Film Review: The Electrical Life of Louis Wain (2021)

Some may enjoy this more than me but I found The Electrical Life of Louis Wain to be almost insufferably twee despite Benedict Cumberbatch working hard

“The more intensely he suffered, the more beautiful his work became”

If you were playing Oscar-bait bingo, then you’d definitely want to draw biopic The Electrical Life of Louis Wain. Central character with vaguely defined mental condition, with a wife who dies young, plus Olivia Colman AND Benedict Cumberbatch in the cast. Maybe we should do shots rather than bingo, it might make the film a touch more bearable… 

Will Sharpe’s film seems likely to divide audiences. Not between dog lovers and cat fanciers as you might expect, but to weed out those who have a high tolerance for the insufferably twee. For in its attempts to depict the unique brain chemistry of artist Louis Wain, it errs towards a sepia-tinged, Colman-narrated vision of whimsy and wonder that belies the essential tragedy here. Continue reading “Film Review: The Electrical Life of Louis Wain (2021)”

News: National Theatre adds Cat on a Hot Tin Roof and Consent to streaming platform

The National Theatre has today announced that two new filmed productions have been added to its streaming service National Theatre at Home: the Young Vic’sCat on a Hot Tin Roofandthe National Theatre and Out of Joint’s co-production Consent.Continue reading “News: National Theatre adds Cat on a Hot Tin Roof and Consent to streaming platform”

The Jamie Lloyd Company announces cast for charity gala to celebrate Harold Pinter’s birthday

– Tom Hiddleston, Kristin Scott Thomas, Kit Harington, Simon Russell Beale, Indira Varma, Zawe Ashton and many more announced

–   Happy Birthday, Harold will take place on what would have been the Nobel Prize winning playwright’s 88th birthday on October 10th

–   Charity event will raise money for Amnesty International and Chance to Shine

–   Tickets are on sale now

Continue reading “The Jamie Lloyd Company announces cast for charity gala to celebrate Harold Pinter’s birthday”

Review: Pinter Two – The Lover/The Collection, Harold Pinter Theatre

I’m somewhat seduced by the Pinter Two double bill of The Lover and The Collection at the Harold Pinter Theatre – fetch the olives!

“Did you show him the hollyhocks?”

Truth be told I’m not much of a Pinter fan though I do find the occasional production to be sufficiently compelling to keep me coming back to test my prejudices. And so the Pinter at the Pinter season certainly piqued my interest, if getting me rushing out of the door to book – it took a crucial recommendation to get me to the Harold Pinter for Pinter Two – The Lover/The Collection and I have to say I’m glad I allowed myself to be persuaded.

Both directed by Jamie Lloyd, they offer complementary but contrasting 60s aesthetics (beautifully realised in Soutra Gilmour’s design) – the first part more a sitcom going strange, the second a darker, more mysterious prospect from the off. And cast to the hilt in some of the most luxurious casting a single West End season has ever garnered, it’s all really rather captivating.   Continue reading “Review: Pinter Two – The Lover/The Collection, Harold Pinter Theatre”

Not-a-TV-Review: The Miniaturist

It’s a no for me for The Miniaturist

“Cornelia will fetch you a herring”

I haven’t read Jessie Burton’s 2014 novel The Miniaturist so I came into watching it with zero expectations. But even then, I wasn’t expecting that…!

To steal from the Guardian, the plot was “an everyday tale of girl marries man, moves from the sticks to old Amsterdam, discovers he’s gay, husband’s boyfriend stabs the dog, girl gets spooky doll’s house in which the miniature replicas begin changing to reflect real life, hubby is thrown into the sea while lashed to a stone wheel after suicidal courtroom speech denouncing Hanseatic cant, girl sells loaf/cones of sugar, and almost all, um, live happily ever after”.

But much as I love a story from Amsterdam, I found this a real challenge. The 90 minute episodes didn’t help, nor the heavy-handed shifts in tone which were a constant jolt. Maybe I should read the book instead…

 

Review: Cat On A Hot Tin Roof, Young Vic at the Apollo

“The human animal is a beast that dies but the fact that he’s dying don’t give him pity for others”

Whatever the reasons behind the decision to open Benedict Andrews’ Cat On A Hot Tin Roof directly into the West End, a first for the Young Vic, you can’t help suspect that it has been informed by the extraordinary success of their 2014 collaboration on A Streetcar Named Desire. Equally, it is tempting to feel the play would be better off on The Cut, the better for its intimacy to really sizzle.

There’s certainly the attempt to raise the temperature – Andrews has his leads Jack O’Connell and Sienna Miller in various states of undress for large swathes of the play – but for all the skin exposed, there’s little sexuality between Tennessee Williams’ central couple, the reasons for which are painstakingly revealed later on. And ultimately it is a disconnect that reads better than it plays. Continue reading “Review: Cat On A Hot Tin Roof, Young Vic at the Apollo”

70th British Academy Film Awards nominations

BAFTA Fellowship
Mel Brooks

Outstanding British Contribution to Cinema
Curzon

Best Film
Arrival – Dan Levine, Shawn Levy, David Linde, and Aaron Ryder
I, Daniel Blake – Rebecca O’Brien
La La Land – Fred Berger, Jordan Horowitz, and Marc Platt
Manchester by the Sea – Lauren Beck, Matt Damon, Chris Moore, Kimberly Steward, and Kevin J. Walsh
Moonlight – Dede Gardner, Jeremy Kleiner, and Adele Romanski Continue reading “70th British Academy Film Awards nominations”