Revised dates have now been confirmed for Monday Night at the Apollo – a brand-new concert series for 2021, to be performed in front of socially distanced audiences at the Apollo Theatre on Shaftesbury Avenue, and simultaneously livestreamed to viewers at home via the theatre discovery platform Thespie, which is dedicated to bringing the best live and recorded theatre to audiences around the world
Originally scheduled for January and February, the concerts have been postponed because of the national government restrictions and venue closures. Tickets are on sale now for Monday 12 April, Monday 26 April and Monday 10 May. In light of the current restrictions, the producers will still review each date as it approaches and react accordingly according to government guidelines at the time. Continue reading “News: new dates announced for Monday Night at the Apollo”
If you’re feeling festive and missing musical theatre, then All I Want For Christmas Is Theatre is the place to be
“But it’s not like Christmas at all
I remember when you were here”
Thespie’s Reunited series has been a fun way of getting your musicals fix over the past few weeks and in a rather clever move, they’ve managed to put together a Christmas special featuring the companies already featured, plus some brand new special guests. So All I Want For Christmas Is Theatre so we get to see Team Schwartz and Team Girl Power again and my personal faves, Team Juliet as they tackle a range of festive classics.
For me though, it was the promise of concerts to come that proved most exciting. The tight harmonies of Heathers alumni Sophie Isaacs, Jodie Steele and T’Shan Williams were a particular delight on both ‘Santa Claus is Coming to Town’ and ‘Christmas (Baby Please Come Home)’ and the women of Pretty Woman are in wonderfully high spirits on both ‘Last Christmas’ and ‘Santa Baby’ so consider my appetite whetted for their forthcoming gigs. Continue reading “Review: All I Want For Christmas Is Theatre”
Alumni of & Juliet reunites for Oops!… I Streamed It Again, a wide-ranging and effective mix of pop, rock and musical theatre
“Maybe I’m brainless
Maybe I’m wise”
The second of Thespie’s Reunited Series concerts reassembles some of the core cast of & Juliet and sets them loose on a wide-ranging songbook that encompasses pop, rock, musical theatre and a bit of Disney too. Whereas the first gig had its focus firmly on Stephen Schwartz and revelled in its evening dress and swanky hotel setting, the looser feel of Oops!… I Streamed It Again makes it feel more like a genuine cabaret rather than a statelier theatrical show.
The easy informality between the five performers is evident from the start, as inter-song banter reveals bromances and full-on fangirling when it comes to a particularly Wicked reunion. And because the vibe is just that much more chilled, an eclectic setlist that leaps from David Bowie to Anastasia, Hadestown to REO Speedwagon feels entirely organic and will have most people reaching for the Crazy Coqs cocktails list to complete the mood. Continue reading “Review: Oops!… I Streamed It Again”
Exploring the world of rock musicals, Episode 3 of The Theatre Channel features Alex Gaumond, Shan Ako, John Owen-Jones, Francesca Jackson, Aisha Jawando and Rob Houchen
“Je cherche le soleil
Au milieu de ma nuit“
First, a confession. The idea of a rock musical generally leaves me cold so the announcement of the theme of the third episode of The Theatre Channel being just that wasn’t one that filled me with too much joy. But the quality of Episode 1 and Episode 2, plus the calibre of talent they’ve been attracting, meant that I was happy to at least give it a whirl.
And if it didn’t make a convert out of me (there’s enough fans of Rent out there already…), there’s plenty to be impressed with. The highlight of the half-hour show for me was the chance to hear the Québécois Alex Gaumond singing ‘Le Monde est Stone’ from Starmania in its original French, the desperation of this soaring ballad transcending any linguistic barrier (though subtitles are provided). Continue reading “Review: The Theatre Channel – Episode Three”
Regions across the UK were hoping to win the lottery but with the news of Tier 2 (for now) for London, here’s some Christmas theatre news
The Donmar Warehouse announces today that it will present a special concert online to mark the festive season. LOOKING A LOT LIKE CHRISTMAS will be performed in the beautiful setting of St Paul’s Church (affectionately known as The Actors’ Church), in the heart of Covent Garden and premiere online for free on the Donmar’s YouTube channel on Wednesday 16 December, 7.30pm. The concert will be captioned, and an audio introduction will be available in partnership with Vocaleyes.
This hour-long concert of musical numbers, sketches and seasonal poetry will be directed by Simon Evans (Staged, The Resistible Rise of Arturo Ui) with musical direction by Nigel Lilley (Piaf, Caroline, or Change) and production design by Grace Smart (My Beautiful Laundrette, One Night in Miami). Continue reading “News update for Christmas theatre in London”
Theatre discovery platform Thespie has announced the Reunited Series, bringing together more than two dozen of the UK’s top musical theatre artists for a series of filmed concerts premiering throughout December.
Developed by Aimie Atkinson, Thespie’s Creative Producer and the Olivier nominated star of Pretty Woman and SIX), each concert presents ensemble music performances (filmed in COVID-secure London venues), and ranges from musical theatre hits, to pop music, to favourite Christmas songs. The program of each concert has been developed by the artists involved and will also include intimate interview footage. Continue reading “News: Thespie to stream concerts throughout December”
If you’re still writing your lists for Santa, then Dear Audience could be just what you’re looking for. A theatrical coffee table book filled with over 140 pages showcasing the Arts industry, with exclusive imagery, personalised letters to audiences and much more besides.
There’s a veritable who’s who of stage folk involved, from Sally Ann Triplett, Michael Xavier and Frances Rufelle to Oliver Tompsett, Linzi Hateley and Andy Coxon, and the book has been put together by Sophie Ross and Danny Kaan’s Digi Creative. Pre-orders can be made now and are guaranteed for Christmas delivery.
Best Actor in a Supporting Role in a Musical
David Bedella for & Juliet at Shaftesbury Theatre – WINNER
Stewart Clarke for Fiddler On The Roof at Playhouse Theatre
Jack Loxton for Dear Evan Hansen at Noël Coward Theatre
Rupert Young for Dear Evan Hansen at Noël Coward Theatre
Best Actress in a Supporting Role in a Musical
Lucy Anderson for Dear Evan Hansen at Noël Coward Theatre
Petula Clark for Mary Poppins at Prince Edward Theatre
Cassidy Janson for & Juliet at Shaftesbury Theatre – WINNER
Lauren Ward for Dear Evan Hansen at Noël Coward Theatre
Continue reading “Winners of the 2020 Olivier Awards”
A series of concerts streamed direct from the West End benefitting the ENO Contingency Fund
Featuring: Sharon D Clarke, Kerry Ellis, Carrie Hope Fletcher, Cassidy Janson, Ramin Karimloo, Sharon Sexton & Rob Fowler
With: After You: a new musical by Alex Parker & Katie Lam, starring Bradley Jaden & Alexia Khadime
Creative Supervisor: Annabel Mutale Reed
Lighting Design: Ian Jackson-French
Sound Design: Adam Fisher
Associate Sound Design: Ollie Durrant
Community Outreach Coordinator: Rosanna Pryor
Producer: Jack Maple & Brian Zeilinger for Take Two Theatricals
Co-Producer: Jamie Chapman Dixon & John-Webb Carter for Carter Dixon Productions
CLICK HERE TO BE THE FIRST TO KNOW ABOUT WHEN TICKETS WILL GO ON SALE
Just a quickie for the infusion of pure joy that was Hello Harry! A Celebration of 40 Years at Stage Door
Amid the constant shower of shit that passes for news about theatre at the moment, this online concert to celebrate the incredible 40 year career of Harry Gabriel, the Shaftesbury Theatre’s Stage Door Keeper, was an absolute ray of sunshine.
Put together by Giles Terera, the guest list was truly astonishing, featuring a veritable who’s who of the theatre world, all connected one way or another with Harry through the 40 years of shows he has seen pass through the Shaftesbury Theatre. Continue reading “Review: Hello Harry! A Celebration of 40 Years at Stage Door”