Winners of the 2020 Olivier Awards

Best Actor in a Supporting Role in a Musical                                          
David Bedella for & Juliet at Shaftesbury Theatre – WINNER
Stewart Clarke for Fiddler On The Roof at Playhouse Theatre
Jack Loxton for Dear Evan Hansen at Noël Coward Theatre
Rupert Young for Dear Evan Hansen at Noël Coward Theatre                          

Best Actress in a Supporting Role in a Musical
Lucy Anderson for Dear Evan Hansen at Noël Coward Theatre
Petula Clark for Mary Poppins at Prince Edward Theatre
Cassidy Janson for & Juliet at Shaftesbury Theatre – WINNER
Lauren Ward for Dear Evan Hansen at Noël Coward Theatre                

Continue reading “Winners of the 2020 Olivier Awards”

News: a stream of Emilia announced to get us through November

With an unerring sense of timing, our dark November evenings now have the chance of being brightened by the theatrical wonder that was Morgan Lloyd Malcolm’s Emilia. An archived recording of the show’s 2019 West End production is being made available online for two weeks from 10th November.

I loved the show in its first run at the Globe and its subsequent transfer into the West End at the Vaudeville Theatre and I’m sure much of its power will be retained in its taping. And because the people behind the show really are good sorts, they’re using a pay-what-you-can model with the proceeds from the recording being shared across the entire team from the 2019 production. Continue reading “News: a stream of Emilia announced to get us through November”

News: The Mono Box launch The Monologue Library

I mean, just look at this absolute treasure trove of theatrical talent! 

 

I’m off to listen to Patsy Ferran read Tom Wells, and Gabby Wong read Alexi Kaye Campbell, and Sarah Niles read Winsome Pinnock and…and…

This incredible resource is free but like so many creative endeavours right now, would benefit hugely from your donations here

 

News: #AllTheWebsAStage details announced

All the Web’s a Stageis a streaming initiative consisting of 12 marvellous jam-packed hours of all your favourite performers from the West End and theatre to comedy, drag and magic!

It’s fitting that the free livestream will be held on Thursday 23 April, Shakespeare’s birthday and the date that theatres began their process of restoration after strict censorship in 1661, the last time British theatres were ordered to close for a prolonged period. 

The livestream is raising money for our artistic comrades who have been severely impacted by Covid-19. Whilst we appreciate the government’s initiatives, and the support made available for many self-employed workers, there are still many freelance artists who fall through the cracks of these new government programs. As a result, thousands of artists who are now unable to earn an income are facing the coronavirus crisis with no available financial support.

You can watch the livestream on the Theatre Together website or on the Theatre Together Facebook page this Thursday from midday. Continue reading “News: #AllTheWebsAStage details announced”

News: HighTide announces cast for Love In The Time of Corona

The writers and cast for the five monologues written for Love In The Time of Corona, as part of HighTide’s Lighthouse Programme, have now been released. 

Aisha Zia’s piece will be performed by Jade Anouka;
Katie Lyons takes on Morgan Lloyd Malcolm’s work;
Sophie Melville will share Ben Weatherill’s piece;
Dawn King’s will be presented by Shobna Gulati;
and spoken word artist Debris Stevenson will perform her own monologue.

These digital productions will be available for free on Hightide’s social media channels.

2020 Laurence Olivier Awards nominations

Award season kicks into another gear with the arrival of the nominations for the 2020 Olivier Awards – & Juliet, Fiddler on the Roof and Dear Evan Hansen lead the musicals pack, Death of a Salesman and Rosmersholm the plays

As ever, Laurence giveth and he taketh away and it’s all subjective anyway.

  • I’m really pleased to see the love for Amélie The Musical and The Ocean At The End Of The Lane but a little incredulous that Fairview received no nominations.
  • The weird category shuffle that often happens has landed on ‘Best Entertainment or Comedy Play’ and ‘Best Family Show’ this year, leaving Emilia and Fleabag in a weird place that isn’t ‘Best New Play’ (last year they were divided into ‘Best Entertainment and Family’ and ‘Best New Comedy’.
  • I had zero desire to see Fiddler on the Roof so can’t pass comment there but can’t help wishing the supporting role in a musical nominations weren’t quite so dominated by DEH.
  • & Juliet’s director Luke Sheppard could rightfully feel snubbed, given the wealth of recognition the rest of the production has received.
  • And whither Monica Dolan, Lucian Msamati, Melanie La Barrie, the cast of Three Sisters…(oh wait, they won the more significant award earlier in the year!)

Continue reading “2020 Laurence Olivier Awards nominations”

Nominees for the 9th annual Mousetrap Awards

The nominees for the 9th annual Mousetrap Awards are announced

These awards are voted for by young people, anyone aged 15-29 is invited to have their say as to who should pick up the trophies at the ceremony on Sunday 19th April. And while usual suspects Dear Evan HansenWaitress and & Juliet are leading the pack, it is nice to see such love for Small Island here too.

Mousetrap Theatre Projects strive to make London’s theatre scene accessible to young people, low-income families, mainstream and SEND state schools, and those with additional needs.

Voting is open until midnight on 23rd March via this link. Continue reading “Nominees for the 9th annual Mousetrap Awards”

10 questions for 10 years – Sharon Sexton

From Bat out of Hell to Mamma Mia and with her sights set even higher (seriously, give her Gypsy soon!), Sharon Sexton takes a moment to go 10 for 10

10 questions for 10 years – Sasha Wilson

How could you not love someone who would rather have an interval pint than an ice-cream?! Out of the Forest Theatre’s Sasha Wilson gets her 10 questions on

In the space of just a handful of shows, Out of the Forest Theatre have completely won my heart, their music-infused ensemble-based approach proving utterly compelling whether exploring Lizzie Borden’s legacy in Bury the Hatchet or ripping Arthur Miller (and many others) a new one in Call Me Fury. So I was delighted that their Artistic Director Sasha Wilson, cape-wearer extraordinaire, agreed to answer 10 questions for me.