Musical news aplenty

Following its opening at the Watermill Theatre, a critically acclaimed sell-out tour in 2019, a highly successful Christmas season at The Other Palace in 2019, a Grammy nomination and 3 Olivier Award nominations, Amélie The Musical arrives in the heart of the West End this summer. Following the government roadmap announcement, tickets are on sale now for a socially distanced audience at the Criterion Theatre from Thursday 20 May. Olivier-nominee Audrey Brisson (The Elephantom, Pinocchio and Pericles (National Theatre), The Flying Lovers of Vitebsk (Kneehigh), and The Grinning Man
(Bristol Old Vic)), will return to the role of ‘Amélie’.

The five–time Oscar®-nominated film will be brought to life once again by a cast of actor-musicians and set to a critically acclaimed re-orchestrated score. With music by Hem’s Daniel Messé, lyrics by Nathan Tysen and Daniel Messé and book by Craig Lucas, Amélie The Musical is directed by Michael Fentiman. The full cast includes Sioned Saunders as Gina, Flora Spencer-Longhurst as Georgette, Rachel Dawson as Amandine/Philomene, Oliver Grant as Lucien/Mysterious Man, Chris Jared as Nino Quincampoix, Caolan McCarthy as Hippolito/Elton John, Samuel Morgan-Grahame as Joseph/Fluffy, Kate Robson-Stuart as Suzanne, Jack Quarton as Blind Beggar, Jez Unwin as Raphael/Bretodeau and Johnson Willis as Collignon/Dufayel. Nuwan Hugh Perera, Miiya Alexandra, Robyn Sinclair and Matthew James Hinchliffe complete the ensemble. Continue reading “Musical news aplenty”

News, such theatre news!

It’s so exciting to have an inbox full of theatre announcements – here’s a recap of some of the ones that are most piquing my interest at the moment

The Lawrence Batley Theatre, Huddersfield and The Dukes, Lancaster announce the full cast of their digital co-production of The Importance of Being Earnest by Yasmeen Khan.

The full cast is Gurjeet Singh (Ackley Bridge, Wuthering Heights), Tom Dixon (Twelfth Night, Romeo & Juliet), Mina Anwar (Everybody’s Talking About Jamie, The Thin Blue Line), Nikki Patel (Trojan HorseCoronation Street), Zoe Iqbal (Finding Fatimah, Ackley Bridge) and Melanie Marshall (Jane Eyre); with appearances from finalist of RuPaul’s Drag Race UK Divina De Campo, star of stage and screen Paul Chahidi, award-winning actor, comedian and writer Hugh Dennis, actress Harriet Thorpe (Absolutely Fabulous) and  comedian Sindhu Vee. Continue reading “News, such theatre news!”

The finalists of The Offies 2021

The finalists for the 2021 Offies (for productions in 2020) have been announced and congratulations to the 47 finalists across 16 of the 28 Offies categories. The winners will be announced at the Offies Awards Ceremony, being held online on 21 February 2021.

The following categories are not going forward for 2021 awards as there were insufficient nominations due to theatre closures arising from Covid-19 lockdowns:

  • Design: Costume
  • Design: Video
  • Choreography
  • Company Ensemble
  • Musicals: New Musical
  • Opera
  • Panto
  • Plays: Most Promising New Playwright
  • Plays: Production
  • Theatre for Young People: Production (0-7)
  • Theatre for Young People: Production (13+)
  • Theatre for Young People: Production (8+)

Continue reading “The finalists of The Offies 2021”

2020 Offie Award Winners

Offies Awards - Off West End Theatre Awards

DESIGN

Design: Costume
WINNER – Adrian Gee, Amour, Charing Cross Theatre
Emily Bestow, 42nd Street, Upstairs at the Gatehouse
Hannah Wolfe , Great Expectations, National Youth
Theatre, Southwark Playhouse

Design: Set
WINNER – Diego Pitarch, Night of the Living Dead – Live!,
Pleasance
Justin Williams, Whistle Down the Wind, Union
Theatre
Lee Newby, The View UpStairs, Soho Theatre
Rachael Ryan, Thrill Me, Hope Theatre

Design: Sound
Benjamin Grant, The War of the Worlds, New Diorama
Lex Kosanke, Hunger, Arcola
WINNER – Matt Eaton, All’s Well That Ends Well, Guildford Bard,
Jermyn Street Theatre
Xana, Blood Knot, Orange Tree

Design: Lighting
Christopher Nairne, Preludes, Southwark Playhouse
Clancy Flynn, An Act of God, Vaults
WINNER – Jessica Hung Han Yun, Equus, English Touring Theatre,
Theatre Royal Stratford East
Nic Farman, Night of the Living Dead – Live!, Pleasance

Design: Video
Andrzej Goulding, The Unreturning, Theatre Royal
Stratford East
WINNER – Ben Bull, Baby Reindeer, Bush Theatre
Douglas Baker, Moby Dick, Jack Studio Theatre Continue reading “2020 Offie Award Winners”

The finalists of The Offies 2020

Offies Awards - Off West End Theatre Awards

The finalists for the 2020 Offies (for performances in 2019) have been announced and congratulations to all 89 mentioned below. A tip of the hat too to the 400+ nominees who you can find here.

DESIGN

Design: Costume
Adrian Gee, Amour, Charing Cross Theatre
Emily Bestow, 42nd Street, Upstairs at the Gatehouse
Hannah Wolfe , Great Expectations, National Youth
Theatre, Southwark Playhouse

Design: Set
Diego Pitarch, Night of the Living Dead – Live!,
Pleasance
Justin Williams, Whistle Down the Wind, Union
Theatre
Lee Newby, The View UpStairs, Soho Theatre
Rachael Ryan, Thrill Me, Hope Theatre

Design: Sound
Benjamin Grant, The War of the Worlds, New Diorama
Lex Kosanke, Hunger, Arcola
Matt Eaton, All’s Well That Ends Well, Guildford Bard,
Jermyn Street Theatre
Xana, Blood Knot, Orange Tree

Design: Lighting
Christopher Nairne, Preludes, Southwark Playhouse
Clancy Flynn, An Act of God, Vaults
Jessica Hung Han Yun, Equus, English Touring Theatre,
Theatre Royal Stratford East
Nic Farman, Night of the Living Dead – Live!, Pleasance

Design: Video
Andrzej Goulding, The Unreturning, Theatre Royal
Stratford East
Ben Bull, Baby Reindeer, Bush Theatre
Douglas Baker, Moby Dick, Jack Studio Theatre Continue reading “The finalists of The Offies 2020”

Review: Tickle the Musical, King’s Head Theatre

Set in the world of competitive enduance tickling, Tickle the Musical proves a rather good-natured, sweet thing at the King’s Head Theatre

“There’s something interestingly subtextual going on there”

I probably shouldn’t admit this but I am extremely ticklish, to the point where even looking at someone getting tickled sends a little shiver down my spine. So naturally I booked in to see a musical about competitive enduance tickling (it’s a thing – I’d say google it, at your own peril…) but at a safe distance from any of the feather dusters lurking on the stage.

Chris Burgess’ Tickle the Musical proves to be a rather good-natured, sweet thing that wisely takes itself not at all seriously and is all the more effective for it. A feather-light plot sees smalltown boys Chris and Callum offered fame and fortune (well, five hundred quid) by the calculating Davina Diamond to tickle each other on film, for her website – what on earth could go wrong?!

After a slightly slow beginning, Robert McWhir’s production launches into life once it leans properly into its inherent campness. As Davina declares that two fit lads in short shorts tickling each other isn’t gay in ‘It’s Not Gay’, tongues are placed firmly in cheeks and the homoeroticism is allowed to soar off the chart. By the time we’re at the tickling world championship, you really will be asking what would Julie Andrews do…
Continue reading “Review: Tickle the Musical, King’s Head Theatre”

10 questions for 10 years – Mary Grace Nguyen

Trendfem may be no more but ex-blogger of opera and theatre Mary Grace Nguyen still has plenty to say in the 10 questions for 10 years challenge

  • Where were you 10 years ago?

    I was in New York. I left my English teaching job in Japan, after two years of singing, playing games and jumping around in a classroom. I randomly decided to travel to the States before growing up and properly ‘adulting’. Back then, WordPress had just come out and bloggers were posting on Google blogger, Tumblr and Live Journal. This was also the first time I started a blog and began writing, sharing my travel experiences in Japan and New York with friends and family. However, as much as I should say I am proud of this, I am thoroughly embarrassed about this blog and shall not reveal the url here. Nonetheless, the lessons learnt was my realisation in loving to write, about anything and everything.

    Continue reading “10 questions for 10 years – Mary Grace Nguyen”

The finalists of The Offies 2019

Some decisions that reflect my own nominations for the year, many others for plays I haven’t seen and as ever, some curious choices too.

DESIGN
COSTUME DESIGN
Gabriella Slade for Six at the Arts Theatre
Jonathan Lipman for Harold & Maude at the Charing Cross Theatre
Pam Tait for Rothschild & Sons at the Park Theatre

SET DESIGN
Bethany Wells for Distance at the Park Theatre
Francis O’Connor for Harold & Maude at the Charing Cross Theatre
Simon Daw for Humble Boy at the Orange Tree Theatre Continue reading “The finalists of The Offies 2019”

Review: The Cluedo Club Killings, King’s Head Theatre

A queered-up take on the murder mystery, The Cluedo Club Killings makes the most of a brief new run at the King’s Head Theatre

“I know whodunnit”

The King’s Head Theatre’s six-week Queer Season has allowed for all sorts of LGBTQI+ stories to be told but one of its more pleasing aspects has been the flexibility in the programming, offering opportunities for smaller productions to emerge once again. Guy: a new musical will be popping back to London and after a well-received run at the Arcola earlier this year, Robert Holtom’s The Cluedo Club Killings similarly took the chance to spread its wings once again.

A queered-up take on the murder mystery designed to take on “the cis-het sausage fest” of Morse, Poirot et al, Nat Kennedy’s production is an enjoyably daft thing and is at its best when it fully embraces the glitter-soaked camp and ridiculous OTT-ness at its heart. Stabs of dun-dun-duh music, a shattered fourth wall, lesbian wannabe detective leads, scorchingly funny TV reporters, and a post-modern take on not just detective stories but horror film too – what more could you want.  Continue reading “Review: The Cluedo Club Killings, King’s Head Theatre”