Some theatre news from the last week

New interview series from the NT, Julius Caesar and Sunset Boulevard reappearing digitally and Hushabye Mountain coming to the Hope Mill

© Louise Haywood-Schiefer

The National Theatre announced a new interview series Life in Stages, profiling some of the biggest names in British theatre. The series, which will be free to watch, will launch on the National Theatre’s YouTube channel on Thursday 22 April at 7pm BST with each new episode added at the same time every Thursday.  

The first episode boasts Olivia Colman and Director and Joint Chief Executive of the National Theatre Rufus Norris. The second episode on Thursday 29 April will feature Romeo & Juliet co-stars Josh O’Connor and Jessie Buckley. On Thursday 6 May the third episode puts Adrian Lester and Meera Syal together. Details of further episodes from this series will be announced later this month.  Continue reading “Some theatre news from the last week”

The 30th Ian Charleson Awards

Winner

Heledd Gwynn for Hedda in Hedda Gabler at the Sherman Theatre, Cardiff and Hastings and Ratcliffe in Richard III for Headlong

Second Place

Hammed Animashaun for Bottom in A Midsummer Night’s Dream at the Bridge Theatre

Third Place

Ronkẹ Adékoluẹjo for Abosede in Three Sisters at the National Theatre

Commendations

Kitty Archer for Mariane in Tartuffe at the National Theatre
Eben Figueiredo for Christian in Cyrano de Bergerac at Jamie Lloyd Company at the Playhouse
Isis Hainsworth for Hermia in A Midsummer Night’s Dream at the Bridge Theatre
Ebony Jonelle for Rosalind in As You Like It for the National Theatre Public Acts/Queen’s Theatre Hornchurch
Ioanna Kimbook for Cariola in The Duchess of Malfi at the Almeida
Racheal Ofori for Udo in Three Sisters at the National Theatre
Billy Postlethwaite for Macbeth in Macbeth at the Watermill Theatre
Ekow Quartey for Lysander in A Midsummer Night’s Dream at Shakespeare’s Globe
Kit Young for Lysander in A Midsummer Night’s Dream at the Bridge Theatre

Want to see A Christmas Carol this winter? You could be in luck

Want to see A Christmas Carol this festive period? Well it looks like you could well be in luck…

The Bridge Theatre has a devised (by Nick Hytner), 3-person adaptation with Simon Russell Beale, Patsy Ferran and Eben Figueiredo

The Dominion Theatre will host a production of Alan Menken, Lynn Ahrens and Mike Ockrent’s musical version with Brian Conley as Scrooge with a cast and orchestra of over 50

Gemma Bodinetz takes her bow as artistic director of the Everyman and Playhouse Theatres with Patrick Barlow’s small-cast iteration with Liverpool panto regular Adam Keast at the helm

And a brand new retelling of the classic family Christmas tale, will be coming to both cinemas and select theatres nationwide from November 20th, as Scrooge looks to help save Christmas. Simon Russell Beale, Martin Freeman, Carey Mulligan, Daniel Kaluuya and Andy Serkis lend their voices to the tale, whilst dance performances are led by former Royal Ballet soloist and BalletBoyz founder Michael Nunn as Scrooge, Jakub Franasowicz, Russell Maliphant, Karl Fagerlund Brekke, Mikey Boats, Grace Jabbari and Dana Fouras.

Review: Beat The Devil, Bridge Theatre

David Hare gets in first with his coronavirus monologue Beat The Devil at the Bridge Theatre, evocatively performed by Ralph Fiennes

“I don’t have survivor’s guilt. I have survivor’s rage”

The inbuilt flexibility of the Bridge Theatre’s auditorium means that it was always going to be a contender for one of the first theatres to be able to reopen. And with this season of monologues, headlined by David Hare’s Beat The Devil, it is indeed now welcoming back socially distanced audiences with a remarkably smooth and efficient FOH operation that should put most any worry at ease.

And rather than go for escapism, we’re in full-on mask-wearing reality as Hare dramatises his experience of contracting Covid-19, exploring the sickness not only of his own body but in the governmental response. The result is an intermittently affecting blend of personal struggle and political outrage. Continue reading “Review: Beat The Devil, Bridge Theatre”

News: the Bridge Theatre plots an autumn season of monologues

The Bridge Theatre has announce a repertoire of twelve one-person plays during September and October, using the theatre’s flexible auditorium to provide around 250 socially distanced seats.

An Evening With an Immigrant by Inua Ellams

Award-winning poet and playwright Inua Ellams left Nigeria for England in 1996 aged 12.

An Evening With An Immigrant is a potent and personal account of life as an immigrant told through poetry and music telling Ellam’s ridiculous, fantastic and poignant story – escaping fundamentalist Islam, experiencing prejudice and friendship in Dublin, performing solo at the National Theatre and drinking wine with the Queen of England – all the while without a country to belong to or place to call home. Continue reading “News: the Bridge Theatre plots an autumn season of monologues”

The winners of the 9th annual Mousetrap Awards

BEST FEMALE PERFORMER AWARD:

WINNER – Laura Baldwin, as Dawn in Waitress
Sophie Evans, as Glinda in Wicked
Leah Harvey, as Hortense in Small Island
Miriam-Teak Lee, as Juliet in & Juliet

BEST MALE PERFORMER AWARD:

WINNER – David Hunter, as Dr Pomatter in Waitress
Laurie Kynaston, as Nicolas in The Son
Wendell Pierce, as Willy Loman in Death of a Salesman
Jac Yarrow, as Joseph in Joseph and the Amazing Technicolor Dreamcoat Continue reading “The winners of the 9th annual Mousetrap Awards”

News: National Theatre at Home final phase

The National Theatre has announced a further five productions that will be streamed as a part of the National Theatre at Home series. Established in April to bring culture and entertainment to audiences around the world during this unprecedented period, National Theatre at Home has so far seen 10 productions streamed via the NT’s YouTube channel, with over 12 million views to date. These will be the final titles to be shared for free via YouTube in this period. However, future digital activity to connect with audiences in the UK and beyond is planned, with further details to be announced soon. 

The productions will be broadcast each Thursday at 7pm BST for free and will then be available on demand for seven days. Titles added to the programme today include A Midsummer Night’s Dream from the Bridge Theatre, alongside Small IslandLes Blancs, The Deep Blue Sea and Amadeus from the National Theatre.  Continue reading “News: National Theatre at Home final phase”

The 2019 Ian Charleson Award nominees announced

The Ian Charleson Award celebrates performances by actors under 30 in a classical role and is dedicated to Scottish actor Ian Charleson, who died in 1990 aged just 40. Whilst I remain unconvinced that this is a category that merits special consideration, especially if it isn’t going to reach out to the fringes, it is still good to see a pleasing range of actors being recognised here.

Ronkẹ Adékoluẹjo for Abosede in Three Sisters at the National Theatre

Hammed Animashaun for Bottom in A Midsummer Night’s Dream at the Bridge Theatre

Kitty Archer for Mariane in Tartuffe at the National Theatre

Eben Figueiredo for Christian in Cyrano de Bergerac at Jamie Lloyd Company at the Playhouse

Heledd Gwynn for Hedda in Hedda Gabler at the Sherman Theatre, Cardiff and Hastings and Ratcliffe in Richard III for Headlong

Isis Hainsworth for Hermia in A Midsummer Night’s Dream at the Bridge Theatre

Ebony Jonelle for Rosalind in As You Like It for the National Theatre Public Acts/Queen’s Theatre Hornchurch

Ioanna Kimbook for Cariola in The Duchess of Malfi at the Almeida

Racheal Ofori for Udo in Three Sisters at the National Theatre

Billy Postlethwaite for Macbeth in Macbeth at the Watermill Theatre

Ekow Quartey for Lysander in A Midsummer Night’s Dream at Shakespeare’s Globe

Kit Young for Lysander in A Midsummer Night’s Dream at the Bridge Theatre

Nominees for the 9th annual Mousetrap Awards

The nominees for the 9th annual Mousetrap Awards are announced

These awards are voted for by young people, anyone aged 15-29 is invited to have their say as to who should pick up the trophies at the ceremony on Sunday 19th April. And while usual suspects Dear Evan HansenWaitress and & Juliet are leading the pack, it is nice to see such love for Small Island here too.

Mousetrap Theatre Projects strive to make London’s theatre scene accessible to young people, low-income families, mainstream and SEND state schools, and those with additional needs.

Voting is open until midnight on 23rd March via this link. Continue reading “Nominees for the 9th annual Mousetrap Awards”

My 10 favourite shows of 2019

I barely saw 250 shows this year, quiet by my standards! And as is the way of these things, here’s a rundown of some of the productions that moved me most…

1. The Curious Case of Benjamin Button, Southwark Playhouse
I haven’t lost it in a theatre as much as this in a good long while. I cry at all sorts but this superlative musical had me trying, and failing, to choke back huge, hacking sobs. And I can still sing some of the songs – it has to come back, surely. “It’s all just a matter of time…”

2. Call Me Fury, Hope Theatre
“This is the history we should be teaching, these are the stories we should be sharing”, this striking and soulful piece gave voice to so many whom history have ignored, and was bloody entertaining with it. 

3. West Side Story, Curve Leicester
A musical I love, in a production that I simply adored. Getting to see two WSSs in one year was a privilege and for me, it was the emotional heart of Nikolai Foster’s production that won out.

4. As You Like It, Queen’s Theatre Hornchurch
The second year of the Public Acts programme comes up trumps once again with this gorgeous musical version of the Shakespeare classic, community theatre at its finest.

5. Islander, Southwark Playhouse
The magic of musical theatre distilled into two voices and a loop pedal – a marvellously inventive and endlessly moving. 

6. Amélie the Musical, Watermill Theatre/UK Tour/The Other Palace
As sweet-sharp as a diabolo grenadine, something truly gorgeous emerges from this film adaptation that simply demands you come up with better words than quirky to describe it.

7. & Juliet, Shaftesbury Theatre
Tell me why… About as much fun as you can have in the West End right now, this is a particularly fine example of the jukebox model and I want it that way.

8. Sexy Lamp, VAULT
A standout piece in a standout festival, Katie Arnstein’s brutally honest monologue about navigating the patriarchy may be lightened with songs and sweets but is no less effective for it.

9. Karaoke Play, Bunker Theatre
Deeply confessional and subtly magical, Annie Jenkins’ inter-connected monologues combined to become so much more than the sum of their parts.

10. The Ocean at the End of the Lane, National Theatre
A magical family tale, perfect for kids of all ages. Not even reading the exit poll as I left could ruin the feeling! 

Shows 11-25 under the cut

Continue reading “My 10 favourite shows of 2019”