Eleanor Rhode offers up a vibrantly contemporary production of King John for the RSC, with a striking lead performance from Rosie Sheehy
“Mad world! mad kings! mad composition!”
You wouldn’t normally turn to King John for an eye-openingly modern piece of Shakespeare but this 2019 RSC production really seems to buck the trend. Vibrantly directed by Eleanor Rhode with some superb design work from Max Johns, it’s ostensibly set somewhere in the mid-20th century, powerful parallels emerge with the vagaries of our contemporary administration.
Rosie Sheehy is a vivid presence as the titular monarch, full of artifice in her public persona but unable to stop a full moral disintegration eating away from within. And Charlotte Randle is awesome as Constance, the King’s sister-in-law and mother to a rival pretender to the throne. pushing home the personal costs of a cut-throat political system that takes no prisoners in any of its battles.
Photo: Steve Tanner
King John is available to watch on Britbox
‘My hands are shaking you know. I haven’t been so keyed up about anything since I was the Virgin Mary.’
Sheffield Theatres announces their new production of Talent, written by Victoria Wood, at the Crucible Theatre from Wednesday 30 June to Saturday 24 July 2021. Cast in the play are: Richard Cant (The Country Wife), Daniel Crossley (Me and My Girl), Jamie-Rose Monk (Dick Whittington), Jonathon Ojinnaka, (Coronation Street), James Quinn (Democracy) and Lucie Shorthouse (Everybody’s Talking About Jamie).
Directing Talent is Paul Foster (Kiss Me, Kate). Originally scheduled for the summer of 2020, Talent tells the story of a young woman with dreams of showbiz glory. Continue reading “News: some good-looking non-London shows to consider”
Artistic Director Daniel Evans and Executive Director Kathy Bourne have announced that Chichester Festival Theatre will reopen its doors with its summer musical: Rodgers & Hammerstein’s South Pacific, running from 5 July – 4 September.
Daniel Evans directs Gina Beck (Nellie Forbush), Julian Ovenden (Emile de Becque), Joanna Ampil (Bloody Mary), Keir Charles (Luther Billis) and Rob Houchen (Joe Cable). Continue reading “News: Chichester Festival Theatre announces summer plans”
We’re beginning to see the fruits of some more of the lockdown programming that has seen theatres across England respond in a variety of impressive ways
Nottingham Playhouse’s Unlocked Festival continues to rocket up the must-see list as it announces more details. Their local writing commission has ended up with two winners – Wayward Thread’s Hand Me Down and Lapelle’s Factory’s Shuck, both of which will now receive work-in-progress performances as part of the festival.
Casting has also been announced for James Graham’s Bubble, which will star the marvellous Pearl Mackie and the equally marvellous Jessica Raine. They join the likes of Mark Gatiss and Jade Anouka reading ghost stories on
Halloween, new work from Naomi Obeng and a concert starring Rosalie Craig, Sandra Marvin and Jodie Prenger. Continue reading “News: October UK theatre news update”
I’m loving this deep dive that the Guardian is doing into Tristram Kenton’s archive, this time taking a turn into the many Open Air Theatre productions he has been witness to. Highly recommended:
Photos: Tristram Kenton
Best Actor in a New Production of a Musical
Alex Wadham, The Full Monty: The Musical, Old Joint Stock Theatre, Birmingham
Giles Terera, Hamilton, Victoria Palace Theatre
Jamal Kane Crawford, Fame, UK Tour
Jamie Muscato, Heathers The Musical, The Other Palace/Theatre Royal Haymarket
Louis Maskell, The Grinning Man, Trafalgar Studios
Marc Antolin, Little Shop of Horrors, Regent’s Park Open Air Theatre
Best Actor in a New Production of a Play
Aidan Turner, The Lieutenant of Inishmore, Noël Coward Theatre
Ben Batt, The York Realist, Donmar Warehouse/Crucible Theatre, Sheffield
Ian McKellen, King Lear, Chichester Festival Theatre
Matthew Tennyson, A Monster Calls, Old Vic
Reed Birney, The Humans, Hampstead Theatre
Tyrone Huntley, Homos, Or Everyone in America, Finborough Theatre Continue reading “2018 BroadwayWorld UK Awards Shortlist”
“Messing about in a boat”
Messrs Stiles, Drewe and Fellowes clearly have an affinity for working with each other as hot on the heels of Half A Sixpence, about to open in West End after a successful run in Chichester, comes another collaboration on a musical version of The Wind in the Willows. Destined for an as yet unconfirmed West End residency, it is currently touring from Plymouth to Salford and then on to Southampton, spreading its gentle, pastoral charms across the UK.
And its charms are gentle, befitting any iteration of the beloved children’s novel by Kenneth Grahame. Julian Fellowes’ adaptation is faithful to that story and though the scale of Rachel Kavanaugh’s production is suitably large, it is also refreshingly simple. Peter McKintosh’s design is atmospheric but uncomplicated, playful rather than epic in its idyllic evocation of the British countryside, ably assisted by Aletta Collins’ languid choreography. Continue reading “Review: The Wind in the Willows, Theatre Royal Plymouth”
This trio of album reviews covers Peter Pan A Musical Adventure, The Confession Room and Marie Christine
“Would I oblige?
Michael John LaChiusa is one of those composers of the new American musical theatre mould, or maybe even beyond, in adopting a dense and complex compositional style that means his work hasn’t always had the credit it deserves. This original Broadway cast recording of his 1999 show Marie Christine feels like a case in point – a Tony-nominated book and score that has rarely been revived, never mind made it to the UK. An adaptation of the Medea story that relocates it to 1890s New Orleans, it is blessed by a stunning central performance from Audra McDonald as a remarkably vicious leading lady. The score is made up of fragmented pieces of music rather than conventional notions of what we would consider a song but its operatic drama hits the mark for me. And I’d love to see it the UK some time soon please… Continue reading “Album Reviews: Peter Pan A Musical Adventure / The Confession Room / Marie Christine”
Actor In A Leading Role:
Colin Connor, A View From The Bridge, Octagon Theatre, Bolton.
Actress In A Leading Role:
Barbara Drennan , A View From The Bridge, Octagon Theatre, Bolton. Continue reading “The 2015 Manchester Theatre Awards winners in full”
Actor In A Leading Role
Colin Connor in A View From The Bridge at Octagon Theatre, Bolton
Rob Edwards in An Enemy Of The People at Octagon Theatre, Bolton
Jonjo O’Neill in The Crucible at the Royal Exchange
Sam Swann in Pomona at the Royal Exchange
Actress In A Leading Role
Scarlett Brookes in Educating Rita at Oldham Coliseum
Barbara Drennan in A View From The Bridge and The Family Way at Octagon Theatre, Bolton
Kathryn Hunter in Kafka’s Monkey at HOME
Maxine Peake in The Skriker at the Royal Exchange Continue reading “The 2015 Manchester Theatre Awards nominations”