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2022 Offie & ONCOMM Award Winners

The Offies recognise and celebrate the excellence, innovation and ingenuity of independent, fringe and alternative theatres across London, helping to raise their profiles and rewarding the new talent that they nurture, which is essential for the future of the theatre industry.  

Though theatre has been slowly recovering from the Covid pandemic in 2021, there have been enough high-quality Offies nominations post lockdown, to enable the judging panel to select 86 finalists across nearly 30 Offies categories.  The winners were announced at the Offies awards ceremony on 20 February 2022. Continue reading “2022 Offie & ONCOMM Award Winners”

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February casting updates

Full casting has been announced for the highly anticipated return of critically acclaimed musical The Wicker Husband. Following the show’s premature closure on its original press night on 16 March 2020, Artistic Director Paul Hart, Executive Director Claire Murray and the team at Newbury’s Watermill Theatre are thrilled to welcome the creative team and cast to The Watermill for a new run of the show this March.

Joseph Alessi will play ‘Cobbler’, Gemma Sutton will play ‘Ugly Girl’, Olivier Award winner George Maguire as ‘Wicker Husband’, Angela Caesar as ‘Cobbler’s Wife’, Jonathan Charles as ‘Innkeep’, Claire-Marie Hall as ‘Innkeep’s Wife’, Jack Quarton as ‘Tailor’ and Davina Moon as ‘Tailor’s Wife’,  Julian Forsyth as ‘Old Basket Maker’ with Jon Whitten as on-stage band playing the Hammered Dulcimer, Rachel Barnes also as on-stage band, and Pat Moran as onstage Musical Director.

Nisha Anil and Sebastian Charles will be the puppeteers of The Wicker Husband, with Tom Norman as Swing. Continue reading “February casting updates”

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The finalists of The Offies 2022

The Offies recognise and celebrate the excellence, innovation and ingenuity of independent, fringe and alternative theatres across London, helping to raise their profiles and rewarding the new talent that they nurture, which is essential for the future of the theatre industry.  

Though theatre has been slowly recovering from the Covid pandemic in 2021, there have been enough high-quality Offies nominations post lockdown, to enable the judging panel to select 86 finalists across nearly 30 Offies categories.  The winners will be announced at the Offies awards ceremony, to be held online this year on 20 February 2022. Continue reading “The finalists of The Offies 2022”

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2021 Offie & ONCOMM Award Winners

In this ‘special circumstances’ year, the Offies 2021 Awards Ceremony celebrated the creativity and resilience of artists in fringe, alternative and independent theatre in a time of crisis who have found new ways to produce fresh and inventive work for thousands of stay-at-home audiences.

The Offies are OffWestEnd’s main awards, for shows with at least 10 performances, and awards were given to the best of the shows presented before lockdown and the few who managed to go ahead in the summer
months.

The OnComm is the new award for online shows from across the UK (and beyond) and was introduced in May 2020. Additionally, the winner of the OffFest award for theatre shows in festivals was also announced, alongside extra OneOff awards for innovative work and initiatives in 2020, especially in the light of the Covid lockdown. Continue reading “2021 Offie & ONCOMM Award Winners”

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The finalists of The Offies 2021

The finalists for the 2021 Offies (for productions in 2020) have been announced and congratulations to the 47 finalists across 16 of the 28 Offies categories. The winners will be announced at the Offies Awards Ceremony, being held online on 21 February 2021.

The following categories are not going forward for 2021 awards as there were insufficient nominations due to theatre closures arising from Covid-19 lockdowns:

  • Design: Costume
  • Design: Video
  • Choreography
  • Company Ensemble
  • Musicals: New Musical
  • Opera
  • Panto
  • Plays: Most Promising New Playwright
  • Plays: Production
  • Theatre for Young People: Production (0-7)
  • Theatre for Young People: Production (13+)
  • Theatre for Young People: Production (8+)

Continue reading “The finalists of The Offies 2021”

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10 of my top moments of the decade

Ever behind the curve, I present 10 of my top moments in a theatre over the last ten years (plus a few bonus extra ones because whittling down this list was hard, and it will probably be different tomorrow anyway!)

© James Bellorini

Extraordinary Public Acts for a National Theatre

The establishment of the Public Acts programme at the National Theatre offered up something sensational in Pericles, an initiative designed to connect grassroot community organisations with major theatres, resulting in a production that swept over 200 non-professional performers onto the stage of the Olivier to create something that moved me more than 99% of professional productions.  A truly joyous and momentous occasion. 

Honourable mention: this year’s musical take on As You Like It proved just as heart-swellingly beautiful over at the Queen’s Theatre Hornchurch. Continue reading “10 of my top moments of the decade”

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Review: Twelfth Night, Wilton’s Music Hall

The Watermill Theatre’s 2017 production of Twelfth Night is revived to glorious effect in the atmospheric surroundings of Wilton’s Music Hall

“If music be the food of love, play on…”

I was absolutely blown away by the Watermill’s production of A Midsummer Night’s Dream back in May, and so the news that their similarly actor-muso Twelfth Night from last year would be being revived at Wilton’s Music Hall was most welcome. And if it doesn’t quite live up to the magic of that first time for me, it is still a most enchanting and unmistakably bold take on the play 

Paul Hart’s production relocates Illyria to the 1920s, jazz is flourishing, prohibition is rife and the shadows of WWI haven’t quite yet dissipated. Katie Lias’ design concentrates the action in the Elephant Jazz Club and the historic atmosphere of Wilton’s proves perfect for this treatment. And without giving too much away, the dipping down into the audience is done brilliantly.  Continue reading “Review: Twelfth Night, Wilton’s Music Hall”

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Review: The Box of Delights, Wilton’s Music Hall

“The wolves are running, Kay Harker”

There’s a wonderfully rough magic to Justin Audibert’s production of The Box of Delights that makes it the perfect choice for Wilton’s Music Hall’s festive show. And it is one that will have extra resonance for those of a generation similar to my own, whose childhood TV watching centred on a VHS copy of the 1984 TV adaptation, whose use of graphics and green screen hasn’t necessarily aged all that well (see around 14.30)…

The nods to the occasional naffness of that design (a car that turns into an aeroplane!) were much appreciated but such is the warmth and wit of the theatrical invention here, that it is hard not to be won over by Piers Torday’s adaptation of John Masefield’s 1935 fantasy novel whether you’re familiar with it or not. And though it flirts with the odd sinister undertone, the abiding feel is one of adventurous derring-do and festive cheer, fit for whatever family you have around you.

Set in the depths of Christmas 1938, we’re in the world of plum puddings and hot possets, where schoolboy Kay Harker finds his journey home from boarding school disrupted by falling into the middle of a battle between two mighty magicians. Given the precious Box of Delights by one of them, he’s charged with protecting it – and by extension, the very future of Christmas itself – but little can prepare him for the magical power that is contained within. Continue reading “Review: The Box of Delights, Wilton’s Music Hall”

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Review: How to Succeed in Business Without Really Trying, Wilton’s Music Hall

“If they choose to, the company may dump any man”

The historic walls of Wilton’s Music Hall – the last surviving grand music hall in the world – may be old but they are far from old-fashioned. After their major refurb, the shift into becoming a producing venue has seen them adopt a varied multi-disciplinary programme of comedy and music as well as theatre (look out for the Tobacco Factory’s highly-rated Othello coming soon).

Sadly, their current revival of How to Succeed in Business Without Really Trying – the first major one in this country since its 1963 premiere – falls on the side of the fatally old-fashioned. Director Benji Sperring’s sure touch has seen him work wonders with shows like The Toxic Avenger but here, an inconsistency of tone and performance level means that it sits awkwardly on this august stage. Continue reading “Review: How to Succeed in Business Without Really Trying, Wilton’s Music Hall”

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Review: 2017 London Jam – Austentatious, Wilton’s Music Hall

“We’re going to have to tell the vicar”

The 2017 London Jam is a festival of improvisation presented by The Showstoppers, in association with Extempore Theatre & Something for the Weekend, featuring a wide range of improv stars from across both the UK and the world – the improvised Ibsen troupe from Norway being the unlikeliest inclusion there. Naturally, we went along to see our beloved Austentatious and as ever, they did not disappoint.

Regaling us with the tale of Fear and Fascination, full of illicit hat-wearing, malevolent vicars with a predilection for flashbacks, and sheep-loving surprises, this was the team at their best, taking their time with a slow start to to tease out some utterly surreal story strands. The bit of audience participation was unexpected good fun, but it was the surprise murder and the group’s stunned reaction and subsequent glee that made it one of the best unknown Jane Austen novels I’ve yet seen.