Cush Jumbo is excellent, and there’s a great Ophelia, but do we really need another Hamlet? Three hours plus at the Young Vic will soon tell you
“The time is out of joint”
At the risk of sounding like Brenda from Bristol, my initial reaction to hearing of another “highly-anticipated production of Shakespeare’s great tragedy” is rarely one of too much excitement. But the Young Vic’s Hamlet has quite the trump card up its sleeve, in the return of Cush Jumbo to the theatrical stage after nailing transatlantic TV success in shows like The Good Fight.
It is 10 years or so now since getting to see Jumbo fairly regularly at the Royal Exchange in Manchester, her talent obvious to see even then in productions of As You Like It and Pygmalion. And with frequent collaborator Greg Hersov at the helm, it is little surprise that her presence here is nigh on revelatory, a high-wattage performance that electrifies the play almost anew. Continue reading “Review: Hamlet, Young Vic”
The Royal Exchange in Manchester opened its doors on on 15 September 1976. The Guardian takes a look back at some of the mighty productions staged in its atmospheric in-the-round space, but misses out the marvelous Cush Jumbo in this roll-call of illustrious alumni.
Photos: Jonathan Keenan
Linda Bassett and John Heffernan have been cast in Caryl Churchill’s new play What If If Only, which will be directed by James Macdonald. With set design by Miriam Buether, lighting design by Prema Mehta, sound design by Christopher Shutt and assistant direction from Grace Duggan.
What If If Only will run in the Royal Court Jerwood Theatre Downstairs from Wednesday 29 September 2021 – Saturday 23 October 2021. Performances run Monday – Saturday at 6pm, plus Friday 8, 15 & 22 October 2021 at 10pm. The running time is a lush 14 minutes. Continue reading “August casting update”
Just a quickie to make sure you’re checking out The Guardian’s Double Acts series of interviews.
Rafe Spall and Esther Smith impress in British comedy Trying, helped by the likes of Imelda Staunton and Cush Jumbo
Just a quickie for this, as I’ve only just started to actually have a look at what is on AppleTV since they decided to extend my free trial. Created and written by Andy Wolton, Trying is a rather sweet and very typically British sitcom that follows Jason and Nikki, a 30-something couple as they struggle to conceive naturally and decide that they would like to adopt. Led by Rafe Spall and Esther Smith, the show is lots of fun and is blessed with some wonderful supporting performances.
Forever skirting that comedy/drama line, Trying is unafraid of tackling some rather meaty issues. Infertility and what that does to a couple, the inequities of the adoption system, funding for ESOL classes… And even the simplest idea of how relationships grow and are tested by the act of self-reflection – how do you measure achievement when London property prices lock you into renting forever and opportunities to climb the job ladder are way too few and far between. Continue reading “TV Review: Trying (Apple TV)”
One of the joys of seeing so much theatre in London is that sense of seeing any number of actors at the beginning of their careers and Tristram Kenton has been doing that for years now. Here’s just some of those big names as whippersnappers on the British stage:
Photos: Tristram Kenton
A Marvellous Party – Digital celebration to mark the centenary of Noël Coward’s West End Debut
The Noël Coward Foundation has announced A Marvellous Party, a transatlantic, star-studded collection of performances celebrating the continuing legacy of Noël Coward and coinciding with the 100th anniversary of his West End debut as a 19-year-old playwright.
This unique celebration features words and music by Noël Coward, performed by Kate Burton, Judi Dench, Stephen Fry, Montego Glover, Derek Jacobi, Josh James, Cush Jumbo, Robert Lindsay, Kristine Nielsen, Bebe Neuwirth, Julian Ovenden, Patricia Routledge, Kate Royal, Emma Thompson, Giles Terera, Indira Varma and Lia Williams. Continue reading “News: Digital celebration to mark the centenary of Noël Coward’s West End Debut”
Covid meant we sadly only got 7 episodes of Series 4 of The Good Fight, that’s just not enough Christine Baranski, Audra McDonald and Cush Jumbo
“We need evidence, no conspiracy theories”
Just a quickie for this as the truncated fourth season of The Good Fight meant that it had a rather abrupt finish that cheated the creators out of the fullness of the stories they wanted to tell. What we did get was the customary tackling of huge up-to-the-minute issues – racism in the workplace, political parties trying to reach marginalised communities and in the daring final episode, Jeffrey Epstein.
Baranski’s Diane Lockhart remains one of the great TV characters but I’m not sure anyone was particularly well served by the larger themes of the show. The ramifications of the buyout were tiresome, Memo 618 didn’t get the resolution it needed and Lucca’s plot strand smacked of them not knowing what to do with the character, given how little she ended up interacting with the rest of the main cast. Continue reading “TV Review: The Good Fight Series 4”
I get stuck into the first episodes of TV shows Van Der Valk, The Good Fight, Gangs of London and Penny Dreadful: City of Angels to see what my next must-see will be
“Who else was masturbating into plants?!”
I’m of course far too young to remember the original Van Der Valk – had I seen it before though, I might well have saved myself this couple of hours. Importing a British cast to play Dutch detectives in a crime serial set in Amsterdam seems like such a retrograde move, I still can’t get my head around it, especially in this day and age when so much quality foreign-language drama is readily available. Written by Chris Murray, this revival sees Marc Warren head up the cast as a maverick detective with a team who aid and abet his behaviour – there’s not a smack of originality about it, nor any real interest sadly…great locations though. Am already dreaming of my return to the city, but not sure I’ll be revisiting this show. Continue reading “New TV shows to get stuck into”