Priscilla Queen of the Desert will restart its tour at the Everyman Theatre, Cheltenham on 23rd June. Miles Western will take on the role of Bernadette, with Nick Hayes as Adam/Felicia and Edwin Ray playing Tick/Mitzi. They are joined by Daniel Fletcher (Bob), Rebecca Lisewski (Marion), Kevin Yates (Miss Understanding), Gracie Lai (Cynthia) and Ronan Burns (Frank). The Divas will be played by Claudia Kariuki, Rosie Glossop and Aiesha Pease, and the cast is completed by Emma Katie Adcock, Jak Allen Anderson, Allie Daniel, Martin Harding, Clarice Julianda, Jemima Loddy, Nathan Ryles, Tom Scanlon and Jermaine Woods. Continue reading “News: a whole load of UK musical tour casting announcements”
Episode 5 of the West End Musical Drive In adopts a loose Hallowe’en theme with Lucie Jones, Jon Robyns and Kelly Agbowu
“Boris isn’t due on for another half an hour so we’re alright”
Saving the best for last might sound like something of a cliche but it is hard not to feel that way with this fifth and final instalment from the West End Musical Drive In (see reviews of episode 1, episode 2, episode 3 and episode 4) which was their actual last show from the summer. Headlining the company is Lucie Jones and she really does reconfirm her absolute star quality.
The Hallowe’en theme sees some of the more interesting song choices of the show. Jones visiting Beetlejuice and The Addams Family, and Kelly Agbowu nailing Ursula’s iconic ‘Poor Unfortunate Soul’ and Elphaba’s ‘No Good Deed’. And a raucous rendition of ‘The Time Warp’ is lots of fun even if its with a recorded version of the track. Continue reading “Review: West End Musical Drive In, Episode 5”
Featuring the marvellous Sophie Isaacs, Jodie Steele and T’Shan Williams, Together Again might Thespie’s best Reunited gig yet
“Good times we’ll share again”
For whatever reason, the musical adaptation of Heathers held no attraction for me so I never actually got around to going to see it. The quality and appeal of its cast was never in doubt though, so I was interested to what the title trio of Sophie Isaacs, Jodie Steele and T’Shan Williams would get up to in Together Again, their concert for Thespie’s Reunited series.
There’s an easy informality about this trio, who clearly get on like a house on fire, that elevates this concert to the best kind of cabaret. Full of chat, in-jokes and genuine admiration inbetween songs, the three of them conjure up the type of atmosphere that fully engages you and keeps you hanging off every note they sing. Continue reading “Review: Together Again”
A trio of quick London cast recordings – The Secret Diary of Adrian Mole Aged 13 ¾, Heathers and Calendar Girls
“For a greasy little nobody, you do have good bone structure”
I was delighted to see a belated West End transfer for this lovely new musical by Jake Brunger and Pippa Cleary. I’ve loved every step of its journey and The Secret Diary of Adrian Mole Aged 13 ¾ (Original London Cast Recording) proves the perfect accompaniment as it captures so much of the energy of this most British of tales and sparky performances from the likes of John Hopkins and the luminous Kelly Price.
I didn’t however make it to Heathers, it just not appealing to me at all. With Heathers (Original West End Cast Recording), the opportunity to listen to this high school musical is now ours but I have to say, its charms elude me. There’s a fatal mismatch between the darkness of the source material (it really is a brutal film) and the breeziness of Laurence O’Keefe and Kevin Murphy’s pop-rock score that not even the quality of Carrie Hope Fletcher, Jodie Steele, Sophie Isaacs and Jamie Muscato’s strong performances can overcome.
And I thought I’d pay another visit to Yorkshire for Calendar Girls (Original London Recording) to see whether it stands the test of time. It proved an amiable if short-lived presence in the West End and listening to it again, I’d argue that there’s a gentleness to it that doesn’t quite linger long enough. Gary Barlow’s tunes are undeniably pretty but ultimately, they don’t really call out to be listened to over and again.
“I may be in love but im not stupid”
To Leicester’s Curve, and just go.
Nikolai Foster’s directing it,
He’s changed some things that you may approve
Others are not so successful
But what do I know? Continue reading “Review: Legally Blonde, Curve”
“You need to see me in a brand new domain”
A bit of a change over at Upstairs at the Gatehouse has seen their customary Christmas musical take on a more modern bent after recent successes with classics such as Guys and Dolls, Crazy For You and Singin’ in the Rain. Over the past years, many a West End musical has been cleverly refashioned for this intimate space in Highgate, where fringe premieres of The Drowsy Chaperone, Buddy, and Avenue Q have previously been seen, and it is to the latest of these that the in-house Ovation Theatres have turned with Legally Blonde the Musical.
Like protagonist Elle Woods herself, the show might easily be dismissed on superficial grounds but it is worth remembering that it managed over three years at the Savoy in the cutthroat world of the West End musical and also took home the Olivier for Best New Musical. A good deal of that was due to the winning charms of Sheridan Smith but there’s also no denying that Laurence O’Keefe and Nell Benjamin’s ebullient score and Heather Hach’s adroitly pitched book from Amanda Brown’s novel and the Reese Witherspoon-starring film taps into something irresistible. Continue reading “Review: Legally Blonde, Upstairs at the Gatehouse”
“You must admit that Elle Woods should join the chosen few”
Part of the fun of delving back into these soundtracks, so many of which I’ve had for a while, is challenging the preconceptions that I’ve allowed to build up in my mind. Sister Act the musical is the perfect example, mentally I didn’t rate it so hadn’t listened to it for an age but upon taking the time, I discovered it to be better than I remembered. That works both ways though and I’ve long rated the Legally Blonde the Musical soundtrack on this basis, even though it really stems from me having my favourite four tracks from it on my most listened to playlist.
So yes, ‘Omigod You Guys’ and ‘What You Want’ are two brilliant songs and I’ll fight anyone who says otherwise. Their glossy joie de vivre setting the scene perfectly for this camp-as-tits show and book-ended by the highly amusing ‘There, Right There!’ and the emotive title track which segues from its gorgeous ballad treatment into an energetic 11 o’clock number, there are some cracking musical moments in this show and with national-treasure-in-the-making Sheridan Smith at its helm as the determined Elle Woods, how could it be otherwise. Continue reading “Album Review: Legally Blonde (2010 Original London Cast)”
“Don’t talk like a slut, dear”
It seems scarcely credible that Bat Boy The Musical ever opened in a West End house – its scuzzy, B-movie schtick seems custom-designed for the fringe world and it is decently served by Luke Fredericks’ production here, for Morphic Graffiti at the Southwark Playhouse. Keythe Farley and Brian Flemming’s book was inspired by a spoof story in an American tabloid which spoke of a creature that was half-boy and half-bat, and imagines what happens when a local family takes him in under their wing in the insular town of Hope Falls, West Virginia.
Rob Compton’s Bat Boy is first found in the depths of a cave by some trouble-making teenagers who capture him after a brief struggle in which one of their number is injured. Bat Boy has been down there for years – with some pretty nifty gym equipment judging by his abs – but once placed in the care of Sheriff Reynolds and his family, finds himself longing to join society. With the help of the motherly Meredith and moody daughter Shelley, he learns to speak and to modify his blood-thirsty behaviour, but soon finds that not even the most cut-glass BBC accent can defeat small-mindedness at its very worst. Continue reading “Review: Bat Boy The Musical, Southwark Playhouse”
Nell Benjamin, The Explorers Club
Steven Levenson, Core Values
Conor McPherson, The Night Alive
Richard Nelson, Regular Singing
Bruce Norris, Domesticated
Robert Schenkkan, All The Way
John Patrick Shanley, Outside Mullingar
A Gentleman’s Guide to Love and Murder
Beautiful: The Carole King Musical
Love’s Labour’s Lost
The Bridges of Madison County Continue reading “Nominations for the 2014 Drama Desk Awards”