Reinterpreting the women of Greek mythology for today, the theatrical enterprise of 15 Heroines is a major achievement and a highlight of the year, digital or otherwise
“The gods should protect me”
15 Heroines comes to us in collaboration between the Jermyn Street Theatre and Digital Theatre as fifteen female and non-binary playwrights tackle Ovid’s Heroides, giving voice to the women of classical mythology anew. Split into three groups of five 15-minute monologues – The Labyrinth, The War, The Desert – this is a major theatrical enterprise that offers startlingly fresh perspective on these tales of old and serves as a reminder, as if it were needed, that men are trash.
Or more specifically, the men that we often describe as heros have serious issues when it comes to the women in their lives. There may be some excuse for the women left behind by The Trojan War – Sophia Eleni’s Love Island-esque but still sweet Laodamia is the wife of the first soldier killed as explored by Charlotte Jones – but more often than not it is just men being (fuck)boys. Lettie Precious delves beautifully into Oenone’s feelings about being abandoned by Paris for Helen, Ann Ogbomo’s righteous fury scalds the screen. Continue reading “Review: 15 Heroines”
Jermyn Street Theatre are thinking big once again, as their previously announced 15 Heroines project, in collaboration with Digital Theatre, reveals a titanic cast of actors to join the 15 female and non-binary playwrights commissioned to retell the stories of the women of classical myth. And not just that, Adjoa Andoh will be co-directing alongside Tom Littler and Cat Robey. Hook. Me. Up!
Full casting comprises Gemma Whelan, Jemima Rooper, Ann Ogbomo, Rebekah Murrell and Sophia Eleni in The War
Indra Ové, Rosalind Eleazar, Nicholle Cherrie, Eleanor Tomlinson and Martina Laird in The Desert and
Olivia Williams, Nadine Marshall, Doña Croll, Nathalie Armin and Patsy Ferran in The Labyrinth. Continue reading “News: Jermyn Street Theatre’s 15 Heroines announces a truly heroic cast”
Jermyn Street Theatre has joined forces with leading internet theatre platform Digital Theatre for a major new online project to be produced this autumn.
15 Heroines sees fifteen female and non-binary playwrights re-telling the stories of the women of classical myth. Inspired by Ovid’s The Heroines (Heroides), a collection of fifteen fictional letters written in the first century BCE, the project is produced and directed by Jermyn Street Theatre’s Artistic Director Tom Littler. The writers comprise April De Angelis, Stella Duffy, Samantha Ellis, Lorna French, Juliet Gilkes Romero, Natalie Haynes, Charlotte Jones, Hannah Khalil, Bryony Lavery, Isley Lynn, Lettie Precious, Sabrina Mahfouz, Chinonyerem Odimba, Timberlake Wertenbaker and Abi Zakarian. Continue reading “News: Jermyn Street Theatre and Digital Theatre join forces for 15 Heroines”
“I just – I can’t believe this is England”
Hannah Khalil’s intelligent exploration of the Israeli-Palestine conflict Scenes from 68* Years was one of my top-ranked plays of last year and so I was delighted to be able to see her new play The Scar Test, albeit in the oppressive, claustrophobic heat of the Soho Upstairs at the height of summer. And with that knowledge of at least some of Khalil’s theatrical style, it was a pleasure to be able to sink into her idiosyncratic storytelling and be so thoroughly challenged by its subject matter.
Here, Khalil has turned her focus to the experience of female detainees at the notorious Yarl’s Wood detention centre and the many, many indignities suffered by those trying to work their way through the knots and prejudices of our immigration system. And as with that previous play, multiple verbatim strands are splintered into non-linear episodes, some coalescing into something approaching an overall arc, some disappearing into the ether, forgotten victims neglected by us all. Continue reading “Review: The Scar Test, Soho Theatre”
“We live in a climate of fear – they’ve made that”
The asterisk in the title is important. It denotes the number of years since the creation of the State of Israel in 1948 and so if the play were to be put on again next year, it would be entitled Scenes from 69* Years. It all adds to the sense of living history that permeates Hannah Khalil’s Scenes from 68* Years, a series of snapshots from life in Palestine throughout that time in all its complexity as to build one nation, another must be broken.
It’s a deeply emotive subject but one which is approached with clear-eyed balance by Khalil. Her stories, collated from the experiences of friends and family, are presented as non-linear vignettes – a picnic interrupted by soldiers in 1992, a charity worker making an aid run in 2010, a boy playing a prank on his grandfather in 1978 and so on – but the perspectives they offer come from Palestinians and Israelis alike, giving details of how day-to-day life co-exists with headline-grabbing drama. Continue reading “Review: Scenes from 68* Years, Arcola”