It’s a joy to back in the Almeida Theatre even if Nine Lessons and Carols did little to change my mind about devised work
“Loneliness is the terror of not being able to dilute your own terrible personality”
Typical. You wait months for lockdown to be lifted and to be able to go to the theatre again and the first show you pick is one which really doesn’t float your boat at all. Critics are still navigating the boundaries of reviewing ethics in this immediate post-lockdown world so I’m going to keep it short if not particularly sweet.
The Almeida has announce their new programme of socially-distanced theatre for Christmas 2020 and into 2021:
Nine Lessons And Carols: stories for a long winter, a new production created by Associate Director Rebecca Frecknall, Chris Bush and a company of six actors – Naana Agyei-Ampadu, Katie Brayben, Toheeb Jimoh, Elliot Levey, Maimuna Memon and Luke Thallon.
The Maladies, performed by the Almeida Young Company (18-25), written by Carmen Nasr.
Join the likes of Matt Smith, Noma Dumezweni, Indira Varma, and Tobias Menzies on the Almeida Theatre’s new podcast
There’s all sorts of virtual theatre-related content rocking around while the physical doors of theatres remain locked and one of the more fascinating ones, for me at least, is the Almeida’s podcast. Led by Artistic Director Rupert Goold, the theatre’s illustrious alumni means that it can call on the likes of Matt Smith,Noma Dumezweni,Indira Varma, and Tobias Menzies about their careers, the impact of the coronavirus lockdown and what they miss most about theatre.
The Ian Charleson Award celebrates performances by actors under 30 in a classical role and is dedicated to Scottish actor Ian Charleson, who died in 1990 aged just 40. Whilst I remain unconvinved that this is a category that merits special consideration, especially if it isn’t going to reach out to the fringes, it is still good to see a pleasing range of actors being recognised here.
Ronkẹ Adékoluẹjo for Abosede in Three Sisters at the National Theatre
Let me wet your whistle, should it be needed, for Jeremy O Harris’ Daddy, which is promises to return to the Almeida Theatre when possible
“Let the doors be shut upon him, that he may play the fool no where but in’s own house.”
Like all right-minded people, I was particularly gutted to be missing Daddy at the Almeida Theatre due to the ongoing Covid-19 crisis. Jeremy O Harris’ play made waves in New York last year and was a hotly anticipated arrival. If you so desire, you can read any number of reviews from the USA but I am reliably informed that it’s best to go in as blind as possible which is what I still intend to do. But to wet your whistle in an approrpriate way, keep on reading.
The nominees for the 9th annual Mousetrap Awards are announced
These awards are voted for by young people, anyone aged 15-29 is invited to have their say as to who should pick up the trophies at the ceremony on Sunday 19th April. And while usual suspects Dear Evan Hansen, Waitress and & Juliet are leading the pack, it is nice to see such love for Small Island here too.
Mousetrap Theatre Projects strive to make London’s theatre scene accessible to young people, low-income families, mainstream and SEND state schools, and those with additional needs.