Film Review: Spectre (2015)

After the emotional triumph of Skyfall, the lethargic pacing of Spectre can’t help but feel a letdown

“Why, given every other possible option, does a man choose the life of a paid assassin?”

After the rip-roaring success of Skyfall, it seems little surprise that director Sam Mendes and lead scribe John Logan would return for the next instalment of the Bond series. But Spectre ends up as part of the yoyo-ing trend of Daniel Craig’s tenure which had previously seen the excellence of Casino Royale followed up by the not-excellence of Quantum of Solace. Delving deep back in Bond folklore, its overlong running time and stultifying pace sadly makes it a bit of a challenge.

This time round, surveillance networks are the villain as Bond investigates global conglomerate Spectre and their nefarious plans under Blofeld, whilst M and co do battle with the enemy within in the form of Andrew Scott’s smarmy C. Despite his class, Ralph Fiennes is a much less impactful M than Dame Judi but Ben Whishaw, Naomie Harris and Rory Kinnear are all settling well into their MI6 roles, popping in and out as needed. Christoph Waltz’s Blofeld is vividly effective but the problem lies in an ineffectual plot that doesn’t grip anywhere near as much as Skyfall did. Continue reading “Film Review: Spectre (2015)”

Winners of 2018-2019 Outer Critics Circle Awards

John Gassner Playwriting Award
Charly Evon Simpson, Behind the Sheet
WINNER – Jeremy Kareken, David Murrell and Gordon Farrell, The Lifespan of a Fact
Donja R. Love, Sugar in Our Wounds
Ming Peiffer, Usual Girls
Jeremy O. Harris, Slave Play

Outstanding Actor in a Musical
Brooks Ashmanskas, The Prom
Reeve Carney, Hadestown
Damon Daunno, Oklahoma!
WINNER – Santino Fontana, Tootsie
Steven Skybell, Fiddler on the Roof (in Yiddish) Continue reading “Winners of 2018-2019 Outer Critics Circle Awards”

Nominations for 2018-2019 Outer Critics Circle Awards

John Gassner Playwriting Award
Charly Evon Simpson, Behind the Sheet
Jeremy Kareken, David Murrell and Gordon Farrell, The Lifespan of a Fact
Donja R. Love, Sugar in Our Wounds
Ming Peiffer, Usual Girls
Jeremy O. Harris, Slave Play

Outstanding Actor in a Musical
Brooks Ashmanskas, The Prom
Reeve Carney, Hadestown
Damon Daunno, Oklahoma!
Santino Fontana, Tootsie
Steven Skybell, Fiddler on the Roof (in Yiddish) Continue reading “Nominations for 2018-2019 Outer Critics Circle Awards”

Re-review: The Ferryman, Gielgud Theatre

Just a couple of weeks left to catch The Ferryman at the Gielgud Theatre, and it remains entirely worth it

“That is what it takes. Thatis the cost of freedom. The price is unimaginable. And here is a man who knows that. And is willing to pay it.”

Time is so, so relative in theatres isn’t it – the mere thought of a running time that exceeds three hours can send chills running down the spine. But sometimes it is a 70 minute show that can feel like a cruel eternity and in the arms of a brilliant play, you barely even notice the hours passing by, even with Edwardian-levels of leg-room available to you. 

With just a couple of weeks left to catch The Ferryman in the West End and the chance to see Rosalie Craig in a non-musical role for once, the offer to return to the Gielgud was one I couldn’t refuse. And though it is the third time I’ve seen the show, it remains a phenomenal piece of theatre in which Jez Butterworth manages that not-inconsiderable feat of making time fly. Continue reading “Re-review: The Ferryman, Gielgud Theatre”

Winners of the 2018 Olivier Awards

No real big surprises here though it was a shame that Hamilton’s success (7 awards in total) crowded out Everybody’s Talking About Jamie from nabbing anything. Particularly pleased to see Terera and Atim’s efforts recognised, it’s almost like I saw it coming…

Best New Play 
The Ferryman: Gielgud Theatre and Jerwood Theatre Downstairs at the Royal Court Theatre – WINNER
Ink: Almeida (& Duke of York’s) Theatre
Network: National Theatre – Lyttelton
Oslo: Harold Pinter Theatre

Best New Musical
An American In Paris – Dominion Theatre
Everybody’s Talking About Jamie – Apollo Theatre
Girl From The North Country – The Old Vic
Hamilton – Victoria Palace Theatre – WINNER
Young Frankenstein – Garrick Theatre Continue reading “Winners of the 2018 Olivier Awards”

Critics’ Circle Awards 2017: the winners in full

The Jack Tinker Award for Most Promising Newcomer (a tie)
Sheila Atim for Girl from the North Country, Old Vic and Noël Coward Theatre
John McCrea for Everybody’s Talking About Jamie, Sheffield Crucible and Apollo Theatre

The Trewin Award for Best Shakespearean Performance
Andrew Scott in Hamlet, Almeida and Harold Pinter Theatre

Most Promising Playwright
Brandon Jacob-Jenkins for An Octoroon, Orange Tree Theatre and Gloria, Hampstead Theatre

The Peter Hepple Award for Best Musical
Hamilton, Victoria Palace Theatre

Best Designer
Vicki Mortimer for Follies, National Theatre

Best Director
Dominic Cooke for Follies, National Theatre

Best Actress
Victoria Hamilton for Albion, Almeida Theatre

Best Actor
Bryan Cranston for Network, National Theatre

Best New Play
The Ferryman by Jez Butterworth, Royal Court and Gielgud Theatre

Special Award
David Lan for services to theatre