Series 12 of Silent Witness, aka the one they are allowed to start getting jiggy with it, oh and they jet off to Zambia for a bit
“You lot are expert arse coverers”
Expanded to six full-length stories and moving one of them to Southern Africa, Series 12 of Silent Witness ought to be something of a golden age for the show. And even if it doesn’t quite hit that highmark for me as the writers start to head increasingly to the personal lives of the team, it is still immensely watchable.
The series starts off well with a horny paramedic getting his arse out for Nikki and Leo’s sanctimony being punctured (briefly) by being done for drink driving. And as we move through London gangs and elite police units, vengeful Russian oligarchs and insular Hasidic Jews, a wide range of stories certainly challenges the team. Continue reading “TV Review: Silent Witness Series 12”
David Harewood and Charles Edwards lead James Graham’s new play Best of Enemies with real excitement in this Young Vic / Headlong co-production
“A man should never turn down two things. Sex, and appearing on television”
James Graham seems to have an unerringly great hit rate (recent gigs include Quiz and an episode of The Crown) and his return to the theatre is no exception with this exciting new play at the Young Vic, Best of Enemies. On the face of it, you woudn’t be sure some 1968 US TV debates would have much to say to us but Graham’s instinct is naturally assured and thus their impact of so much of the shape of public discourse, even today, is explored.
The debates were between the conservative William F Buckley Jr and the liberal Gore Vidal, put together by the ABC network in order to galvanise TV audiences during the 1968 US presidential elections. And Graham combines verbatim reconstructions of the debates with a fictionalised account of the world around them, as they unexpectedly birth a news format and polarised commentariat that endures, like the worst of barnacles, to this very day. Continue reading “Review: Best of Enemies, Young Vic”
Casting updates for the Young Vic’s Best of Enemies, Hampstead Theatre’s Peggy For You, audio drama Ghost Walk and the Royal Court’s A Fight Against…
The Young Vic has revealed the complete cast and creative team for James Graham’s bold new play Best of Enemies, directed by Jeremy Herrin, in a co-production with Headlong.
1968 – a year of protest that divided America. As two men fight to become the next President, all eyes are on the battle between two others: the cunningly conservative William F Buckley Jr., and the iconoclastic liberal Gore Vidal. Beliefs are challenged and slurs slung as these political idols feud nightly in a new television format, debating the moral landscape of a shattered nation. Little do they know they’re about to open up a new frontier in American politics, and transform television news forever…
Charles Edwards plays Gore Vidal and David Harewood plays William F. Buckley Jr. The complete cast also includes Margo Cargill, Emilio Doorgasingh, Clare Foster, Tom Godwin, John Hodgkinson, Justina Kehinde, Syrus Lowe, Kevin McMonagle and Sam Otto. Continue reading “Plays update November 2021”
Series 2 of Ted Lasso looks like it is continuing the success of the first, plus with added Sarah Niles
“Jan Maas is not being rude, he’s just being Dutch”
The first series of Ted Lasso was a real lockdown boon, a perfectly bittersweet heart-warmer that showed the best way that American people can do shows about football is by making them about something else altogether – in this case, being a thoroughly decent human being.
This Apple TV show treads the line between being unbearably twee and really very touching with real skill, and this second series looks set to continue that trend as AFC Richmond deal with relegation, life in the Championship and the presence of a sports psychologist in their midst. Continue reading “TV Review: Ted Lasso, Series 2 Episodes 1+2”
The only real pleasure in this TV version of Four Weddings and a Funeral is hearing Alex Jennings say “Yes, I suppose you were somewhat of a basic bitch” with a straight face
“You’re insane and watch too much TV”
This lockdown has seen me sign up to too many free trials on various online TV services and so I’ve been ripping through some of the shows newly on offer to me. Over on STARZPLAY, first up for me was the TV adaptation of Four Weddings and a Funeral which I’m not sure if I ever knew actually existed until now.
Created by Mindy Kaling and Matt Warburton and airing in the US in the summer of 2019, the show is an inexplicable riff on Richard Curtis’ 1994 film. Ultimately it is nothing like the film, which is probably for the best, emerging instead as a ridonkulous Jilly Cooper-esque rom-com in a fantastical version of London (and beyond). Continue reading “TV Review: Four Weddings and a Funeral”
The National Theatre, in partnership with Bloomberg Philanthropies, has today launched National Theatre at Home, a brand-new streaming platform making their much-loved productions available online to watch anytime, anywhere worldwide.
Launching today with productions including the first ever National Theatre Live, Phèdre with Helen Mirren, Othello with Adrian Lester and the Young Vic’s Yerma with Billie Piper, new titles from the NT’s unrivalled catalogue of filmed theatre will be added to the platform every month.
In addition to productions previously broadcast to cinemas by National Theatre Live, a selection of plays filmed for the NT’s Archive will be released online for the first time through National Theatre at Home, including Lucy Kirkwood’s Mosquitoes with Olivia Colman and Inua Ellams’ new version of Chekhov’s Three Sisters (a co-production with Fuel). Continue reading “News: NT launches new streaming service National Theatre at Home”
In which the rollercoaster of quality rockets sky-high again, Series 7 of Spooks ranks as one of my favourites
“I want my team to know why I acted the way I did”
The introduction of series-long plots didn’t necessarily work first time round for Spooks but in Series 7, the magic certainly happens to produce one of the best seasons across its decade-long life. Perhaps the reduced episode order from 10 to 8 helped to refine the effectiveness of the storytelling, recognising that it was Adam’s time to go definitely worked and finally made the right kind of room for Ros to rise, and giving Gemma Jones this material was an absolute masterstroke.
Undoing the silly fakeouts of Ros and Jo’s ‘deaths’ right from the off, the introduction of Richard Armitage’s Lucas North also works well, his time in Russian captivity casting a nice shade of doubt over his presence in the team, a marked difference to the alpha males of Tom and Adam. And the ongoing Sugarhorse mystery is skillfully wound throughout the whole season, coiling ever-tighter until the hammer blows of a properly fierce finale.
She’s just a distant memory at this point – Harry really is such a fuckboy. Continue reading “Lockdown TV Review: Spooks Series 7”
“When a mother loses her first-born son, I believe she’s allowed to grieve…
‘Not when she’s the Queen'”
If The Crown isn’t quite your thing, or perhaps you have a real yearning for more monarchical drama, then you could do a little worse that watching The Royals. Showing on US TV station E! as its first ever scripted series, it is wonderfully, monumentally, trashy beyond belief – I mean it has Liz Hurley as the Queen in it for Gawd’s sake – and so quite easily falls into the category of guilty pleasure.
It is essentially Sunset Beach levels of realness, through the lens of Hello Magazine, as it follows a fictional but contemporary version of the British royal family through the trials of modern life. Liz Hurley’s Queen Helena is aghast when her husband, Vincent Regan’s King Simon, announces not only does he want to abdicate the throne, but he also wants to abolish the monarchy. Dun dun duh. Continue reading “TV Review: The Royals Season 1”
“I want to go to Sports Direct”
The august surroundings and let’s face it, the regular clientele of the Almeida wouldn’t immediately make you think it but Islington – the London borough in which it is situated – has the second highest level of child poverty in the nation. The wealth of somewhere like Barnsbury is barely a stone’s throw from deprived areas like the Bemerton Estate and its an issue which simply isn’t getting any better as evidenced by the horrendously out-of-touch approach to wealth of the current administration – “I obviously can’t point to the source of every bit of money…”
Someone who has no choice but to know exactly where every penny is coming from is Liam, the protagonist in Leo Butler’s Boy. Aged 17, he’s got no job, no cash, no motivation and worst of all in this digital age, no smartphone. Emotionally constrained by his teenage inarticulacy, he opts to wander out from his native South London to set off on a journey to try and connect with an old schoolfriend and en meandering route, he encounters a city at its coldest, finding painful isolation even in the most crowded of streets. Continue reading “Review: Boy, Almeida Theatre”
“All these cases where people pretends to be one thing for half a century and then turn out to be something else”
The insanity that is the scheduling wars between the BBC and ITV often throws up random anomalies but rarely has the result been something as rewarding as a surfeit of Nicola Walker. Having recently made River for the BBC and Unforgotten for ITV, both police dramas were premiered in the same week and as six-part dramas, are reaching their climax at the same time too. And what has been particularly pleasing is the fact that both have proved to be highly watchable and interesting takes on the genre.
Chris Lang’s Unforgotten focused on a cold case from nearly 40 years ago as skeletal remains are found in the basement of a derelict house and in the cleverly constructed first episode, the four disparate characters that we have been following are eventually tied together as their phone numbers are found in the victim’s diary. Walker’s DCI Cassie Stuart and Sanjeev Bhaskar’s DS Sunny Khan soon identify him as a Jimmy Sullivan but the show focuses as much on the effect of long-buried secrets on the potential suspects as it does on the case itself. Continue reading “TV Review: Unforgotten Series 1”