News: Folio 400 website goes live

The First Folio is one of the great wonders of the literary world. Published in 1623, seven years after the death of its author, it was the first printed edition of Shakespeare’s collected plays.  Without this achievement, we would have lost half of his dramatic work. So a new website has been dedicated in gratitude to the 400th birthday of this foundational book on the 8th November 2023, complete with essays, articles and a set of speeches from the plays read by an illustrious cast. Follow the jump to find out who. Continue reading “News: Folio 400 website goes live”

News: Almeida 2021 season announcement

First up in June is the World Premiere of and breathe… by Yomi ode, a theatrical adaptation of poems from his forthcoming collection Manorism. Directed by Olivier Award-winning director Miranda Cromwell, featuring David Jonsson.

From July Lolita Chakrabarti’s Hymn will be performed to live in-person audiences for the first time following a string of sold-out live stream performances earlier this year. Adrian Lester and Danny Sapani reprise their roles, and Blanche McIntyre directs. Continue reading “News: Almeida 2021 season announcement”

News: Kenneth Branagh Theatre Company’s Romeo and Juliet returns to cinemas

 Trafalgar Releasing, in collaboration with Fiery Angel, are pleased to announce the return of the Kenneth Branagh Theatre Company’s modern and passionate production of Shakespeare’s Romeo and Juliet to cinemas across the UK and internationally from July 7, 2021.

Staged in the West End in 2016 as part of the inaugural Plays at the Garrick season, this inventive and atmospheric reimagining of one of Shakespeare’s best-known tragedies was co-directed by Sir Kenneth Branagh and Rob Ashford with a stellar cast featuring Richard Madden as Romeo, Lily James as Juliet, Sir Derek Jacobi as Mercutio and Meera Syal as The Nurse. Continue reading “News: Kenneth Branagh Theatre Company’s Romeo and Juliet returns to cinemas”

News: National Theatre adds The Deep Blue Sea and The Comedy of Errors to National Theatre at Home

National Theatre adds The Deep Blue Sea and The Comedy of Errors to National Theatre at Home

The National Theatre has today announced The Deep Blue Sea, with Helen McCrory in the lead role as Hester Collyer, will be added to National Theatre at Home for audiences around the world to experience. The recording is dedicated in fond memory of Helen McCrory, who had a long and rich association with the National Theatre and who sadly passed away last month. The Deep Blue Sea was her most recent performance at the National Theatre in 2016. Two on-stage conversations with Helen McCrory have also been made available on National Theatre at Home: one on stage in 2014 with Genista McInosh as Helen discussed preparing to play Medea (also available on National Theatre at Home) and one from 2016 in conversation with Libby Purves about playing Hester in The Deep Blue Sea.

Carrie Cracknell, who directed Helen in Medea and The Deep Blue Sea, said: “Helen was undoubtedly one of the greatest actors of her generation. Incandescent, playful, fierce and wildly intelligent. Her craft and precision as an actor was awe-inspiring. On some afternoons, while Helen was rehearsing The Deep Blue Sea at the NT, the sun would pour through the windows, and it would feel for a moment that time had stopped. That the world had stopped revolving, as the entire cast and crew would stand, quietly enraptured by the humanity and aliveness and complexity of Helen’s work. As we moved the production into the auditorium, I would marvel at how she held an audience of 900 people in the palm of her hand. She could change how we felt with the slightest glance, a flick of the wrist, a sultry pause, yet somehow she never lost the central truth of her character. I couldn’t be prouder that we have this beautiful recording of our production to share. Continue reading “News: National Theatre adds The Deep Blue Sea and The Comedy of Errors to National Theatre at Home”

News: Young Vic and Old Vic announce new programmes

Theatre returns at both end of The Cut – programmes announced for both the Old Vic and the Young

  • Queers Curated by Mark Gatiss, 2 Jun, 30 Jun
  • Home? Curated by Noma Dumezweni, 14-20 Jun
  • The Dumb Waiter by Harold Pinter, 7-10 Jul
    Directed by Jeremy Herrin and starring Daniel Mays and David Thewlis
  • Bagdad Cafe by Percy and Eleonore Adlon, adapted by Emma Rice, 19 Jul-21 Aug, streamed 25-28 Aug
    Starring Patrycja Kujawska, Le Gateau Chocolat and Sandra Marvin
  • Camp Siegfried by Bess Wohl, 7 Sep-30 Oct
    Directed by Katy Rudd and starring Patsy Ferran and Luke Thallon
  • A Christmas Carol by Charles Dickens, adapted by Jack Thorne, 13 Nov-8 Jan
    Directed by Matthew Warchus
  • A Number by Caryl Churchill, 24 Jan-19 Mar 
    Directed by Lyndsey Turner  and starring Lennie James and Paapa Essiedu
  • Into the Woods – Music & lyrics by Stephen Sondheim, book by James Lapine, 16 Apr-9 Jul
    Co-directed Terry Gilliam and Leah Hausman

  • Changing Destiny by Ben Okri, 9 Jul-21 Aug
    Directed by Kwame Kwei-Armah
  • Klippies by Jessica Siân, 4–13 Aug
    Directed by Diyan Zora
  • AI developed by Chinonyerem Odimba and Nina Segal, written alongside GPT-3 OpenAI technology, 23–25 Aug
    Created by Jennifer Tang and Company
  • Hamlet by William Shakespeare, 25 Sep-13 Nov
    Directed by Greg Hersov and starring Cush Jumbo
  • Best of Enemies by James Graham, 2 Dec-22 Jan
    Directed by Jeremy Herrin

Film Review: Bill (2015)

Bill reunites the Horrible Histories crew around Shakespeare and features a vivid if too brief turn from Helen McCrory as Elizabeth I

“Do you know Penge at all?”

Just a quickie for this as it just popped up on the iPlayer and it is one of the few Helen McCrory performances left that I hadn’t seen. Bill comes from the team behind Horrible Histories and as it tells an amusing version of the Bard’s arrival in London, it certainly raises a few chuckles. Written by Laurence Rickard and
Ben Willbond and co-starring them with Mathew Baynton, Simon Farnaby, Martha Howe-Douglas and Jim Howick, who between them play upwards of 40 roles, its gentle ensemble comedy aesthetic offers good family entertainment.

Plotwise, it wisely doesn’t make too much of meal of things, aside from the witty suggestion that Shakespeare spent at least some of his ‘lost years’ handing out leaflets dressed as a vegetable. Nor does it get too bogged down in self-referential Shakespearean humour, recognising first and foremost that jokes need to be funny (qv the guards, my favourite bit of the film). Walsingham popping up unexpectedly, the cockernee accents, border control, the laughs come thick and fast and not always from where you’d think. Continue reading “Film Review: Bill (2015)”

Some theatre news from the last week

New interview series from the NT, Julius Caesar and Sunset Boulevard reappearing digitally and Hushabye Mountain coming to the Hope Mill

© Louise Haywood-Schiefer

The National Theatre announced a new interview series Life in Stages, profiling some of the biggest names in British theatre. The series, which will be free to watch, will launch on the National Theatre’s YouTube channel on Thursday 22 April at 7pm BST with each new episode added at the same time every Thursday.  

The first episode boasts Olivia Colman and Director and Joint Chief Executive of the National Theatre Rufus Norris. The second episode on Thursday 29 April will feature Romeo & Juliet co-stars Josh O’Connor and Jessie Buckley. On Thursday 6 May the third episode puts Adrian Lester and Meera Syal together. Details of further episodes from this series will be announced later this month.  Continue reading “Some theatre news from the last week”

Review: Romeo and Juliet, National Theatre via Sky Arts

Jessie Buckley is astonishing as the National Theatre’s Romeo and Juliet makes the jump from stage to screen to extraordinary effect

“What satisfaction canst thou have tonight?”

By rights, we should have seen Simon Godwin’s Romeo and Juliet at the National Theatre last summer but the stars realigned for these star-cross’d lovers and now we have the gift of the National’s first ever film. Emily Burns’ sleek adaptation has been reworked for the camera and with DP Tim Sidell reimaginging the possibilities of working onstage, something truly cinematic yet innately theatrical has emerged.

With a supporting company (plucked from my dreams) that included Deborah Findlay, Lucian Msamati, and Tamsin Greig, I was pleasantly surprised that the young leads lived up to their billing with two fine, emotionally wrought performances. Josh O’Connor’s Romeo carries the weight of the world on his shoulders but flickers beautifully into life upon the stolen touch of fingertips with Juliet. And Jessie Buckley as Juliet shimmers with luminosity with the intensity of the feelings that take her over. Continue reading “Review: Romeo and Juliet, National Theatre via Sky Arts”

News: two new theatrically inclined podcasts announced

Whilst we edge ever closer to curtains maybe rising once again, a new pair of podcasts should see us through

Hear Me Out is a brand-new podcast from actor and producer Lucy Eaton, most recently seen on TV screens starring alongside David Tennant, Michael Sheen, and her brother Simon Evans in BBC1’s Staged.  The first four episodes are now available to listen to with guests Mark Bonnar, Denise Gough, Adrian Lester, and Claire Skinner. A new episode will then be released each Tuesday from 30 March onwards with future guests including Brendan Coyle, Freddie Fox, Patricia Hodge, Maddy Hill, and Giles Terera.  Hear Me Out is available to listen to on Apple Podcasts, Spotify, Anchor.com, and all major streaming platforms.  Filmed clips from the episodes can also be found on YouTube @PodHearMeOut.

Hear Me Out puts the audience back in the stalls or, closer still, the rehearsal room. Creeping further into 2021, many have endured twelve months without a curtain going up. This new podcast invites theatre-loving audiences to re-connect with theatre-makers in a unique celebration of language and performance. Continue reading “News: two new theatrically inclined podcasts announced”