Featuring the marvellous Sophie Isaacs, Jodie Steele and T’Shan Williams, Together Again might Thespie’s best Reunited gig yet
“Good times we’ll share again”
For whatever reason, the musical adaptation of Heathers held no attraction for me so I never actually got around to going to see it. The quality and appeal of its cast was never in doubt though, so I was interested to what the title trio of Sophie Isaacs, Jodie Steele and T’Shan Williams would get up to in Together Again, their concert for Thespie’s Reunited series.
There’s an easy informality about this trio, who clearly get on like a house on fire, that elevates this concert to the best kind of cabaret. Full of chat, in-jokes and genuine admiration inbetween songs, the three of them conjure up the type of atmosphere that fully engages you and keeps you hanging off every note they sing. Continue reading “Review: Together Again”
If you’re feeling festive and missing musical theatre, then All I Want For Christmas Is Theatre is the place to be
“But it’s not like Christmas at all
I remember when you were here”
Thespie’s Reunited series has been a fun way of getting your musicals fix over the past few weeks and in a rather clever move, they’ve managed to put together a Christmas special featuring the companies already featured, plus some brand new special guests. So All I Want For Christmas Is Theatre so we get to see Team Schwartz and Team Girl Power again and my personal faves, Team Juliet as they tackle a range of festive classics.
For me though, it was the promise of concerts to come that proved most exciting. The tight harmonies of Heathers alumni Sophie Isaacs, Jodie Steele and T’Shan Williams were a particular delight on both ‘Santa Claus is Coming to Town’ and ‘Christmas (Baby Please Come Home)’ and the women of Pretty Woman are in wonderfully high spirits on both ‘Last Christmas’ and ‘Santa Baby’ so consider my appetite whetted for their forthcoming gigs. Continue reading “Review: All I Want For Christmas Is Theatre”
If you’re still writing your lists for Santa, then Dear Audience could be just what you’re looking for. A theatrical coffee table book filled with over 140 pages showcasing the Arts industry, with exclusive imagery, personalised letters to audiences and much more besides.
There’s a veritable who’s who of stage folk involved, from Sally Ann Triplett, Michael Xavier and Frances Rufelle to Oliver Tompsett, Linzi Hateley and Andy Coxon, and the book has been put together by Sophie Ross and Danny Kaan’s Digi Creative. Pre-orders can be made now and are guaranteed for Christmas delivery.
Theatre Royal Bath will reopen on 3 December with a revised performance schedule for Oleanna and Copenhagen, the final two plays in the theatre’s Welcome Back Season.
David Mamet’s provocative drama Oleanna, directed by Lucy Bailey will star Rosie Sheehy and Jonathan Slinger, who replaces John Heffernan in the role of John. The play will now run in Theatre Royal Bath’s Ustinov Studio from 3 December to 22 December and again from 4 January to 16 January 2021. Reduced capacity at the Ustinov Studio will allow for an audience of 60 persons per performance.
The November run of Michael Frayn’s multi award-winning Copenhagen has been postponed until the new year when it will play Theatre Royal Bath’s Main House from 20 January to 6 February 2021. Directed by Polly Findlay it will star Haydn Gwynne, Philip Arditti, and in a change to original billing of Michael Gould, Malcolm Sinclair. Continue reading “UK theatre casting news – November update”
A trio of cast album announcements from the last couple of weeks offers a different way to help support theatres in these trying times
Nicholas Lloyd Webber and James D. Reid have launched a crowdfunding campaign to raise £200,000 for a special recording of The Little Prince musical album and provide over 70 people in the theatre industry with jobs during the current COVID-19 pandemic
Richard E. Grant, Kevin McKidd, Sierra Boggess, Tracie Bennett, Amara Okereke and Lorna Want will all lend their support to the project by playing principal cast members. Emma Lindars, Emma Harris, Sarah Ryan, Alison Arnopp, Janet Mooney, T’Shan Williams, John Addison, Oliver Lidert, Michael Pickering, James Gant and David Durham will also be part of the cast.
Audiences can choose from a range of available rewards from the crowdfunding campaign whilst also creating essential jobs. The full list of awards can be found here: https://www.indiegogo.com/projects/the-little-prince-the-album Continue reading “News: cast albums for The Little Prince, HouseFire and Treason”
Curve has today announced plans to reopen to the public. The theatre, which was forced suddenly to close its doors to the public on 16 March, will open again this autumn for spectacularly re-imagined, socially distanced concert performances of acclaimed Made at Curve productions, using the building’s unique theatre design.
The Color Purple in Concert – 23rd November – 5th December, with T’Shan Williams and Danielle Fiamanya, who won The Stage Debut Award for Best Supporting Actress in a Musical for her role as ‘Nettie’.
Sunset Boulevard in Concert – 14th December – 3rd January, Ria Jones and Danny Mac will return to star.
Memoirs Of An Asian Football Casual– 25th January – 6th February.
By raising the walls between its theatre spaces, Curve will reopen as a 533-seat socially-distanced auditorium, with audiences enjoying live performances from all four sides of the stage, fully realising the ambition of architect Rafael Viñoly’s original design. A triple-revolve, donated by Sir Cameron Mackintosh, will help to transform the space to create an epic experience for audience members. Continue reading “News: live theatre returns to Leicester”
New musical #ZoologicalSociety, written by Vikki Stone and Kate Mulgrew, gets a well-timed concept album release
“You’ve been here for one day mate, I’ve been here for years”
With a sense of impeccable timing, new musical #ZoologicalSociety launches with a concept album. The plan was to accompany the digital release with a live concert performance at BEAM 2020, the UK’s leading showcase of new British musical theatre but whilst that obviously isn’t happening, the album is now available for our delectation, thanks to Joe and Nikki Davison at Auburn Jam Music who produced, recorded, mixed and mastered the music.
The first of a series of entirely original musical commissions from Northampton’s Royal & Derngate, Vikki Stone and Katie Mulgrew’s #ZoologicalSociety takes its simple concept – animals going through the same societal pressures as humans – and fashions a rather winning musical comedy out of it. Continue reading “Album Review: #ZoologicalSociety”
A trio of quick London cast recordings – The Secret Diary of Adrian Mole Aged 13 ¾, Heathers and Calendar Girls
“For a greasy little nobody, you do have good bone structure”
I was delighted to see a belated West End transfer for this lovely new musical by Jake Brunger and Pippa Cleary. I’ve loved every step of its journey and The Secret Diary of Adrian Mole Aged 13 ¾ (Original London Cast Recording) proves the perfect accompaniment as it captures so much of the energy of this most British of tales and sparky performances from the likes of John Hopkins and the luminous Kelly Price.
I didn’t however make it to Heathers, it just not appealing to me at all. With Heathers (Original West End Cast Recording), the opportunity to listen to this high school musical is now ours but I have to say, its charms elude me. There’s a fatal mismatch between the darkness of the source material (it really is a brutal film) and the breeziness of Laurence O’Keefe and Kevin Murphy’s pop-rock score that not even the quality of Carrie Hope Fletcher, Jodie Steele, Sophie Isaacs and Jamie Muscato’s strong performances can overcome.
And I thought I’d pay another visit to Yorkshire for Calendar Girls (Original London Recording) to see whether it stands the test of time. It proved an amiable if short-lived presence in the West End and listening to it again, I’d argue that there’s a gentleness to it that doesn’t quite linger long enough. Gary Barlow’s tunes are undeniably pretty but ultimately, they don’t really call out to be listened to over and again.
With the magnificent Sharon D Clarke at the helm, Caroline, or Change transfers to the Hampstead Theatre London with all its power intact
“Dressed in white and feelin’ low,
talkin’ to the washer and the radio”
Tony Kushner and Jeanine Tesori’s complex and challenging civil rights musical Caroline, or Change makes its long-awaited London return to the Hampstead theatre, more than a decade after its well-received National Theatre production took the Olivier for Best New Musical but found no further life.
Michael Longhurst’s production was first seen in Chichester last May (here’s my review) and whilst it is a shame that that original cast aren’t all present here (the glorious Nicola Hughes, Gloria Onitiri, Jennifer Saayeng all now elsewhere), it holds on to the titanic talents of Sharon D Clarke as Caroline Thibideaux. Continue reading “Review: Caroline, or Change, Hampstead”