News: The National Theatre announces 2021-22 programming and launches National Theatre Together

The National Theatre announces new programming and launches a major new campaign for its future, National Theatre Together

The National Theatre has announced its programming until the start of next year with productions on all three South Bank stages as well as three major UK tours, two productions on Broadway, a return to cinemas, and a new feature film to be broadcast on television this autumn. In the week the theatre reopened for audiences again, six new productions were announced, and five productions halted by the pandemic were confirmed to return to the South Bank.  

It has also announced the public launch of National Theatre Together, a new campaign with people at its heart, highlighting the importance of creativity and collaboration with theatre-makers and communities, for young people and audiences. The campaign cements the NT’s commitment to the people of this country and will raise vital funds for the theatre’s ambitious recovery post-pandemic.  Continue reading “News: The National Theatre announces 2021-22 programming and launches National Theatre Together”

The 30th Ian Charleson Awards

Winner

Heledd Gwynn for Hedda in Hedda Gabler at the Sherman Theatre, Cardiff and Hastings and Ratcliffe in Richard III for Headlong

Second Place

Hammed Animashaun for Bottom in A Midsummer Night’s Dream at the Bridge Theatre

Third Place

Ronkẹ Adékoluẹjo for Abosede in Three Sisters at the National Theatre

Commendations

Kitty Archer for Mariane in Tartuffe at the National Theatre
Eben Figueiredo for Christian in Cyrano de Bergerac at Jamie Lloyd Company at the Playhouse
Isis Hainsworth for Hermia in A Midsummer Night’s Dream at the Bridge Theatre
Ebony Jonelle for Rosalind in As You Like It for the National Theatre Public Acts/Queen’s Theatre Hornchurch
Ioanna Kimbook for Cariola in The Duchess of Malfi at the Almeida
Racheal Ofori for Udo in Three Sisters at the National Theatre
Billy Postlethwaite for Macbeth in Macbeth at the Watermill Theatre
Ekow Quartey for Lysander in A Midsummer Night’s Dream at Shakespeare’s Globe
Kit Young for Lysander in A Midsummer Night’s Dream at the Bridge Theatre

News, such theatre news!

It’s so exciting to have an inbox full of theatre announcements – here’s a recap of some of the ones that are most piquing my interest at the moment

The Lawrence Batley Theatre, Huddersfield and The Dukes, Lancaster announce the full cast of their digital co-production of The Importance of Being Earnest by Yasmeen Khan.

The full cast is Gurjeet Singh (Ackley Bridge, Wuthering Heights), Tom Dixon (Twelfth Night, Romeo & Juliet), Mina Anwar (Everybody’s Talking About Jamie, The Thin Blue Line), Nikki Patel (Trojan HorseCoronation Street), Zoe Iqbal (Finding Fatimah, Ackley Bridge) and Melanie Marshall (Jane Eyre); with appearances from finalist of RuPaul’s Drag Race UK Divina De Campo, star of stage and screen Paul Chahidi, award-winning actor, comedian and writer Hugh Dennis, actress Harriet Thorpe (Absolutely Fabulous) and  comedian Sindhu Vee. Continue reading “News, such theatre news!”

News update for Christmas theatre in London

Regions across the UK were hoping to win the lottery but with the news of Tier 2 (for now) for London, here’s some Christmas theatre news 

The Donmar Warehouse announces today that it will present a special concert online to mark the festive season. LOOKING A LOT LIKE CHRISTMAS will be performed in the beautiful setting of St Paul’s Church (affectionately known as The Actors’ Church), in the heart of Covent Garden and premiere online for free on the Donmar’s YouTube channel on Wednesday 16 December, 7.30pm. The concert will be captioned, and an audio introduction will be available in partnership with Vocaleyes.

This hour-long concert of musical numbers, sketches and seasonal poetry will be directed by Simon Evans (Staged, The Resistible Rise of Arturo Ui) with musical direction by Nigel Lilley (Piaf, Caroline, or Change) and production design by Grace Smart (My Beautiful Laundrette, One Night in Miami). Continue reading “News update for Christmas theatre in London”

Review: Misfits, Queen’s Theatre Hornchurch

The four monologues of Misfits, streaming via Queen’s Theatre Hornchurch, present slightly-too-disparate aspects of life in Essex

“I am the bastard love child of Chas and Dave”

The monologue has been a mainstay of lockdown programming so there’s something sadly inevitable that Misfits, commissioned in the first lockdown, finds its IRL run kyboshed by the second. But Queen’s Theatre Hornchurch were live to the risks and had already developed a model where audience members could choose whether to book an actual or virtual seat to see the show.

Misfits appears as part of their Essex on Stage season, and sees short plays by Anne Odeke, Guleraana Mir,  Kenny Emson and Sadie Hasler encapsulating something of the inimitable Essex spirit through its vivid characters. So there’s nights out in Romford or Southend aplenty with pints of Snakebite and canary yellow GTIs but also a great deal of heart and a defiant sense of identity, which sometimes has to be worked on. Continue reading “Review: Misfits, Queen’s Theatre Hornchurch”

An assortment of October theatre news

Full casting has been announced for Queen’s Theatre Hornchurch’s upcoming production of Misfits, an innovative new hybrid of live theatre and digital content, playing 12-22 November 2020. Bookers will purchase a ticket which will allow them the choice of watching the show be performed live onstage in front of a socially
distanced audience or streamed to their homes, right up until the day of the show.

Misfits intertwines four inspirational tales of Essex resilience to make an unmissable world premiere by four of the region’s most exciting playwrights: Anne Odeke, Guleraana Mir, Kenny Emson and Sadie Hasler and will be co-directed by QTH Artistic Director Douglas Rintoul and Emma Baggott. The cast is Anne Odeke, who is also writing part of the piece, Gemma Salter, Mona Goodwin and Thomas Coombes. Continue reading “An assortment of October theatre news”

The 2019 Ian Charleson Award nominees announced

The Ian Charleson Award celebrates performances by actors under 30 in a classical role and is dedicated to Scottish actor Ian Charleson, who died in 1990 aged just 40. Whilst I remain unconvinced that this is a category that merits special consideration, especially if it isn’t going to reach out to the fringes, it is still good to see a pleasing range of actors being recognised here.

Ronkẹ Adékoluẹjo for Abosede in Three Sisters at the National Theatre

Hammed Animashaun for Bottom in A Midsummer Night’s Dream at the Bridge Theatre

Kitty Archer for Mariane in Tartuffe at the National Theatre

Eben Figueiredo for Christian in Cyrano de Bergerac at Jamie Lloyd Company at the Playhouse

Heledd Gwynn for Hedda in Hedda Gabler at the Sherman Theatre, Cardiff and Hastings and Ratcliffe in Richard III for Headlong

Isis Hainsworth for Hermia in A Midsummer Night’s Dream at the Bridge Theatre

Ebony Jonelle for Rosalind in As You Like It for the National Theatre Public Acts/Queen’s Theatre Hornchurch

Ioanna Kimbook for Cariola in The Duchess of Malfi at the Almeida

Racheal Ofori for Udo in Three Sisters at the National Theatre

Billy Postlethwaite for Macbeth in Macbeth at the Watermill Theatre

Ekow Quartey for Lysander in A Midsummer Night’s Dream at Shakespeare’s Globe

Kit Young for Lysander in A Midsummer Night’s Dream at the Bridge Theatre

News: the National Theatre announces 9 new productions for 2020-21

Lots of exciting news coming out of the National Theatre today, including actors Nicola Walker, Giles Terera and Kristin Scott Thomas, directors Simon Stone, Lynette Linton and Nicole Charles, and returns for Small Island, Beginning and The Ocean at the End of the Lane

The National Theatre has today announced nine productions that will play on the South Bank in 2020-2021 alongside previously announced shows. These run alongside their international touring productions, three plays that will tour to multiple venues across the UK and a West End transfer. The NT also announces today that it will increase the quantity of low-price tickets on the South Bank by 25%, with 250,000 available across the year at £20 or less.

© Brinkhoff-Moegenburg

In the Olivier Theatre the critically acclaimed production of Andrea Levy’s epic novel Small Island directed by Rufus Norris returns following a sold-out run in 2019. Adapted for the stage by Helen Edmundson, the revival will run from late October 2020 with casting to be announced. Continue reading “News: the National Theatre announces 9 new productions for 2020-21”

The finalists of The Offies 2020

Offies Awards - Off West End Theatre Awards

The finalists for the 2020 Offies (for performances in 2019) have been announced and congratulations to all 89 mentioned below. A tip of the hat too to the 400+ nominees who you can find here.

DESIGN

Design: Costume
Adrian Gee, Amour, Charing Cross Theatre
Emily Bestow, 42nd Street, Upstairs at the Gatehouse
Hannah Wolfe , Great Expectations, National Youth
Theatre, Southwark Playhouse

Design: Set
Diego Pitarch, Night of the Living Dead – Live!,
Pleasance
Justin Williams, Whistle Down the Wind, Union
Theatre
Lee Newby, The View UpStairs, Soho Theatre
Rachael Ryan, Thrill Me, Hope Theatre

Design: Sound
Benjamin Grant, The War of the Worlds, New Diorama
Lex Kosanke, Hunger, Arcola
Matt Eaton, All’s Well That Ends Well, Guildford Bard,
Jermyn Street Theatre
Xana, Blood Knot, Orange Tree

Design: Lighting
Christopher Nairne, Preludes, Southwark Playhouse
Clancy Flynn, An Act of God, Vaults
Jessica Hung Han Yun, Equus, English Touring Theatre,
Theatre Royal Stratford East
Nic Farman, Night of the Living Dead – Live!, Pleasance

Design: Video
Andrzej Goulding, The Unreturning, Theatre Royal
Stratford East
Ben Bull, Baby Reindeer, Bush Theatre
Douglas Baker, Moby Dick, Jack Studio Theatre Continue reading “The finalists of The Offies 2020”

My 10 favourite shows of 2019

I barely saw 250 shows this year, quiet by my standards! And as is the way of these things, here’s a rundown of some of the productions that moved me most…

1. The Curious Case of Benjamin Button, Southwark Playhouse
I haven’t lost it in a theatre as much as this in a good long while. I cry at all sorts but this superlative musical had me trying, and failing, to choke back huge, hacking sobs. And I can still sing some of the songs – it has to come back, surely. “It’s all just a matter of time…”

2. Call Me Fury, Hope Theatre
“This is the history we should be teaching, these are the stories we should be sharing”, this striking and soulful piece gave voice to so many whom history have ignored, and was bloody entertaining with it. 

3. West Side Story, Curve Leicester
A musical I love, in a production that I simply adored. Getting to see two WSSs in one year was a privilege and for me, it was the emotional heart of Nikolai Foster’s production that won out.

4. As You Like It, Queen’s Theatre Hornchurch
The second year of the Public Acts programme comes up trumps once again with this gorgeous musical version of the Shakespeare classic, community theatre at its finest.

5. Islander, Southwark Playhouse
The magic of musical theatre distilled into two voices and a loop pedal – a marvellously inventive and endlessly moving. 

6. Amélie the Musical, Watermill Theatre/UK Tour/The Other Palace
As sweet-sharp as a diabolo grenadine, something truly gorgeous emerges from this film adaptation that simply demands you come up with better words than quirky to describe it.

7. & Juliet, Shaftesbury Theatre
Tell me why… About as much fun as you can have in the West End right now, this is a particularly fine example of the jukebox model and I want it that way.

8. Sexy Lamp, VAULT
A standout piece in a standout festival, Katie Arnstein’s brutally honest monologue about navigating the patriarchy may be lightened with songs and sweets but is no less effective for it.

9. Karaoke Play, Bunker Theatre
Deeply confessional and subtly magical, Annie Jenkins’ inter-connected monologues combined to become so much more than the sum of their parts.

10. The Ocean at the End of the Lane, National Theatre
A magical family tale, perfect for kids of all ages. Not even reading the exit poll as I left could ruin the feeling! 

Shows 11-25 under the cut

Continue reading “My 10 favourite shows of 2019”