The likes of Hannah Khalil, Morgan Lloyd Malcolm, Sarah Niles and Juno Dawson deliver some excellent work in The Motherhood Project
“There’s so much talk of being perfect mums”
Ripping off the rose-tinted glasses and gagging any hint of yummy mummies with a used nappy, The Motherhood Project takes an uncompromising look at motherhood, shining a light on the things that the books don’t, or won’t, tell you. Suhayla El Bushra talks about the way it affects friendship, Jodi Gray and Katherine Kotz herself investigate the maternal instinct or lack thereof, Kalhan Barath speaks of her choice not to have children… Kotz, who is also the curator of the project, has gathered a mixture of monologues and musings, 15 short films in all, all seeking to redefine the modern myths around motherhood.
There’s eight new monologues here, plus one repurposed one, making this a significant piece of new theatre writing. Jenni Maitland details the traumatising physical effects of childbirth in Morgan Lloyd Malcolm’s Inside Me, how it can fundamentally alters women’s relationship with their bodies, an issue already skewed by societal pressures of the feminine ‘ideal’. Hannah Khalil also delves deep into the hidden truths of becoming a parent through the medium of the (useless) advice she was given, the lyrical bent of Suited perfectly matched by Caroline Byrne’s expressionist direction and a quietly blistering performance from Emmanuella Cole Continue reading “Review: The Motherhood Project”
New interview series from the NT, Julius Caesar and Sunset Boulevard reappearing digitally and Hushabye Mountain coming to the Hope Mill
The National Theatre announced a new interview series Life in Stages, profiling some of the biggest names in British theatre. The series, which will be free to watch, will launch on the National Theatre’s YouTube channel on Thursday 22 April at 7pm BST with each new episode added at the same time every Thursday.
The first episode boasts Olivia Colman and Director and Joint Chief Executive of the National Theatre Rufus Norris.The second episode on Thursday 29 April will feature Romeo & Julietco-stars Josh O’Connor and Jessie Buckley. On Thursday 6 May the third episode puts Adrian Lester and Meera Syal together. Details of further episodes from this series will be announced later this month. Continue reading “Some theatre news from the last week”
Edition #5 of the Royal Court’s Living Newspaper takes a more reflective approach to great effect
“Most people do it. Not me, I have a conscience”
The Royal Court’s Living Newspaper continues with edition #5 which feels a little less reactive to the headlines and a little more reflective on the state of the world as we find it today. It looks back, probing into how our history has shaped us but it also identifies the precipice of the current moment and how, more than ever, so very much is at stake.
The quiet fury of Dalia Taha’s A Warning takes aim at Israeli border policies through the medium of books, Kayla Meikle’s devastatingly contained performance a real stand out. And Zia Ahmed’s elegiac scene/unscene finds a brutal poetry in its takedown of the systemic racism in the theatrical establishment, skewering good liberal intentions perfectly. Continue reading “Review: Royal Court’s Living Newspaper #5”
Constellations returns to the West End and how! One of my favourite plays, with four different casts?! Amazing stuff.
“One drink. And if you never want to see me again you never have to see me again.”
This summer Nick Payne’s beautiful and heartbreaking romance Constellations is revived in the West End with a twist: four different casts take turns to journey through the multiverse exploring the infinite possibilities of a relationship; each refracting the play afresh. Starring Sheila Atim and Ivanno Jeremiah (18th June – 1st August), Peter Capaldi and Zoë Wanamaker (23rd June – 24th July), Omari Douglas and RussellTovey (30th July – 11th September), and Anna Maxwell Martin and Chris O’Dowd (6th August – 12th September).
Bukky Bakray, Stacey Gregg, Tanika Gupta, Ellie Kendrick, Sabrina Mahfouz, Nathaniel Martello-White, Eoin McAndrew, Caitlin McEwan, Rachel Nwokoro, Annie Siddons, Stef Smith, Caro Black Tam, Ed Thomas, and Michael Wynne will write Edition 4 of the Royal Court’s Living Newspaper.
A sideways look at the people who govern us. A space for protest. Because we can’t party without protest and we can’t heal without it either.
Edition 4 will feature Rishi Sunak as your romantic Indian soap hero, sign language interpreters prepping for a Covid briefing at the Northern Irish Assembly, a teenager watching the End SARS protests play out on Instagram, a love letter to Nicola Sturgeon, an internet boy who becomes a museum piece, an unravelling of Peruvian independence day celebrations and a box office supervisor who tells it like it is. Continue reading “News: writers and cast for Living Newspaper #4”
As a multi-authored, rapid-response foray into theatre-making, structured loosely around the section of a newspaper, it possesses an up-to-the-minute urgency that is rarely captured seen onstage. Pithy soundbites from Boris Johnson are torn apart (in the corking Crocus of Hope that forms the first page), the hollowness of Emily in Paris is exposed, and there’s variety in the vitriol too. Continue reading “Review: Royal Court’s Living Newspaper #3”
Agatha Christie’s The Mousetrap– the longest running show in the world, which has been suspended since the pandemic resulted in the closure of UK theatres in March 2020 – is to re-open in the West End on Monday 17 May 2021.
Artistic Director Daniel Evans and Executive Director Kathy Bourne have announced that Chichester Festival Theatre will reopen its doors with its summer musical: Rodgers & Hammerstein’s South Pacific, running from 5 July – 4 September.
Leading UK artists including Morgan Lloyd Malcolm, Athena Stevens and Anya Reiss will join Juno Dawson, Lemn Sissay and Naomi Sheldon among others for The Motherhood Project. Fifteen short films will explore the guilt, joy, absurdity and taboo surrounding motherhood in this online festival of dramatic monologues and personal reflections. The films will be available on the Battersea Arts Centre website from Monday 19th April; all ticket sales will include a 50% donation to Refuge.
Launching new audio drama platform Sound Stage, Mark Ravenhill’s Angela is a profoundly moving account of his mother’s experience of dementia
“I don’t like it when they change the story, I wish they would stick to the story”
I don’t know why I put myself through dementia dramas. They tap into one of my deepest fears and more often than not leave me terribly distressed but who says art should ever be easy? Mark Ravenhill’s autobiographical Angela launches the Sound Stage platform created by the Royal Lyceum theatre and Pitlochry Festival theatre, adding in virtual theatregoing elements to the audio drama experience and predictably, is gut-wrenchingly yet beautifully felt.
Drawing directly on his mother’s journey with Alzheimer’s and how that impacted the whole family, Ravenhill places her experiences at the heart of his play, a boldly disconcerting move which feels entirely right. As we slip from present to past, as an encounter here triggers a memory there, a portrait is built of the richness of a life lived, even as recollections of it are slipping away from her grasp. Continue reading “Review: Angela, Sound Stage”