morgan Lloyd Malcolm (Emilia, The Globe/ West End) and directed by Abigail Graham (soon to also direct Aladdin at Lyric Hammersmith) will run at Theatre Royal Plymouth from 30 September – 16 October before transferring to Soho Theatre from 20 October – 20 November.

Motherhood. No one can prepare you for it. No matter how much you tell yourself you can do it – can you?  Where’s the rush of love? When will you sleep again?  What if the thing you fear most is also the thing you crave?  All you wanted was one night of unbroken sleep, what have you done? 

Nina is a new mum and tonight is her first night off. Tonight is about pizza and wine and letting go. But Nina didn’t feel prepared for motherhood and isn’t sure she fits the job description. Nina feels like she’s losing her grip.

This thought-provoking, funny and honest new play shines a light on early motherhood, anxiety and mental health. MUM examines the pressures and complex emotions many women experience when they have a baby. At a time when mothers have been disproportionally affected by the pandemic, never has it been more pertinent to explore these issues. Continue reading “News: Casting for MUM, The Mirror and the Light and The Rise and Fall of Little Voice”

Review: Dorian A Rock Musical, stream.theatre

A strong lead performance from Bart Lambert impresses in this streaming Oscar Wilde adaptation, but Dorian A Rock Musical lacks a real sense of identity

“Music is what I want now”

In a development that may well have made Oscar Wilde chuckle, daptations of The Picture of Dorian Gray are never too far from our stages and screens. We’ve had a streamed reinterpretation already this year but as its name might suggest, Dorian A Rock Musical also modernises the text but puts a musical spin onto the tale.

In some ways, Dorian A Rock Musical is a bit of a misnomer, Joe Evans’ score draws its influences from a much wider musical palette than solely rock and that’s probably to its advantage. Although undoubtedly gothic to its very soul, there’s an appealing openness to much of the music here with its plentiful harmonies, which marries well with lyrics that wittily incorporate the occasional Wildean bon motContinue reading “Review: Dorian A Rock Musical, stream.theatre”

News: National Theatre On Sale, July 2021 – January 2022

The National Theatre will return to performances with full capacity audiences from later this month. Additional seating will now be available for performances of After Life from 27 July alongside the previously-announced productions Rockets and Blue Lights in the Dorfman theatre and Paradise in the Olivier theatre, with extra tickets going on sale to the public from Monday 19 July.  

Tickets for The Normal Heart, East is East, Manor and Hex on sale to the public from Friday 30 July. Continue reading “News: National Theatre On Sale, July 2021 – January 2022”

News: National Theatre adds five new productions to streaming platform National Theatre at Home

The National Theatre has today announced the latest productions to be made available on its National Theatre at Home streaming platform. Launching today, Michaela Coel’s Chewing Gum Dreams, the Young Vic’s A View from the Bridge directed by Ivo van Hove with Mark Strong and Nicola Walker, and Rufus Norris’ production of Everyman with Chiwetel Ejiofor will be available for all audiences worldwide to stream. Danny Boyle’s production of Frankenstein and Sonia Friedman Productions’ Hamlet with Benedict Cumberbatch will also be available for audiences outside the UK and Ireland. Continue reading “News: National Theatre adds five new productions to streaming platform National Theatre at Home”

73rd Primetime Emmy Awards nominees

Outstanding Comedy Series
Black-ish (ABC)
Cobra Kai (Netflix)
Emily in Paris (Netflix)
The Flight Attendant (HBO Max)
Hacks (HBO Max)
The Kominsky Method (Netflix)
PEN15 (Hulu)
Ted Lasso (Apple TV+)

Outstanding Drama Series
The Boys (Prime Video)
Bridgerton (Netflix)
The Crown (Netflix)
The Handmaid’s Tale (Hulu)
Lovecraft Country (HBO)
The Mandalorian (Disney+)
Pose (FX)
This Is Us (NBC) Continue reading “73rd Primetime Emmy Awards nominees”

Review: The Importance of Being Earnest, Newcastle University Theatre Society via stream.theatre

Newcastle University Theatre Society stage an online production of The Importance of Being Earnest in aid of Acting for Others

“You’re quite right in making some alteration”

Although theatres in England are starting to reopen their doors, the impact of the lockdowns is still being disproportionately felt by many in the arts community. So it is fantastic to see people still grabbing the reins to come up with fundraising efforts for Acting for Others, the theatrical charity whose network of member charities offering financial and emotional assistance and support to those in the entertainment profession.

To that end, students from Newcastle University Theatre Society have mounted a production of The Importance of Being Earnest, available to watch online now on stream.theatre, performed and filmed in an empty Sunderland Empire. Directed by Adam Kinneen, he has added a framing device which introduces Oscar Wilde himself as a character, biographical snippets contrasting starkly with the intrinsic lightness of his play. Continue reading “Review: The Importance of Being Earnest, Newcastle University Theatre Society via stream.theatre”

Reviews: Constellations, Vaudeville Theatre

The Donmar West End production of Constellations launches its first two casts in Sheila Atim & Ivanno Jeremiah and Peter Capaldi & Zoë Wanamaker at the Vaudeville Theatre

One drink. And if you never want to see me again you never have to see me again.”

With the Donmar currently getting a lick of paint, Michael Longhurst has decided to revive his production of Nick Payne’s Constellations with a pandemic-friendly attention-grabbing model that fits neatly with Payne’s exploration of the multiverse. Four different casts take on the two-hander over the run, pushing it variously in terms of age, sexuality and race.

As if there was any doubting this is a show I like, you can read my reviews from upstairs at the Royal Court to its West End transfer to its bow on Broadway to the UK tour which also popped into the West End. And it is a real pleasure to be able to delve back into its playful structure which tracks the infinite possibilities of the relationship between quantum physicist Marianne and beekeeper Roland. Continue reading “Reviews: Constellations, Vaudeville Theatre”

Get a vaccine and get the ‘Rhythm of Life’

Ours is not to reason why but Josie Rourke has made a star-studded video, written by herself and James Graham, of Sweet Charity’s ‘The Rhythm of Life’ in order to encourages COVID-19 vaccination take-up ahead of the NHS’s 73rd birthday.

Nicola Roberts and Sandra Marvin do the lion’s share of the singing of Cy Coleman and Dorothy Fields’ iconic song, with the likes of David Walliams, Asa Butterfield, Derek Jacobi, Don Warrington and Russell Tovey adding in their own tuppence-worth to persuade naysayers to get the jab. Continue reading “Get a vaccine and get the ‘Rhythm of Life’”

Review: Bad Nights and Odd Days, Greenwich Theatre

Paul McGann and Kerrie Taylor, among others, shine in Bad Nights and Odd Days, a set of four short plays by Caryl Churchill at Greenwich Theatre

“She thinks the sun shines out of your arse, I could tell her different”

In the aftermath of such an epochal event as a global pandemic, you can understand why many a theatre would tend towards the safer, warmer end of programming in order to attract audiences back out once again. Which is why is most gratifying to see some buck that trend, Greenwich Theatre doing so in quite some style in an evening of four short plays by Caryl Churchill entitled Bad Nights and Odd Days.

Predictably, it’s a fascinating, challenging, probing theatrical experience, that really does further cement Churchill’s totemic position in the landscape. From global apocalypses to bedroom conversations, her unmistakable linguistic prowess carves out startling insights into her characters and into the way we all wield words, their meaning so often veiled under layers of need and ambition, love and desperation.  Continue reading “Review: Bad Nights and Odd Days, Greenwich Theatre”

London theatre update for June

The Kenneth Branagh Theatre Company has announced that tickets are on sale for a brand new production of Terence Rattigan’s much loved play The Browning Version. The production will play for 3 weeks at Riverside Studios from 5 – 29 August with Branagh directing. Tickets are available now from branagh-theatre.com.

The cast is made up of all RADA graduates with Branagh playing Andrew Crocker-Harris. He will be joined by Kemi Awoderu (Taplow), Joseph Kloska (Frank Hunter), Lolita Chakrabarti (Millie Crocker-Harris), Wendy Kweh (Dr Frobisher), Victor Alli (Peter Gilbert) and Sarah Eve (Mrs Gilbert).

The production will be designed by Frankie Bradshaw, Lighting Design will be by Paul Pyant and Sound Design by Emma Laxton. Continue reading “London theatre update for June”