2021 Offie & ONCOMM Award Winners

In this ‘special circumstances’ year, the Offies 2021 Awards Ceremony celebrated the creativity and resilience of artists in fringe, alternative and independent theatre in a time of crisis who have found new ways to produce fresh and inventive work for thousands of stay-at-home audiences.

The Offies are OffWestEnd’s main awards, for shows with at least 10 performances, and awards were given to the best of the shows presented before lockdown and the few who managed to go ahead in the summer
months.

The OnComm is the new award for online shows from across the UK (and beyond) and was introduced in May 2020. Additionally, the winner of the OffFest award for theatre shows in festivals was also announced, alongside extra OneOff awards for innovative work and initiatives in 2020, especially in the light of the Covid lockdown. Continue reading “2021 Offie & ONCOMM Award Winners”

The finalists of The ONCOMMs 2021

The OnComm is the new award for online shows from across the UK (and beyond) and was introduced in
May 2020. 

1. Recording pre-lockdown (direct)
(i.e. with little or no editing)
Going Viral / Daniel Bye
Hysteria / Spymonkey
Jane Clegg / Finborough Theatre
The House Of Bernarda Alba / Graeae

2. Recording pre-lockdown (edited)
(i.e. with significant editing)
Bubble / Theatre Uncut
Cyprus Avenue / Royal Court & Abbey Theatre
SeaWall / Simon Stephens
The Encounter / Complicité Continue reading “The finalists of The ONCOMMs 2021”

News: NT launches new streaming service National Theatre at Home

The National Theatre, in partnership with Bloomberg Philanthropies, has today launched  National Theatre at Home, a brand-new streaming platform making their much-loved productions available online to watch anytime, anywhere worldwide.

Launching today with productions including the first ever National Theatre Live, Phèdre with Helen Mirren,  Othellowith Adrian Lester and the Young Vic’s Yermawith Billie Piper, new titles from the NT’s unrivalled catalogue of filmed theatre will be added to the platform every month.

In addition to productions previously broadcast to cinemas by National Theatre Live, a selection of plays filmed for the NT’s Archive will be released online for the first time through National Theatre at Home, including Lucy Kirkwood’s Mosquitoes with Olivia Colman and Inua Ellams’ new version of Chekhov’s Three Sisters (a co-production with Fuel).   Continue reading “News: NT launches new streaming service National Theatre at Home”

News: National Theatre at Home final phase

The National Theatre has announced a further five productions that will be streamed as a part of the National Theatre at Home series. Established in April to bring culture and entertainment to audiences around the world during this unprecedented period, National Theatre at Home has so far seen 10 productions streamed via the NT’s YouTube channel, with over 12 million views to date. These will be the final titles to be shared for free via YouTube in this period. However, future digital activity to connect with audiences in the UK and beyond is planned, with further details to be announced soon. 

The productions will be broadcast each Thursday at 7pm BST for free and will then be available on demand for seven days. Titles added to the programme today include A Midsummer Night’s Dream from the Bridge Theatre, alongside Small IslandLes Blancs, The Deep Blue Sea and Amadeus from the National Theatre.  Continue reading “News: National Theatre at Home final phase”

News: Lockdown Theatre Festival brings four cancelled shows to radio

Plays by writers including Mike Bartlett and EV Crowe that were forced to close early because of the pandemic will be revived on BBC Radio 3 and Radio 4 as part of a festival created by actor Bertie Carvel.

Lockdown Theatre Festival will feature actors including Katherine Parkinson, Rachael Stirling and Nicholas Burns, who will record their lines in isolation, to reimagine their performances for specially created radio versions of the plays.

The plays, which will be broadcast on June 13 and 14, are: The Mikvah Project by Josh Azouz, which had been running at the Orange Tree Theatre, the Lyric Hammermith Theatre’s Love Love Love by Bartlett, Winsome Pinnock’s Rockets and Blue Lights, from the Royal Exchange in Manchester, and Crowe’s Shoe Lady, which was being staged by the Royal Court in London. Continue reading “News: Lockdown Theatre Festival brings four cancelled shows to radio”

TV Review: Spooks – Code 9

Spooks – Code 9 is a spin-off that spins off too far, nowhere near deserving of the Spooks name

“Don’t make me look like a dickhead”

An absolutely baffling one this. Spooks – Code 9 was commissioned by the Beeb as a spin-off of the Spooks franchise that was aimed at the 16-24 demographic. Conventional wisdom dictates that a spin-off has at least some connection to its parent but for some reason, the decision was made to completely sever this new show, with no crossover with Spooks whatsoever.

Not only that, it is also set in an entirely different universe as this series is set in a UK that is reeling from a nuclear attack during the opening ceremony of the 2012 Olympics Games. With London irradiated and most of its staff killed, MI5 has had to evacuate Thames House and set up regional field offices. Because the only way to justify setting a show in Leeds is to make London radioactive…(and even then they can’t keep away for the finale). Continue reading “TV Review: Spooks – Code 9”

TV Review: Doctor Who Series 12

Series 12 of Doctor Who goes hard on what we think we know about the Time Lord and finishes in a blaze of glory

“You can be a pacifist tomorrow. Today you just need to survive”

I don’t think I have ever minded anything that happened in Doctor Who so much that I have declared it cancelled, even at the point where all the magnificent character development by Catherine Tate’s Donna was undone in a plot point of real cruelty. So it is hard to take so-called fans of the show seriously when torrents of complaints are unleashed about the sanctity of a world of science fiction that has long enjoyed challenging and expanding what we know about characters we love. (See my Episode 1 review here.)

So it should come as little surprise that I really rather enjoyed series 12 of Doctor Who. Across the season as a whole, I felt that Jodie Whittaker has settled more into the role, especially as the writers feel more confident in finding her voice. And the balancing act of having three companions in the TARDIS has been more assured now that the business of introducing them is over, allowing the group to splinter off for large chunks of episodes has allowed much more of their characters to shine through, particularly for Mandip Gill’s Yaz (who I am mightily glad survived that final episode – I thought she was doomed after her chat with Graham). Continue reading “TV Review: Doctor Who Series 12”

24th Critics’ Choice Awards winners

Best Picture
Roma
Black Panther
BlacKkKlansman
The Favourite
First Man
Green Book
If Beale Street Could Talk
Mary Poppins Returns
A Star Is Born
Vice

Best Director
Alfonso Cuarón – Roma
Damien Chazelle – First Man
Bradley Cooper – A Star Is Born
Peter Farrelly – Green Book
Yorgos Lanthimos – The Favourite
Spike Lee – BlacKkKlansman
Adam McKay – Vice Continue reading “24th Critics’ Choice Awards winners”

Film Review: The Favourite (2018)

Yorgos Lanthimos’ The Favourite offers up a thoroughly human approach to history and three cracking performances from Olivia Colman, Emma Stone and Rachel Weisz

“Don’t shout at me, I am the Queen”

It may seem like casting directors have forgotten that there are other actresses available alongside Olivia Colman but when the work she produces is this irresistible, you can’t help but indulge them. But though she is being pushed as the lead of Yorgos Lanthimos’ The Favourite, it is important to note that she eagerly shares that spotlight with both Rachel Weisz and Emma Stone.

Which is unique enough for Hollywood in general, never mind a mainstream historical film. But here, Lanthimos completely upends convention to produce something unique, compelling and utterly significant. The history of Queen Anne’s reign may be less of an unknown quantity to recent theatregoers although nothing there will have prepared anyone for the affecting and effective novelty of this approach.   Continue reading “Film Review: The Favourite (2018)”

24th Critics’ Choice Awards nominees

Best Picture
BlacKkKlansman
Black Panther
The Favourite

First Man
Green Book
If Beale Street Could Talk
Mary Poppins Returns
Roma
A Star Is Born

Vice

Best Director
Damien Chazelle – First Man
Bradley Cooper – A Star Is Born
Alfonso Cuarón – Roma
Peter Farrelly – Green Book
Yorgos Lanthimos – The Favourite
Spike Lee – BlacKkKlansman
Adam McKay – Vice Continue reading “24th Critics’ Choice Awards nominees”