Mid February musical news

The producers of FIVER, the sell-out hit musical, which follows the dramatic journey of a five-pound note, are releasing a cast album in March. The album, titled Fiver (Live Concert Recording), is the product of three special, live streamed concert versions of the show, written by Alex James Ellison and Tom Lees, which played to a global audience in November 2020.

Featuring Dan Buckley, Aoife Clesham, Alex James Ellison,
Hiba Elchikhe and Luke Bayer, the album is available for pre-order now on iTunes and on CD and will be released on Friday 5 March. Continue reading “Mid February musical news”

News update for Christmas theatre in London

Regions across the UK were hoping to win the lottery but with the news of Tier 2 (for now) for London, here’s some Christmas theatre news 

The Donmar Warehouse announces today that it will present a special concert online to mark the festive season. LOOKING A LOT LIKE CHRISTMAS will be performed in the beautiful setting of St Paul’s Church (affectionately known as The Actors’ Church), in the heart of Covent Garden and premiere online for free on the Donmar’s YouTube channel on Wednesday 16 December, 7.30pm. The concert will be captioned, and an audio introduction will be available in partnership with Vocaleyes.

This hour-long concert of musical numbers, sketches and seasonal poetry will be directed by Simon Evans (Staged, The Resistible Rise of Arturo Ui) with musical direction by Nigel Lilley (Piaf, Caroline, or Change) and production design by Grace Smart (My Beautiful Laundrette, One Night in Miami). Continue reading “News update for Christmas theatre in London”

News: Almeida and Turbine reopen, Oleanna cast

The Almeida has announce their new programme of socially-distanced theatre for Christmas 2020 and into 2021:

Nine Lessons And Carols: stories for a long winter, a new production created by Associate Director Rebecca Frecknall, Chris Bush and a company of six actors – Naana Agyei-Ampadu, Katie Brayben, Toheeb Jimoh, Elliot Levey, Maimuna Memon and Luke Thallon.

The Maladies, performed by the Almeida Young Company (18-25), written by Carmen Nasr.

Hymn, a new play by Lolita Chakrabarti, featuring Adrian Lester and Danny Sapani. Continue reading “News: Almeida and Turbine reopen, Oleanna cast”

News: October UK theatre news update

We’re beginning to see the fruits of some more of the lockdown programming that has seen theatres across England respond in a variety of impressive ways

Nottingham Playhouse’s Unlocked Festival continues to rocket up the must-see list as it announces more details. Their local writing commission has ended up with two winners – Wayward Thread’s Hand Me Down and Lapelle’s Factory’s Shuck, both of which will now receive work-in-progress performances as part of the festival.

Casting has also been announced for James Graham’s Bubble, which will star the marvellous Pearl Mackie and the equally marvellous Jessica Raine. They join the likes of Mark Gatiss and Jade Anouka reading ghost stories on
Halloween, new work from Naomi Obeng and a concert starring Rosalie Craig, Sandra Marvin and Jodie Prenger. Continue reading “News: October UK theatre news update”

TV Review: Years and Years

Years and Years sees Russell T Davies take on dystopian near-future sci-fi to startling effect

“We’re not stupid, we’re not poor, we’re not lacking. I’m sorry, but we’re clever. We can think of something, surely.”

What if…? What if…? What Brexit happens, what if Trump is voted in again and fires a nuclear bomb towards China, what if global warming happens today and not tomorrow, what if Lee from Steps is the most successful one…? Such is the world of Years and Years, Russell T Davies’ latest TV venture, a six-part drama that dares to ask what if it is already too late.

He uses the Lyons family as a prism to explore what the next 15 years of human history might look like, as technological advances make leaps and bounds alongside the political and social upheaval that strikes at the very heart of this sprawing middle-class Manchester-based family. It’s a daring piece of drama, full of Davies’ typically big heart and bold emotional colours and I have to say I rather loved it. Continue reading “TV Review: Years and Years”

Review: Abigail’s Party, Opera House Manchester

This touring production of Mike Leigh’s Abigail’s Party opts for comedy rather than tragicomedy at the Opera House Manchester, losing a little depth in order to find more laughs

“Let’s get pissed”

I spotted at least two people dressed up as Beverly at this matinée of Abigail’s Party at Manchester’s Opera House, a sure sign of cult status for any play. But it also means that their particular version of it can be stuck in aspic, making it difficult for any new interpretation to break through one’s own pre-programmed laugh track, to offer up a new reading of an oh-so-familiar text.

I’m as guilty of this as anyone – for me, ‘Demis Roussos’ is up there with ‘a handbag’ in terms of iconic lines – but Mike Leigh’s play has always struck me as a desperately sad one rather than an out and out comedy. Last year’s production at Hornchurch and the Menier’s 2012 production brought those sour notes but interestingly, Sarah Esdaile’s touring production opts for out and out farce. Continue reading “Review: Abigail’s Party, Opera House Manchester”

Review: Tell Me On A Sunday, Richmond Theatre

“Long lost feelings, stir inside me”

Like many a child of the 80s, or so I like to imagine, a cassette of Andrew Lloyd Webber’s greatest hits was never too far from the car stereo, and so I’ve long been familiar with Tell Me On A Sunday and long been a fan thereof. Clearly others feel this way as the enduring popularity of the show means it has never been too far from our stages, with this latest iteration originating at Newbury’s Watermill before an extensive UK tour.

Perhaps with this sense of a classic in mind, Paul Foster’s production sticks with the original setting of the late 1970s and in Jodie Prenger, finds the ideal performer to convey the multiple romantic trials of this Englishwoman in New York – David Woodhead’s simple design evoking the period setting without overemphasising it. Prenger’s old-school charms suit the role perfectly, there’s something almost perverse in how watchable she is when playing heart-broken but crucially she invests Emma with an indefatigable quality of spirit that never seems to be truly broken. Continue reading “Review: Tell Me On A Sunday, Richmond Theatre”

2014 BroadwayWorld UK Awards Shortlist

Best Choreography in a New Production of a Musical
Bob Avian & Geoffrey Garratt – Miss Saigon – Prince Edward Theatre
Peter Darling – Charlie and the Chocolate Factory – Theatre Royal, Drury Lane
Gary Lloyd – 20th Century Boy – The Grand Wolverhampton
Ann Yea – Urinetown – St James

Best Costume Design in a New Production of a Play or Musical
Andreane Neofitou – Miss Saigon – Prince Edward Theatre
Rae Smith – The Light Princess – National Theatre
Soutra Gilmour – Urinetown – St James Theatre
David Shields – Sister Act – Aberystwyth Arts Centre

Best Direction of a New Production of a Musical
Laurence Connor – Miss Saigon – Prince Edward Theatre
Matt Ryan – Dogfight – Southwark Playhouse
Jamie Lloyd – Urinetown – St Jamess
Paul Kerryson – Chicago – Curve Leicester

Best Direction of a New production of a Play
Yael Farber – The Crucible – The Old Vic
Declan Donnellan – Shakespeare in Love – Noel Coward Theatre
Jamie Lloyd – Richard III – Trafalgar Studios
Daniel Evans – The Full Monty – Noel Coward

Best Featured Actor in a New Production of a Musical
Kwang-Ho Hong – Miss Saigon – Prince Edward Theatre
Hugh Maynard – Miss Saigon – Prince Edward, London
Matthew Barrow – Chicago – Curve Leicester
Adam Pearce – Urinetown – St. James Theatre

Best Featured Actor in a New Production of a Play
Adrian Schiller – The Crucible – Old Vic Theatre
David Oakes – Shakespeare In Love – Noel Coward Theatre
Bill Nighy – Skylight – Wyndhams
Andrew Scott – Birdland – Royal Court

Best Featured Actress in a New Production of a Musical
Rachelle Ann Go – Miss Saigon – Prince Edward Theatre
Rebecca Trehearn – Dogfight – Southwark Playhouse
Jenna Russell – Urinetown – St. James Theatre
Zizi Strallen – Hairspray – Leicester Curve

Best Featured Actress in a New Production of a Play
Samantha Colley – The Crucible – Old Vic
Angela Lansbury – Blithe Spirit – Gielgud
Anna Carteret – Shakespeare in Love – Noel Coward Theatre
Carey Mulligan – Skylight – Wyndhams

Best Leading Actor in a New Production of a Musical
Jon Jon Briones – Miss Saigon – Prince Edward, London
Richard Fleeshman – Urinetown – St. James Theatre
Jamie Muscato – Dogfight – Southwark Playhouse
Warren Sollars – 20th Century Boy – Wimbledon

Best Leading Actor in A New Production of a Play
Richard Armitage – The Crucible – Old Vic Theatre
Martin Freeman – Richard III – Trafalgar Studios
Daniel Radcliffe – Cripple of Inishmann – Noel coward
Tom Bateman – Shakespeare In Love – Noel Coward

Best Leading Actress in a New Production of a Musical
Eva Noblezada – Miss Saigon – Prince Edward Theatre
Rosalie Craig – The Light Princess – National Theatre
Lucie Mae Sumner – Avenue Q – UK Tour
Jodie Prenger – Calamity Jane – Watermill Theatre

Best Leading Actress in a New Production of a Play
Anna Madeley – The Crucible – Old Vic
Angela Lansbury – Blithe Spirit – Gielgud
Gillian Anderson – A Streetcar Named Desire – The Young Vic
Billie Piper – Great Britain – National Theatre

Best Lighting Design in a New Production of a Play or Musical
Charles Balfour – Richard III – Trafalgar Studio
Adam Silverman – Urinetown – St James Theatre
Paule Constable – The Light Princess – National Theatre
Grant Anderson – The Addams Family – Assembly Hall (Edinburgh)

Best Long-Running Show in the West End
Les Miserables – Queens Theatre
Wicked – Apollo Victoria
Phantom of the Opera – Her Majesty’s Theatre
Matilda – Cambridge Theatre

Best Musical Direction (Fringe or regional)
George Dyer – Dogfight – Southwark Playhouse
John Donovan – Singin’ In The Rain – UK Tour
Ben Atkinson – Chicago – Leicester Curve
Zach Flis/Joanne Ho – The Addams Family – Assembly Hall (Edinburgh)

Best Musical Direction (West End)
Alfonso Casado Trigo – Miss Saigon – Prince Edward Theatre
Richard John – Dirty Rotten Scoundrels – Savoy
Martin Lowe – The Light Princess – National Theatre
Alan Williams – Urinetown – St. James Theatre

Best New Musical in the West End
Urinetown – St James Theatre
I Can’t Sing! – London Palladium
The Light Princess – National Theatre
Dirty Rotten Scoundrels – Savoy Theatre

Best New Play
Shakespeare In Love – Noel Coward Theatre
Let the Right One In – Apollo
1984 – Headlong/Almeida / Playhouse Theatre
Great Britain – National Theatre

Best New Production of a Musical (Fringe/Regions)
20th Century Boy – UK tour
Dogfight – Southwark Playhouse
Happy Days – UK tour
Sunny Afternoon – Hampstead Theatre

Best Performance in a Long-Running West End show
Carrie Hope Fletcher – Les Miserables – Queens Theatre
Gavin Creel – The Book of Mormon – Prince of Wales
Willemjin Verkaik – Wicked – Apollo Victoria Theatre
Rebecca Lock – Mamma Mia – Novello

Best Scenic Design in a New Production of a Play or Musical
Totie Driver, Matt Kinley & Adrian Vaux – Miss Saigon – Prince Edward Theatre
Soutra Gilmour – Richard III – Trafalgar Studios
Soutra Gilmour – Urinetown – St James Theatre
Rae Smith – The Light Princess – National Theatre

Best Sound Design in a New Production of a Play or Musical
Mick Potter – Miss Saigon – Prince Edward Theatre
Richard Hammarton – The Crucible – The Old Vic
Terry Jardine/Nick Lidster – Urinetown – St James Theatre
Tom Gibbons – 1984 – Headlong/Almeida/ Playhouse Theatre

Theatrical Event of the Year
West End Live – Trafalgar Square
50 Years on Stage (National Theatre) – Various Theatres
Les Mis V Phantom Charity Football Match – Bromley FC
Kerry Ellis’s return to Wicked – Apollo Victoria

Theatrical Venue of the Year
Southwark Playhouse
Donmar Warehouse
Leicester Curve Theatre
Edinburgh Playhouse

Understudy of the Year in any production of a Play or Musical
Carolyn Maitland – Miss Saigon – Prince Edward Theatre
Marc Antolin – From Here to Eternity – Shaftesbury
Emma Hatton – Wicked – Apollo Victoria theatre
Niall Sheehy – Miss Saigon – Prince Edward Theatre

CD Review: Spamalot UK Cast Album

“Now we can go straight into the middle eight”

Now that Spamalot has left the West End (again) (and may well pop up once again given its reliability as a stand-by for quickly vacated theatres), I thought I would give the soundtrack a listen, not least because it has languished on my hard-drive for a good couple of years now without me actually getting round to it. Recorded in 2010 at the Churchill Bromley, the album features the UK cast from that touring production of this Eric Idle and John Du Prez show.

It’s a live recording which means the first thing we hear is applause, something which annoys me disproportionately – why can’t, or don’t, they edit it out – as I don’t want to hear anything that isn’t the people on the stage. Likewise with the laughter throughout, I’m glad the audience were finding it funny but that’s not why people buy soundtracks, to hear others having a good time – is it too much to expect a recording unsullied by the great unwashed?! Continue reading “CD Review: Spamalot UK Cast Album”