In this ‘special circumstances’ year, the Offies 2021 Awards Ceremony celebrated the creativity and resilience of artists in fringe, alternative and independent theatre in a time of crisis who have found new ways to produce fresh and inventive work for thousands of stay-at-home audiences.
The Offies are OffWestEnd’s main awards, for shows with at least 10 performances, and awards were given to the best of the shows presented before lockdown and the few who managed to go ahead in the summer
The OnComm is the new award for online shows from across the UK (and beyond) and was introduced in May 2020. Additionally, the winner of the OffFest award for theatre shows in festivals was also announced, alongside extra OneOff awards for innovative work and initiatives in 2020, especially in the light of the Covid lockdown. Continue reading “2021 Offie & ONCOMM Award Winners”
The OnComm is the new award for online shows from across the UK (and beyond) and was introduced in
1. Recording pre-lockdown (direct)
(i.e. with little or no editing)
Going Viral / Daniel Bye
Hysteria / Spymonkey
Jane Clegg / Finborough Theatre
The House Of Bernarda Alba / Graeae
2. Recording pre-lockdown (edited)
(i.e. with significant editing)
Bubble / Theatre Uncut
Cyprus Avenue / Royal Court & Abbey Theatre
SeaWall / Simon Stephens
The Encounter / Complicité Continue reading “The finalists of The ONCOMMs 2021”
In lieu of trying to make sense of this shitshow of a year through the normal year-end lists, I thought I’d just stick with an unranked list of 10 of my top theatrically based productions of the year
For reference, here’s my 2019 list, 2018 list, 2017 list, 2016 list, 2015 list and 2014 list.
Uncle Vanya, Harold Pinter Theatre
A rather exhilaratingly good take on the familiar Chekhov classic, a worthy presence in the West End.
The Wicker Husband, Watermill Theatre
One of the last things I saw before lockdown and what a gorgeous lingering memory to have, I pray that this is not the last we hear of this beautiful new musical. Continue reading “10 top theatrical moments of 2020”
Reinterpreting the women of Greek mythology for today, the theatrical enterprise of 15 Heroines is a major achievement and a highlight of the year, digital or otherwise
“The gods should protect me”
15 Heroines comes to us in collaboration between the Jermyn Street Theatre and Digital Theatre as fifteen female and non-binary playwrights tackle Ovid’s Heroides, giving voice to the women of classical mythology anew. Split into three groups of five 15-minute monologues – The Labyrinth, The War, The Desert – this is a major theatrical enterprise that offers startlingly fresh perspective on these tales of old and serves as a reminder, as if it were needed, that men are trash.
Or more specifically, the men that we often describe as heros have serious issues when it comes to the women in their lives. There may be some excuse for the women left behind by The Trojan War – Sophia Eleni’s Love Island-esque but still sweet Laodamia is the wife of the first soldier killed as explored by Charlotte Jones – but more often than not it is just men being (fuck)boys. Lettie Precious delves beautifully into Oenone’s feelings about being abandoned by Paris for Helen, Ann Ogbomo’s righteous fury scalds the screen. Continue reading “Review: 15 Heroines”
Patsy Ferran, Doña Croll, Nathalie Armin, Olivia Williams and Nadine Marshall star in 15 Heroines – The Labyrinth, featuring writing from Bryony Lavery, Timberlake Wertenbaker, Samantha Ellis, Natalie Haynes and Juliet Gilkes Romero
“The gods should protect me”
Read my overview of 15 Heroines here
Five women written into the stories of Theseus and Jason
⭐️Ariadne: String by Bryony Lavery, starring Patsy Ferran
⭐️Phaedra: Pity the Monster by Timberlake Wertenbaker, starring Doña Croll
⭐️Phyllis: I’m Still Burning by Samantha Ellis, starring Nathalie Armin
⭐️Hypsipyle: Knew I Should Have by Natalie Haynes, starring Olivia Williams
⭐️Medea: The Gift by Juliet Gilkes Romero, starring Nadine Marshall
Running time: each 5 play part of 15 Heroines is around 80 minutes
Photos: Sonay Shote/Marc Brenner
15 Heroines is streaming Monday 9 – Saturday 14 November at 7.30pm / 3.00pm
The Desert Tuesday 10th 3.00pm; Wednesday 11th 7.30pm; Friday 13th 7.30pm
The War Monday 9th 7.30pm; Thursday 12th 7.30pm; Saturday 14th 3.00pm
The Labyrinth Tuesday 10th 7.30pm; Thursday 12th 3.00pm; Saturday 14th 7.30pm
Jermyn Street Theatre are thinking big once again, as their previously announced 15 Heroines project, in collaboration with Digital Theatre, reveals a titanic cast of actors to join the 15 female and non-binary playwrights commissioned to retell the stories of the women of classical myth. And not just that, Adjoa Andoh will be co-directing alongside Tom Littler and Cat Robey. Hook. Me. Up!
Full casting comprises Gemma Whelan, Jemima Rooper, Ann Ogbomo, Rebekah Murrell and Sophia Eleni in The War
Indra Ové, Rosalind Eleazar, Nicholle Cherrie, Eleanor Tomlinson and Martina Laird in The Desert and
Olivia Williams, Nadine Marshall, Doña Croll, Nathalie Armin and Patsy Ferran in The Labyrinth. Continue reading “News: Jermyn Street Theatre’s 15 Heroines announces a truly heroic cast”
Jermyn Street Theatre has joined forces with leading internet theatre platform Digital Theatre for a major new online project to be produced this autumn.
15 Heroines sees fifteen female and non-binary playwrights re-telling the stories of the women of classical myth. Inspired by Ovid’s The Heroines (Heroides), a collection of fifteen fictional letters written in the first century BCE, the project is produced and directed by Jermyn Street Theatre’s Artistic Director Tom Littler. The writers comprise April De Angelis, Stella Duffy, Samantha Ellis, Lorna French, Juliet Gilkes Romero, Natalie Haynes, Charlotte Jones, Hannah Khalil, Bryony Lavery, Isley Lynn, Lettie Precious, Sabrina Mahfouz, Chinonyerem Odimba, Timberlake Wertenbaker and Abi Zakarian. Continue reading “News: Jermyn Street Theatre and Digital Theatre join forces for 15 Heroines”