The Really Useful Group today announce that, after a period of enforced closure, the world premiere of Andrew Lloyd Webber’s Cinderella will be on Wednesday 25 August. With music by Andrew Lloyd Webber, written by Academy Award winning Emerald Fennell (Best Original Screenplay Oscar in April 2021) and with lyrics from David Zippel, the brand new musical will resume performances at the Gillian Lynne Theatre on Wednesday 18 August. Previews initially began on Friday 25 June 2021, before another period of closure due to Covid-19 isolation protocols. Continue reading “News: World Premiere of Andrew Lloyd Webber’s Cinderella set for 25 August 2021”
By hook or by crook, Andrew Lloyd Webber was going to get Cinderella to the ball and the show is now in previews, albeit with the social distancing that he had previously promised to get himself locked up over. Now the posturing is over, the attention can turn to the show, with a new score by the lord, plus lyrics by David Zippel and a script from Killing Eve’s Oscar-winner Emerald Fennell.
Carrie Hope Fletcher is the lead but it is Victoria Hamilton-Barritt and Rebecca Trehearn for whom I’m most excited. These tasters pics from Johan Persson give an idea of how the show looks at the Gillian Lynne Theatre, revealing some amazing costume work.
Celebrating his 40th birthday in quite some style and with quite the guest list, Lee Mead at the London Palladium made for a great night
“I’ll make you so sure about it”
I spent my 40th birthday eating as many Michelin-starred meals as I could hoodwink people into treating me to but being a much more genial sort, Lee Mead celebrated his by making a long-awaited return to live performance. Lee Mead at the London Palladium was his first concert in 18 months and in some ways, it was almost worth the wait.
With time on his hands, he has been able to come up with a beautifully balanced setlist with MD Adam Dennis. One which pays tribute to the shows that have made his career thus far, one reflects songs that have inspired him but above all, one which demonstrates love. Love for music, love for his friends and family, love for the act of performing to which he is so clearly accustomed. Continue reading “Review: Lee Mead at the London Palladium”
Ben Forster, Alice Fearn, Sophie Evans, Layton Williams, Rachel John, Trevor Dion Nicholas and Shanay Holmes join forces for a West End Musical Celebration at the Palace Theatre
“There’s a party to start in a new part of town”
Brought to you by the producers of West End Musical Drive In and West End Musical Brunch, West End Musical Celebration sees the collaborative, communal, concert spirit finally brought into a bona fide West End space in Palace Theatre.
It doesn’t reinvent the wheel but nor does it pretend or need to. Pulling together a top tier company including Alice Fearn, Layton Williams, Rachel John and Trevor Dion Nicholas and giving them some of the best showstoppers around, you can hardly go wrong. Continue reading “Review: West End Musical Celebration, Palace Theatre”
Featuring 18 West End musicals, The Show Must Go On is a concert to remember, featuring a whole host of theatrical talent both on and off the stage
“Just like Dolly Levi, we are back where we belong”
Showcasing 18 West End musicals that are reopening soon or in some cases, have already reopened, The Show Must Go On is a celebratory concert, gathering together so much on- and off-stage theatrical talent in aid of Acting for Others and Fleabag Support Fund.
With Bonnie Langford and Trevor Dion Nicholas hosting and gamely working their way through a multitude of rapid-fire show descriptions, the real MVPs of the night were the orchestra, under Stuart Morley’s direction, and the choir, made up of recent graduates, who enthusiastically put their voices to any number of harmonised accompaniments. Continue reading “Review: The Show Must Go On, Palace Theatre/online”
As a comedian, impressionist, game show host, reality TV star, soap, screen and stage actor, Les Dennis returns to the West End in the multi-award-winning smash hit musical Hairspray the Musical as Wilbur Turnblad having previously performed the role on tour. He stars alongside Michael Ball, who returns to his legendary, Olivier Award–winning role of Edna Turnblad. Lizzie Bea will star in the iconic role of Tracy Turnblad. Acclaimed West End star Marisha Wallace will take the role of Motormouth. Rita Simons (Eastenders’ Roxy Mitchell) and Jonny Amies (Granchester on ITV; Sex Education on Netflix/Eleven Film) will also join the cast as Velma Von Tussle and Link Larkin respectively.
The full company includes Georgia Anderson, Kimani Arthur, Dermot Canavan, Lori Haley Fox, Mari McGinlay, Ashley Samuels, Michael Vinsen and Imogen Bailey, Pearce Barron, Jordan Benjamin, Joel Cooper, Luke George, Christopher Gopaul, Bradley Judge, Winny Herbert, Lily Laight, Madeleine Lawton, Holly Liburd, Will Luckett, Mireia Mambo, Kody Mortimer, Robyn Rose, Tinovimbanashe Sibanda, Amy West and Natalie Woods. Continue reading “News: 4 West End shows announce their casts”
The Really Useful Group has announced the full cast for the forthcoming production of Andrew Lloyd Webber’s Cinderella, featuring music by Andrew Lloyd Webber, book by Academy Award winning Emerald Fennell (Best Original Screenplay Oscar at last Sunday’s ceremony) and lyrics from David Zippel. The brand new musical will open at the Gillian Lynne Theatre on Wednesday 14 July 2021, with previews from Friday 25 June 2021.
Joining the previously announced cast will be Rebecca Trehearn, who will play The Queen, Georgina Castle and Laura Baldwin as Cinderella’s stepsisters Marie and Adele and Gloria Onitiri, who will play The Godmother. They join Carrie Hope Fletcher, as title character Cinderella in the highly anticipated new production, as well as Ivano Turco as Prince Sebastian and Victoria Hamilton-Barritt playing The Stepmother. Continue reading “News: Cinderella reveals the full cast who will be going to the ball”
New interview series from the NT, Julius Caesar and Sunset Boulevard reappearing digitally and Hushabye Mountain coming to the Hope Mill
The National Theatre announced a new interview series Life in Stages, profiling some of the biggest names in British theatre. The series, which will be free to watch, will launch on the National Theatre’s YouTube channel on Thursday 22 April at 7pm BST with each new episode added at the same time every Thursday.
The first episode boasts Olivia Colman and Director and Joint Chief Executive of the National Theatre Rufus Norris. The second episode on Thursday 29 April will feature Romeo & Juliet co-stars Josh O’Connor and Jessie Buckley. On Thursday 6 May the third episode puts Adrian Lester and Meera Syal together. Details of further episodes from this series will be announced later this month. Continue reading “Some theatre news from the last week”
Featuring the many queens of SIX, Episode 2 of the West End Musical Drive In is a powerful collection of musical theatre performances
“I remember that night I just might”
The first instalment of the West End Musical Drive In impressed me with its raw urgency, a timely reminder of the power of 100% live vocals and the breadth of musical theatre talent that we have in this country. So it is great that the folks behind West End Musical Brunch are continuing to release more of the drive-in concerts that they hosted last summer.
This week’s episode brings together 11 of the performers from various casts of the musical Six and with such a greater number of singers, the programming is certainly eclectic and ultimately does feel a little bit scattershot in its choices, lacking a little of the thematic unity that marked out last week’s showcase. Continue reading “Review: West End Musical Drive In, Episode 2”
As a piece of digital theatre, Curve Leicester’s Sunset Boulevard in Concert plays excitingly with the possibilities of this developing form
“There’s nothing else – just us and these cameras”
Damned if do, damned if you don’t. Curve Leicester boldly took steps in the autumn to reimagine their auditorium in order to be able to mount a post-Lockdown #1 season of socially-distanced concert performances of previous hits. The ongoing mismanagement of the pandemic and the dance of the tiers put paid to those plans, even as technical rehearsals had already started but in a move that would please Norma Desmond herself, Sunset Boulevard in Concert has still found its way to the spotlight.
Nikolai Foster’s reconception of his initial adaptation of his original production sees him lean heavily into Sunset Boulevard’s cinematic origins, taking full advantage of the lack of audience to ditch the traditional notions of semi-staged concerts and create an inventive fusion of theatre and film. And with those restraints fully loosed, this production unfurls across every inch of the auditorium – Norma first appears from the back of the circle, Joe’s rooms are tucked into the fly tower, the ensemble watch impassively from the empty seats in an almost Brechtian manner of observation. Continue reading “Review: Sunset Boulevard in Concert, Curve Leicester at home”