The Old Vic today announces the writers and performers for HOME?, the next in the One Voice series of monologues presented for free as part of Your Old Vic. Curated by actor and refugee-child Noma Dumezweni, HOME? brings together global voices, stories and experiences to mark Refugee Week 2021 across three new commissions, created in collaboration with refugee artists.
The three specially commissioned monologues are: Now I’m Gonna Get Paid, written by Dina Nayeri and performed by Betsabeh Emran, The Displaced, written by Viet Thanh Nguyen and performed by Elizabeth Chan, Taheen Modak, John Pfumojena and Michael Phong Le, and Then and Now, written by Natasha Walter and performed by Harriet Walter. All three of the monologues are directed by Old Vic Baylis Director, Katy Rudd.
The series of world premiere monologues will celebrate and recognise those who have sought safety from their homes, their place within our collective community and the journey that it took to get there. Continue reading “News: writers and performers announced for Old Vic’s Home?”
The First Folio is one of the great wonders of the literary world. Published in 1623, seven years after the death of its author, it was the first printed edition of Shakespeare’s collected plays. Without this achievement, we would have lost half of his dramatic work. So a new website has been dedicated in gratitude to the 400th birthday of this foundational book on the 8th November 2023, complete with essays, articles and a set of speeches from the plays read by an illustrious cast. Follow the jump to find out who. Continue reading “News: Folio 400 website goes live”
Just a quickie to make sure you’re checking out The Guardian’s Double Acts series of interviews.
Nicole Kidman and Hugh Grant may have been the headliners but the real star of The Undoing was Noma Dumezweni saying the word ‘muck’
“People hire me to create muck”
Created by David E Kelley and directed by Susanne Bier for HBO Max, The Undoing was sold on its prestige merits but in the end, proved to be watchable hokum. And heaven knows in these times, that was what we kinda needed. Traditional scheduling of one episode a week heightened the buzz with some good old-fashioning theorising going on between episodes and if it didn’t quite live up to expectations in the end, well we’ve only ourselves to blame.
Set up as a whodunnit in the higher echelons of Manhattan society, we followed Nicole Kidman’s Grace and Hugh Grant’s Jonathan as their gilded lives are torn asunder when he is arrested for the murder of Matilda De Angelis’ Elena, who we soon find out is his lover. He couldn’t have done it, could he? Over six episodes, an inordinate amount of red herrings and a titanic court battle, the result might not have that surprising but I found the journey highly entertaining. Continue reading “TV Review: The Undoing”
I’ve loved these deep dives into Tristram Kenton’s photo archive on the Guardian and with this selection from the Royal Court, there’s a lovely reminder of so many great productions (plus some that got away):
Photos: Tristram Kenton
As the clocks go back, the prestige TV shows come out, so I checked out the first episodes of The Undoing, Roadkill and The Sister to find not one but two Scandiqueens
“Sounds like we’re digging in for a long answer”
With a company that includes Noma Dumezweni and the empress of jumpers Sofie Gråbøl, I was initially a little disappointed that neither appeared in the first episode of new HBO show The Undoing. But when your leads are Nicole Kidman and Hugh Grant, your writer is David E Kelley and your director is Susanne Bier, then there’s little to complain about. Based on a Jean Hanff Korelitz novel and set in the dripping wealth of the Upper East Side, the tantalising promise of murder and adultery is skilfully woven across this opening episode and I’m definitely hooked. Continue reading “New TV shows for winter”
Showing some impeccable taste, the Guardian spotlights one of our most impressive, and arguably undersung, actors – Lucian Msamati:
Photos: Tristram Kenton
I wasn’t going to write up Turn Up London but in the end, it was just too darn good to leave unremarked. I’m just going to whip through my highlights though, and urge you to stay tuned for any future for this excellent and essential project. Continue reading “Review: thoughts on Turn Up London”
A cast led by Michaela Coel, Noma Dumezweni, John Goodman and Lucian Msamati make Hugo Blick’s complex Black Earth Rising watchable if not quite essential
“That is why I made a deal like that”
A tricky one this. At this point, you know what you’re getting with a Hugo Blick drama (qv The Shadow Line, The Honorable Woman), weighty complex dramas with amazing casts tackling inscrutable global conspiracies. And Black Earth Rising is no different, as it puts the Rwandan genocide and its aftermath under the microscope, examining Western colonial and capitalist attitudes towards Africa along with the role of the Iinternational Criminal Court.
And with a cast led by Michaela Coel, Noma Dumezweni, Harriet Walter, John Goodman and Lucian Msamati to name just a few, it is naturally eminently watchable. Coel plays Kate Ashby, a young woman with a complicated relationship with her barrister mother Eve (Walter). Eve adopted Kate from Rwanda years back but her decision to take on a case prosecuting a Tutsi general who, after helping end the genocide, went on to commit war crimes in neighboring Democratic Republic of Congo, outrages Kate who is also Tutsi.
Continue reading “TV Review: Black Earth Rising”