An online bite-sized musical murder mystery? A Killer Party boasts a strong cast if not quite the killer instinct
“Did you always want to work as a traffic warden?’
Did you always want to work in an unviable industry?'”
A Killer Party is a curious thing. A murder mystery musical broken up into 9 episodes which can be watched at your own pace, it wears its lockdown origins a little too closely given how far the quality of digital theatre offerings have come over the last few months.
Written by Rachel Axler and Kait Kerrigan (book), Jason Howland (music), and Nathan Tysen (lyrics) and adapted for British audiences following its US-centric debut last years, we follow the case of Varthur McArthur, the artistic director of Blackpool’s
smallest regional theatre who is offed during a read-through for his latest production. Who’s your suspect? Take your pick from any of the theatrical stereotypes on offer. Continue reading “Review: A Killer Party”
Following its opening at the Watermill Theatre, a critically acclaimed sell-out tour in 2019, a highly successful Christmas season at The Other Palace in 2019, a Grammy nomination and 3 Olivier Award nominations, Amélie The Musical arrives in the heart of the West End this summer. Following the government roadmap announcement, tickets are on sale now for a socially distanced audience at the Criterion Theatre from Thursday 20 May. Olivier-nominee Audrey Brisson (The Elephantom, Pinocchio and Pericles (National Theatre), The Flying Lovers of Vitebsk (Kneehigh), and The Grinning Man
(Bristol Old Vic)), will return to the role of ‘Amélie’.
The five–time Oscar®-nominated film will be brought to life once again by a cast of actor-musicians and set to a critically acclaimed re-orchestrated score. With music by Hem’s Daniel Messé, lyrics by Nathan Tysen and Daniel Messé and book by Craig Lucas, Amélie The Musical is directed by Michael Fentiman. The full cast includes Sioned Saunders as Gina, Flora Spencer-Longhurst as Georgette, Rachel Dawson as Amandine/Philomene, Oliver Grant as Lucien/Mysterious Man, Chris Jared as Nino Quincampoix, Caolan McCarthy as Hippolito/Elton John, Samuel Morgan-Grahame as Joseph/Fluffy, Kate Robson-Stuart as Suzanne, Jack Quarton as Blind Beggar, Jez Unwin as Raphael/Bretodeau and Johnson Willis as Collignon/Dufayel. Nuwan Hugh Perera, Miiya Alexandra, Robyn Sinclair and Matthew James Hinchliffe complete the ensemble. Continue reading “Musical news aplenty”
Auburn Jam Music are delighted to be releasing ‘You Will Be Found’ by #CheerUpCharlie & West End Friends, a fundraising charity single in aid of youth charity The Diana Award, on Sunday 15 November to tie in with the start of National Anti-Bullying Week (16-20 November).
The star-studded single is led by ten-year-old Charlie Kristensen from Wokingham, whose experience of being bullied started the viral #CheerUpCharlie campaign. Charlie is joined on the song by numerous stage and screen stars including Wendi Peters, Layton Williams and Michael Xavier, with Iain Armitage, Michael Ball, Rufus Hound, and Faye Tozer amongst many famous faces reading their supportive messages on the song’s video. The single is available to pre-save now on iTunes, Deezer, Spotify and Tidal at https://ditto.fm/you-will-be-found. Continue reading “News: You Will Be Found by #CheerUpCharlie & West End Friends to be released on 15th November”
BEST FEMALE PERFORMER AWARD:
WINNER – Laura Baldwin, as Dawn in Waitress
Sophie Evans, as Glinda in Wicked
Leah Harvey, as Hortense in Small Island
Miriam-Teak Lee, as Juliet in & Juliet
BEST MALE PERFORMER AWARD:
WINNER – David Hunter, as Dr Pomatter in Waitress
Laurie Kynaston, as Nicolas in The Son
Wendell Pierce, as Willy Loman in Death of a Salesman
Jac Yarrow, as Joseph in Joseph and the Amazing Technicolor Dreamcoat Continue reading “The winners of the 9th annual Mousetrap Awards”
The nominees for the 9th annual Mousetrap Awards are announced
These awards are voted for by young people, anyone aged 15-29 is invited to have their say as to who should pick up the trophies at the ceremony on Sunday 19th April. And while usual suspects Dear Evan Hansen, Waitress and & Juliet are leading the pack, it is nice to see such love for Small Island here too.
Mousetrap Theatre Projects strive to make London’s theatre scene accessible to young people, low-income families, mainstream and SEND state schools, and those with additional needs.
Voting is open until midnight on 23rd March via this link. Continue reading “Nominees for the 9th annual Mousetrap Awards”
The highly anticipated musical Come From Away leaves me dry-eyed at the Phoenix Theatre despite a very strong cast
“There’s nothing to do, nothing to see
Thank god we stopped at the duty-free”
I didn’t check the merchandise stand at Irene Sankoff and David Hein’s Come From Away but I wouldn’t be surprised if they were seeing branded tissues, such is the weight of expectation that comes with this musical, set in the days after 9/11. But rather than New York, the show is set more than 2,000 kilometres away in the remote town of Gander, Newfoundland, where 38 planes with 6,579 passengers were grounded in the aftermath of the attacks.
There, in a Canadian town that practically doubled in population overnight, we witness the unfolding of a tragedy but more significantly, the response of a community willing and able to do anything to extend the hand of friendship. Doors are flung open, shoulders proffered, bottles opened, an unquestioned barrage of hospitality seeking to envelop traumatised passengers who had been trapped for hours on their planes (in a pre-social media age remember), only to be released to find out the terrible news. Continue reading “Review: Come From Away, Phoenix Theatre”
I’d thought I didn’t need to see Richard II again for a good while but Michelle Terry’s tenure at the Globe is most certainly testing that resolve. The forthcoming production there is to be staged by the first-ever company of women of colour in a Shakespeare play on a major UK stage. Co-directed by Adjoa Andoh and Lynette Linton, Adjoa will also play the titular role. Continue reading “Theatre news round-up”
“Paralysis sets in every time I try to sin”
There’s something to admire in the King’s Head’s devotion to offering something different for the Upper Street theatregoer – diverse programming with a decided LGBT focus, late night slots to allow festival-friendly shows a moment in the capital and to attract perhaps a different kind of audience. With Holy Crap though, it feels like a bit of a swing and a miss.
An 8.45pm start time and a 2 hours 15 minutes run time are uneasy bedfellows at the best of times and sad to say, these are not the best of times. Written by The Heather Brothers (best known for A Slice of Saturday Night), Holy Crap aims squarely for cult status with its bad-taste scything through religious hypocrisy and (the lack of) media ethics but in all honesty, it struggles to get past the barely puerile. Continue reading “Review: Holy Crap, King’s Head Theatre”
Matt Corner (ArtsEd, London)
Jennifer Greenwood (Bristol of Old Vic Theatre School)
Mark Donald (Bristol Old Vic Theatre School)
Jason Broderick (Central School of Speech and Drama)
Ewan Black (Dance School of Scotland at Knightswood Sec School)
Kris Olsen (winner) (Guildford School of Acting)
Bryan Parry (Italia Conti Academy)
Hatty Preston (LAMDA)
Matthew Cavendish (LAMDA)
Tia Renée Konsur (Liverpool Institute for Performing Arts)
Charlotte Smith (Oxford School of Drama)
Emma Salvo (runner-up) (Royal Academy of Music)
Host: Claire Moore
Judges: Edward Seckerson (Chair), Julia McKenzie, Laurie Sansom, David Shrubsole, Michael McCabe and Danielle Hope.