Sutton Foster soars in this superlative revival of Anything Goes which almost justifies the ticket prices at the Barbican
“If love affairs you like
With young bears you like,
Why nobody will oppose”
There are several things that can take your breath away in this simply fantastic production of Anything Goes, whether the jaw-dropping rendition of the title track that closes the first act or ticket prices that top out at £175 (the Barbican’s seats may be comfortable but that is pushing it…). Fortunately, the rest of the house isn’t quite as eye-wincingly steep (though full disclosure, I was treated by the kindest aunt 😉) and the joyous swells of Kathleen Marshall’s production mean you’ll find it hard to feel short-changed.
Like many a show of its time, the plot is an entire trifle – Timothy Crouse & John Weidman fashioning a new book from PG Wodehouse & Guy Bolton and Howard Lindsay & Russel Crouse’s original – suffice to say it covers any manner of madcap antics on an ocean liner. Those antics are mainly there as a framework on which to hang some of the best songs ever written as we delve deep into the Cole Porter songbook for some musical heaven. Throw in a Broadway production that has already won multiple Tonys and also snag its leading lady who won of those, and job’s a good’un. Continue reading “Review: Anything Goes, Barbican”
The National Theatre has today announced the latest productions to be made available on its National Theatre at Home streaming platform. Launching today, Michaela Coel’s Chewing Gum Dreams, the Young Vic’s A View from the Bridge directed by Ivo van Hove with Mark Strong and Nicola Walker, and Rufus Norris’ production of Everyman with Chiwetel Ejiofor will be available for all audiences worldwide to stream. Danny Boyle’s production of Frankenstein and Sonia Friedman Productions’ Hamlet with Benedict Cumberbatch will also be available for audiences outside the UK and Ireland. Continue reading “News: National Theatre adds five new productions to streaming platform National Theatre at Home”
One of the all-time greatest musicals Anything Goes, today announces it will open this summer at London’s Barbican Theatre from Friday 23 July for a strictly limited 12 week season until Sunday 17 October. This year’s must-
see musical will star Emmy & SAG Award winner Megan Mullally (Will & Grace) who is making her West End musical debut as Reno Sweeney, and Tony, Olivier & BAFTA Award winner Robert Lindsay (Me & My Girl, Dirty Rotten Scoundrels) as Moonface Martin. They will join Evening Standard Theatre Award winner Felicity Kendal (The Good Life), also making her West End musical debut as Evangeline Harcourt and leading West End musical actor Gary Wilmot (Chicago, London Palladium Pantomimes) as Elisha Whitney. Tickets are on sale now.
The producers are also delighted to announce that Samuel Edwards (Les Misérables / Wicked), who is one of the UK’s most exciting young musical theatre actors, will be performing the role of Billy Crocker. Completing the principal cast is Nicole-Lily Baisden (The Book of Mormon / Let’s Face The Music) as Hope Harcourt, Carly Mercedes Dyer (West Side Story/Chicago) as Erma and Haydn Oakley (A Christmas Carol / An American in Paris) as Lord Evelyn Oakleigh. Further casting will be announced soon. Continue reading “News: Anything Goes – new casting and dates announced”
I look ahead to some of the 2020 shows exciting me most with an emphasis away from the West End, looking mostly instead at the London fringe and across the UK
Sure, there’s all sorts of big ticket shows coming to London in 2020 (with big ticket prices too to go with their big names), like Sunday in the Park with George with Jake Gyllenhaal, Sister Act with Whoopi Goldberg, A Doll’s House with Jessica Chastain. But there’s so much more to discover if you venture away from Shaftesbury Avenue…
1 The Glass Menagerie, Odéon–Théâtre de l’Europe at the Barbican
Not that I want to be predictable at all but Isabelle Huppert! Acting in French! Right in front of you! I understand that van Hove-fatigue might be setting in for people but only a FOOL would pass up the chance to see one of our greatest living actors. A FOOL!
2 The Glass Menagerie, Royal Exchange
And if you wanted to do a direct compare and contrast, Atri Banerjee’s revival for the Royal Exchange will be worth checking out too for an alternative perspective.
3 The Wicker Husband, Watermill
Even before Benjamin Button tore my heart apart, I was excited for the arrival of this new musical by Rhys Jennings and Darren Clark but now, the bar has been raised even higher. And the gorgeous intimacy of the Watermill feels like a perfect fit.
4 Children of Nora, Internationaal Theater Amsterdam
Me: “I don’t need any more Ibsen in my life”
Also me: Robert Icke revisiting the world of A Doll’s House through the eyes of the next generation? Yes please.
5 Romantics Anonymous, Bristol Old Vic
I don’t think I thought this delicious Koomin and Dimond musical would ever actually return, so this short run in the UK ahead of a US tour feels like a real blessing. Now where did I put my badge? Continue reading “20 shows to look forward to in 2020”
I find much to enjoy in Kimberley Sykes’s production of As You Like It for the RSC at the Barbican, particularly Lucy Phelps’ epic Rosalind
“Then, heigh-ho, the holly!
This life is most jolly”
The critical reception for Kimberley Sykes’ production of As You Like It for the RSC was a little lukewarm this summer, all 3 stars and grudging praise. But I found myself really rather seduced by its many charms, as it opens the winter residency for them at the Barbican. And in Lucy Phelps, a Rosalind full of big dyke energy for the ages. Read my four star review for Official Theatre here.
Running time: 2 hours 50 minutes (with interval)
Photo: Topher McGrillis
As You Like It is booking in rep at the Barbican until 18th January
BEST DIRECTOR FOR A PLAY OR MUSICAL
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Nancy Medina; The Half God of Rainfall: Kiln Theatre
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Rachael Nanayonjo; Sleeping Beauty: Theatre Royal Stratford East
Alesandra Seutin; Boy Breaking Glass: Sadlers Wells
Shelley Maxwell; Equus: Theatre Royal Stratford East Continue reading “Nominations for the 2019 Black British Theatre Awards”
I might have taken a break from reviewing for the last couple of months, but I didn’t stop going to the theatre. Here’s some brief thoughts on most of what I saw in August.
Joseph and the Amazing Technicolor Dreamcoat, aka the Sheridan Smith show
Queen of the Mist, aka the surprisingly affecting one
Appropriate, aka all hail Monica Dolan
Waitress, aka ZZZZZZZOMGGGGG STUNT CASTING oh wait, Joe Suggs hasn’t started yet
The Doctor, aka all hail Juliet Stevenson
A Very Expensive Poison, aka it was a preview so I shouldn’t say anything
Blues in the Night, aka all hail Broadway-bound Sharon D Clarke (and Debbie Kurup, and Clive Rowe too)
The Night of the Iguana, aka justice for Skyler Continue reading “August theatre round-up”
I might have taken a break from reviewing in June, but I didn’t stop going to the theatre – I had too many things already booked in. Here’s some brief thoughts on what I saw.
Betrayal, Harold Pinter
Shit-Faced Shakespeare – Hamlet, Barbican
The Knight of the Burning Pestle, Cheek By Jowl at the Barbican
Somnium, Sadler’s Wells
Les Damnés, Comédie-Française at the Barbican
Vanya and Sonia and Masha and Spike, Theatre Royal Bath
Blithe Spirit, Theatre Royal Bath
The Hunt, Almeida
Present Laughter, Old Vic
Europe, Donmar Warehouse
The Deep Blue Sea, Minerva
Plenty, Chichester Festival Theatre
Pictures of Dorian Gray, Jermyn Street
The Light in the Piazza, Royal Festival Hall
Hair of the Dog, Tristan Bates Continue reading “June theatre round-up”
Maxine Peake is magisterial at the Barbican in this heart-breaking monologue Avalanche – A Love Story
“Is any of this connecting with you?”
I could listen to Maxine Peake read the phone book. A voice so full of warmth and character and unexpected texture, it somehow allows you to both sink into its soothing depths yet retain the capacity to catch you off-guard at any given moment.
That dual capacity is powerfully deployed in Avalanche – A Love Story, Julia Leigh’s adaptation of her own memoir about her experiences in going through IVF. Over a 90 minute running time that simply flies by, Peake fills the stage of the Barbican magnificently. Continue reading “Review: Avalanche – A Love Story, Barbican”
The incomparable Marieke Heebink astonishes in Simon Stone and ITA-ensemble’s production of Medea at the Barbican Theatre
“I remember us
That’s what I do now”
I first saw Simon Stone’s Medea in Amsterdam, in Dutch, without surtitles, and it was a revelatory experience which has lingered long in my memory as one of the best classical adaptations I’ve ever seen. So the chance to revisit it at the Barbican, once again anchored by the incomparable Marieke Heebink in Bob Cousins’ stunning design was unmissable.
And it did not disappoint in its ferocious retelling of Euripides’ classic, as Stone makes it feel urgent and chilling and all-too-appalling believable in its depiction of a woman pushed to the edge. Poleaxed by the revelation of her husband’s affair with his boss’s daughter, her extreme actions saw her committed to a psychiatric institution. A year later on her release, she craves a fresh start but finds the world has moved on without her. Continue reading “Review: Medea, Barbican”