New audio-digital theatre platform SOUND STAGE to premiere new plays from Mark Ravenhill, Roy Williams, Timberlake Wertenbaker and John Byrne
Pitlochry Festival Theatre, The Royal Lyceum Theatre Edinburgh in collaboration with Naked Productions are thrilled to announce Sound Stage – a new immersive audio digital theatre which from late March will premiere 8 new plays written by amongst others Mark Ravenhill, Roy Williams, Timberlake Wertenbaker, and John Byrne.
Sound Stage is an exciting new audio-digital venture, designed by theatre makers and leading technologists, giving audiences a unique and engrossing online theatre experience of new plays from the best in British theatre which in the future Pitlochry Festival Theatre and the Royal Lyceum Theatre Edinburgh hope to produce on stage.
Sound Stage will operate an online booking system for all productions. Just like booking a ticket for the theatre, audiences will be able to book ahead for a performance and time of their choice. Continue reading “News: new audio-digital theatre platform SOUND STAGE launches”
Having bad credit can mess with a person in all kinds of different ways. It can make it harder for a person to buy a house, a brand new vehicle, or get a credit card. It can also stop a person from getting loans the traditional way, through their bank or other local lenders, thanks to most financial institutions not wanting to do business with folks with bad credit.
So what can you do if you don’t have the best credit but still need money for something? While it might seem like your options are limited in your local area, you aren’t completely out of solutions. There are all kinds of platforms and lenders online who are more than happy to work with folks who have no credit or bad credit. Everyone deserves a chance to have access to money they need, right when they need it—regardless of their credit scores. Continue reading “Yes, You Can Get a Guaranteed Installment Loan With Bad Credit”
Featuring the marvellous Sophie Isaacs, Jodie Steele and T’Shan Williams, Together Again might Thespie’s best Reunited gig yet
“Good times we’ll share again”
For whatever reason, the musical adaptation of Heathers held no attraction for me so I never actually got around to going to see it. The quality and appeal of its cast was never in doubt though, so I was interested to what the title trio of Sophie Isaacs, Jodie Steele and T’Shan Williams would get up to in Together Again, their concert for Thespie’s Reunited series.
There’s an easy informality about this trio, who clearly get on like a house on fire, that elevates this concert to the best kind of cabaret. Full of chat, in-jokes and genuine admiration inbetween songs, the three of them conjure up the type of atmosphere that fully engages you and keeps you hanging off every note they sing. Continue reading “Review: Together Again”
The finalists for the 2021 Offies (for productions in 2020) have been announced and congratulations to the 47 finalists across 16 of the 28 Offies categories. The winners will be announced at the Offies Awards Ceremony, being held online on 21 February 2021.
The following categories are not going forward for 2021 awards as there were insufficient nominations due to theatre closures arising from Covid-19 lockdowns:
- Design: Costume
- Design: Video
- Company Ensemble
- Musicals: New Musical
- Plays: Most Promising New Playwright
- Plays: Production
- Theatre for Young People: Production (0-7)
- Theatre for Young People: Production (13+)
- Theatre for Young People: Production (8+)
Continue reading “The finalists of The Offies 2021”
Teed up as the big farewell for two companions, Revolution of the Daleks was still a treat as Doctor Who returned to the festive schedule
“Sometimes we get a bit scared cos new can be a bit scary, right?”
Just a quickie for this perennial favourite. Doctor Who was quite lucky in that they got their Christmas episode in the can in good time pre-pandemic, it was actually filmed back in 2019 when Covid was but a Chinese whisper. And the way of these things as they are these days, we already knew that Revolution of the Daleks would mark the end of the TARDIS journeys for two of her current companions – would we get an Adric-style death to take us into 2021?
Spoiler alert, of course not. Ryan and Graham got to go back to Sheffield no problem, complete with psychic paper mementos, and even Sharon D Clarke’s Grace came back to welcome them home, well her ghost did at least. Dramatically it might not have been the punchiest way to go but in the end, it felt like the right thing to do , reflecting the relative normality of the ‘fam’ and their inter-relationships. Continue reading “TV Review: Doctor Who – Revolution of the Daleks”
A quality cast including Gemma Arterton and Dame Diana Rigg can’t save Black Narcissus for me
“Better honey than vinegar”
A funny one this, particularly for the captive audience of the inbuilt lethargy of the Twixmas period. In the absence of Sarah Phelps’ brilliant reinventions of Agatha Christie, Black Narcissus was the BBC’s big drama punt on the festive schedule but I’m not entirely sure if it was the right choice.
Based on the Rumer Godden novel and famously filmed in 1947 by Powell and Pressburger with Deborah Kerr, the story follows a band of Anglican nuns as they try to establish a new mission in the Himalayan mountains. Their chosen base is a former palace with erotic paintings on the bricks, a troubled history seeping from the mortar and a swarthily handsome agent who keeps popping by – Sister Act this ain’t. Continue reading “TV Review: Black Narcissus”
Some of the cast of Pretty Woman reunite for this Thespie Reunited concert Never Give Up On A Dream
“It’s a hard winter’s day
I dream away”
With Aimie Atkinson as their creative producer, it is perhaps little surprise that Thespie’s Reunited series has a Pretty Woman the Musical special leading its programming into the new year. But no-one should begrudge them that and Never Give Up On A Dream has much to commend it.
I can’t lie, Pretty Woman the Musical did not do it for me but this show opens up the pop songbook far and wide to take in the likes of Roxette (‘It Must Have Been Love’, natch), Queen (a fiery group ‘Somebody to Love’) and Tony Bennett (Bob Harms in spine-tingling form on ‘Who Can I Turn To’). Continue reading “Review: Never Give Up On A Dream”
Jinkx Monsoon and BenDeLaCreme tackle Christmas the only way they know how in the highly entertainting The Jinkx & DeLa Holiday Special
“Jinkx please, not in front of the baby Jesus”
Clearly knowing they’re onto a good thing, Jinkx Monsoon and BenDeLaCreme have reunited for their third holiday special The Jinkx & DeLa Holiday Special, a show which sees DeLa producing and directing for the first time as well as co-creating and co-writing with DeLa. And though much of the special electricity that characterises the best drag comes from a live environment, the take-off of a TV holiday special here means streaming feels like the show’s ideal home.
The plot, insofar as it matters, sees DeLa trying to convince Jinkx of the merits of a traditional Christmas but finding her convictions shaken as the spirit of her grandma speaks to her from a glass of eggnog. But even as you may scoff at how OTT the whole thing seems, there’s the kernel of something genuine underscoring the messaging that builds to something more substantial than candy canes and colourful costumes, a hard-won emotional truths that many LGBT+ folk will recognise all too well at this time of year. Continue reading “Review: The Jinkx & DeLa Holiday Special”
Sneaking in in the nick of time, I catch the delights of the second edition of the Royal Court’s Living Newspaper
“A slither of hope…hmmm”
I do love what the Royal Court are doing with their Living Newspaper series, rapid-response pieces being created with a limited shelf-life creating a sense of urgency that isn’t always present with digital content, but spreading the week of availability over Christmas does feel a little tricky even if festive plans for so many of our plans were forced astray.
Nevertheless, I was able to get stuck into the second edition before the digital shredder cut in and I’m glad I did as it continues to be an entirely fascinating and engaging disruption of theatrical form. Adopting the various elements of a newspaper (horoscopes, dating columns, cartoons as well as news and opinion pieces) and delivering them from various nooks and crannies around the Royal Court building (the originally planned in-person experience would have been conducted in promenade), the result is fierce and fresh. Continue reading “Review: Royal Court’s Living Newspaper #2”