Best Actor in a New Production of a Musical
Andy Nyman, Fiddler on the Roof, Menier Chocolate Factory
David Hunter, Waitress, Adelphi Theatre
David Ricardo-Pearce, Kiss Me, Kate, The Watermill Theatre
Kayi Ushe, Kinky Boots, UK Tour
Tom Bennett, Only Fools and Horses: The Musical, Theatre Royal Haymarket
Tyrone Huntley, The View UpStairs, Soho Theatre
This trio of album reviews covers Here for You: Ballads for Broadway Impact, My Lifelong Love and Infinite Joy: The Songs of William Finn
“People are swell but I’d rather be sailing”
Released in 2013 in support of Broadway Impact, an organisation of theatre artists and fans mobilised in support of marriage equality, Here for You: Ballads for Broadway Impact is a powerful collection of songs from Jonathan Reid Gealt. It is no secret that I love a ballad and having the likes of Kelli O’Hara, Adrienne Warren and Jeremy Jordan crooning and belting like this is just heaven. Jordan’s elegiac ‘Here For You’ with its gentle guitar is superb, as is the passion of Warren on ‘Home Away From Home’ but the standout track for me is O’Hara’s powerfully moving ‘Breathe’. Continue reading “Album Reviews: Here for You: Ballads for Broadway Impact / My Lifelong Love / Infinite Joy: The Songs of William Finn”
I turn my attention to the latest set of Broadway cast recordings with Frozen, Prince of Broadway and Mean Girls
My cynicism about the quick turnaround of megahit film Frozeninto a would-be megahit musical lasted for about 10 seconds as I popped on their cast recording. I mean, I loved the film and its songs by Robert Lopez and Kristen Anderson-Lopez and so who was I kidding?!
And it fulfils all of my Disney princess dreams. Caissie Levy (Elsa) and Patti Murin (Anna) lead the cast in fine full-voiced form, new songs from the Lopezes fit in well to the score though it does take a hot minute to get used to them. And the orchestral arrangement lends a note of excitement to the songs you know so well already.
Levy’s ‘Let It Go’ naturally takes the spotlight as the Act 1 closer (reprised to close the show as well) but Murin’s rendition of ‘Love Is An Open Door’ with John Riddle’s Hans gets my vote for its sheer warmth and joie de vivre. Of the new songs, Elsa’s ‘Dangerous to Dream’ probably ranks as my favourite. Definitely keen to see this once it hits the West End. Continue reading “Album reviews: Frozen / Prince of Broadway / Mean Girls”
Some musicals are slow-burners. They may not hit you with their full force on first viewing but rather repay revisits and repeated listens to cast recordings to unfurl the depth of their appeal. So it was for me with Legally Blonde, and also with Ghost the Musical – a show I sawtwice in the West End and again on its 2013 tour, liking it more and more each time.
And a large part of that was the way in which Glen Ballard and Dave Stewart’s pop/rock-based score took its time to sidle its way into my affections, not necessarily the kind of music that would appeal to me but ultimately proving irresistible in its finest moments. And it is remarkably diverse too, pulling in from a wide musical palette whilst stamping out its own identity as something refreshingly different from your typical musical theatre score. Continue reading “Album Review: Ghost The Musical (Original Cast Recording 2011)”
“If you wanted me to, I’d take a trip to the sticks, and tie her up in the back of a van”
As you can see from the release date, Thirteen Stories Down – The Songs of Jonathan Reid Gealt isn’t a particularly new album but it is one that I’ve had waiting on my ‘to listen’ list for a long time. Produced by Sh-K-Boom, Gealt is a New York composer who has been bubbling under for a while now and as is the way of these things, opted to put out his debut album by calling some of his nearest and dearest Broadway pals to showcase his work.
And on this evidence it’s quite the body of work. Gealt feels like a natural song-writer, connecting emotion effortlessly to his music which puts him in good stead for the world of musical theatre and there are some compelling moments here. Adam Chanler-Berat’s ‘I Won’t Have to Anymore’ is a gorgeously moving tale of a young gay lad escaping an abusive home, Bridie Carroll’s ‘Expectations of a Man’ ought to be a lesbian anthem by now and Lauren Kennedy’s wry ‘Alex…You’re Fine!’ works well. Continue reading “Album Review: Thirteen Stories Down – The Songs of Jonathan Reid Gealt (2011)”
For a composer who hasn’t had a major show on over here, Scott Alan inspires an amazing amount of evangelical joy from his fans. This has come from a series of albums and concerts in which his songwriting has been showcased by a wide-ranging collection of Broadway and West End stars, culminating in a rapturously received residency at the St James Theatre a couple of months ago. I like his work, having previously reviewed a couple of his albums, but I haven’t been as ecstatic as some about it so I thought I’d go back to the ones I hadn’t listened to.
His double album Liveoffers reworkings of many of his songs and mixes things up further by retaining many of his frequent collaborators but letting them loose on different songs, even switching up genders on some of them. It’s a great move – Natalie Weiss smashes the joyful ‘I’m A Star’, Laura Osnes wraps her delicate voice beautifully around ‘Now’ and Jeremy Jordan is charming as ever on ‘Please Don’t Let Me Go’ and that’s all in the opening five songs. The slightly indulgent length of the album means we don’t always maintain such intense quality over both discs plus bonus tracks.
In the story of Ghost the Musical, it is the character Molly who is the ‘gurl’ in danger, but it turned out to be the woman saying it, Sharon D Clarke’s Oda Mae Brown who should have paid heed as a broken foot has ruled her out of the show for a while now and possibly out of the Broadway transfer too. I was particularly gutted as she was one of the main reasons I had booked to see the show, to catch the original leading cast before they trot over to New York to open the show there, and Clarke had been cited as one of the main attractions of the show.
As the show premiered in Manchester, my parents were amongst the first to see it and I even got my dad to write about his opinions for me on this very blog. But even despite his qualified recommendations, I couldn’t quite work up the enthusiasm to fork out for the show and it was only this imminent departure of Caissie Levy and Richard Fleeshman that got me there (which is ironic in itself as I don’t really see what all the fuss is about with Levy and Fleeshman struggled for me in Legally Blonde). But off to the Piccadilly I went with my mixed feelings, along with a pleasingly diverse crowd of theatregoers, and I left with mixed feelings too. Continue reading “Review: Ghost the musical, Piccadilly”