TV Review: Too Close (ITV)

Emily Watson and Denise Gough both excel in chilling TV psychodrama Too Close

“Grief can be its own kind of hell”

Too Close comes to ITV with Clara Salaman adapting her own pseudonymous novel and Susan Tully directing the 3-part series. And rather impressive it was too, continuing to buck the (possibly unfair) preconceived notions about ITV dramas that persist in my mind. 

Emily Watson plays Dr Emma Robertson, a forensic psychiatrist returning to work after a personal tragedy, whose first case back is that of Denise Gough’s Connie Mortensen, a woman accused of a horrific case of attempted murder whose fitness to stand trial Emma must declare. Continue reading “TV Review: Too Close (ITV)”

TV Review: Stephen (ITV)

Stephen is a deeply compassionate and quietly furious look at the many injustices of the Stephen Lawrence case

“Never expected getting justice to be my job”

Written by Frank Cottrell-Boyce and Joe Cottrell-Boyce and directed by Alrick Riley, Stephen is based on the book In Pursuit of the Truth by DCI Clive Driscoll who spearheaded the 2012 police re-investigation which ultimately led to the conviction of two of the killers of Stephen Lawrence. Murdered in 1993 in a racist attack, the 18 year old Black British man’s case was fumbled in the extreme, the subsequent Macpherson report finding the Met incompetent and institutionally racist, his family left despairing that justice would ever be served. 

And this is where the show is strongest. Sharlene Whyte as Doreen Lawrence and Hugh Quarshie as Neville Lawrence deliver two quietly devastating performances as Stephen’s parents, now separated but still bound inextricably by their son’s murder, their lives shaped not just by his absence but by the absence of fair treatment by the investigating authorities. Thus the arrival of Driscoll, played here by Steve Coogan, a DCI handed the case in a cold case review in 2006, is rightly treated with a high degree of hard-won scepticism and scorn. Continue reading “TV Review: Stephen (ITV)”

73rd Primetime Emmy Awards winners

Outstanding Comedy Series
WINNER – Ted Lasso (Apple TV+)
Black-ish
 (ABC)
Cobra Kai (Netflix)
Emily in Paris (Netflix)
The Flight Attendant (HBO Max)
Hacks (HBO Max)
The Kominsky Method (Netflix)
PEN15 (Hulu)

Outstanding Drama Series
WINNER – The Crown (Netflix)
The Boys (Prime Video)
Bridgerton (Netflix)
The Handmaid’s Tale (Hulu)
Lovecraft Country (HBO)
The Mandalorian (Disney+)
Pose (FX)
This Is Us (NBC) Continue reading “73rd Primetime Emmy Awards winners”

TV Review: Trying Series 2 (Apple TV)

Rafe Spall and Esther Smith continue to be charm personified in the second series of Apple TV’s Trying

“No-one’s laminated my life story yet”

As Apple TV continues to try and meaningfully break through, its commitment to its original series is commendable. Ted Lasso is riding the slowburn train to award success and also getting a second series if somewhat more under the radar, sweet comedy Trying has also returned.

The show centres on thirty-something Camdenites Nikki and Jason and their efforts to grow their family. The first series tackled their (lack of) fertility and the start of their journey through the adoption process and this second sees them continuing to navigate this bureaucratic and emotional minefield. Continue reading “TV Review: Trying Series 2 (Apple TV)”

TV Review: Code 404

Starring Stephen Graham and Daniel Mays, Sky Comedy’s Code 404 treads an uneasy line between comedy, sci-fi and police procedural

“What’s with the birdbath?”

Created by Tom Miller, Sam Myer and Daniel Peak, Code 404 has a concept that feels like it ought to work but in its execution, somewhat misses the mark. Set (very loosely) in a near-future London, this is a world where technological advances have progressed so far as to be able to bring people back from the dead. So when DI John Major is killed in the line of duty, it doesn’t necessarily mean the end…

Problem is, the procedure is still experimental. So Daniel Mays’ John is more than a bit glitchy. And given that it took nearly a year to execute, his partner – Stephen Graham’s DI Roy Carver – has moved on and moved in with John’s widow – now wife again – played by the excellent Anna Maxwell Martin. And as they try to solve the case of John’s not-murder, all sorts of uncomfortable truths threaten to bubble to the surface. Continue reading “TV Review: Code 404”

TV Review: The Windsors, Series 3

Series 3 of The Windsors sees the show tailing off just a little, as it struggles to work out how fit Meghan in as a comic character

“There could be tanks on the streets of Kensington and Chelsea”

After a couple of years off-air, Series 3 of The Windsors returned with an avowed aim of real topicality but given the way that Harry and Meghan’s departure from royal life and the subsequent revelations have played out, it can sometimes be a tricky watch (if you’re pro-Meghan that is…).

I’d argue that the series does best when cutting a little looser from this territory too. Charles and Camilla’s visit to the Middletons’ is inspired as is the dip into accidental Satanism, Fergie choosing between Eugenie and Beatrice at Glastonbury is hilarious as is their diversion to chalet life in Verbier. Continue reading “TV Review: The Windsors, Series 3”

TV Review: The Windsors, Series 2

Series 2 of The Windsors ups the absurdity and the satire of this cracking TV show, with Vicki Pepperdine’s Anne a real highlight 

“You lied to me when you went to bed with Nicola Sturgeon in her holiday persona of Flame”

Series 2 of The Windsors ups the absurdity and the satire of this cracking TV show as Theresa May (Gillian Bevan), Nicola Sturgeon (a genius Amy Booth-Steel) and Donald Trump (Corey Johnson) (and Ellie Goulding too – nice to see Lizzy Connolly on TV) all make appearances to further lampoon our blessed Royal Family. 

Harry Enfield’s Prince Charles comes in for some particular stick as his organic credentials, urban planning skills and predilection for interfering in geopolitical affairs all get raked over the coals to great comic effect. Elsewhere, most everyone else gets away with flights of fancy rather than having their actions similarly scrutinised, for the most part. Continue reading “TV Review: The Windsors, Series 2”

TV Review: The Windsors, Series 1

Series 1 of The Windsors proves that Hugh Skinner can do no wrong, nor Haydn Gwynne for that matter 

“We’ve outgrown our usefulness like nipples on men”

Despite starring several of my theatrical faves, I’d never quite got around to watching The Windsors. But given that I’m off to see the stage show The Windsors: Endgame tomorrow, I thought I’d give Series 1 a whirl since it is on Netflix. And I have to say I absolutely frigging loved it. 

George Jeffrie and Bert Tyler-Moore’s parody of the House of Windsor takes the form of a fast-moving soap opera, which means that the joke rate is phenomenal and as in the fashion of many a comedy show, if you’re not enjoying a particular turn, you don’t have to wait more than a few minutes before the next one appears. Continue reading “TV Review: The Windsors, Series 1”

TV Review: Ted Lasso, Series 2 Episodes 1+2

Series 2 of Ted Lasso looks like it is continuing the success of the first, plus with added Sarah Niles

“Jan Maas is not being rude, he’s just being Dutch”

The first series of Ted Lasso was a real lockdown boon, a perfectly bittersweet heart-warmer that showed the best way that American people can do shows about football is by making them about something else altogether – in this case, being a thoroughly decent human being.

This Apple TV show treads the line between being unbearably twee and really very touching with real skill, and this second series looks set to continue that trend as AFC Richmond deal with relegation, life in the Championship and the presence of a sports psychologist in their midst. Continue reading “TV Review: Ted Lasso, Series 2 Episodes 1+2”

73rd Primetime Emmy Awards nominees

Outstanding Comedy Series
Black-ish (ABC)
Cobra Kai (Netflix)
Emily in Paris (Netflix)
The Flight Attendant (HBO Max)
Hacks (HBO Max)
The Kominsky Method (Netflix)
PEN15 (Hulu)
Ted Lasso (Apple TV+)

Outstanding Drama Series
The Boys (Prime Video)
Bridgerton (Netflix)
The Crown (Netflix)
The Handmaid’s Tale (Hulu)
Lovecraft Country (HBO)
The Mandalorian (Disney+)
Pose (FX)
This Is Us (NBC) Continue reading “73rd Primetime Emmy Awards nominees”