Not even with Neil Cross writing and Russell Tovey and Bertie Carvel starring can I recommend the dullness of TV show The Sister
“You know how these things can spiral out of control”
With Neil Cross (he of Luther) adapting his own novel and a cast led by Russell Tovey and Bertie Carvel, plus Amanda Root lower down the bill, hopes were high for new ITV drama The Sister but boy, were they crushed. Sadly, I think it is one of the dullest shows I’ve seen in ages, rivalled only by Roadkill which I’m struggling through at the same time.
Stripped over a week, this four-parter follows Tovey’s Nathan, whose apparent marital bliss is shattered by the arrival of Carvel’s Bob, a sinister figure from his past with whom he shares some dark secrets. Namely, that after a particularly intoxicated New Year’s Eve involving a random hookup, said hookup ended up dead and buried in the forest. Continue reading “TV Review: The Sister”
As the clocks go back, the prestige TV shows come out, so I checked out the first episodes of The Undoing, Roadkill and The Sister to find not one but two Scandiqueens
“Sounds like we’re digging in for a long answer”
With a company that includes Noma Dumezweni and the empress of jumpers Sofie Gråbøl, I was initially a little disappointed that neither appeared in the first episode of new HBO show The Undoing. But when your leads are Nicole Kidman and Hugh Grant, your writer is David E Kelley and your director is Susanne Bier, then there’s little to complain about. Based on a Jean Hanff Korelitz novel and set in the dripping wealth of the Upper East Side, the tantalising promise of murder and adultery is skilfully woven across this opening episode and I’m definitely hooked. Continue reading “New TV shows for winter”
Plays by writers including Mike Bartlett and EV Crowe that were forced to close early because of the pandemic will be revived on BBC Radio 3 and Radio 4 as part of a festival created by actor Bertie Carvel.
Lockdown Theatre Festival will feature actors including Katherine Parkinson, Rachael Stirling and Nicholas Burns, who will record their lines in isolation, to reimagine their performances for specially created radio versions of the plays.
The plays, which will be broadcast on June 13 and 14, are: The Mikvah Project by Josh Azouz, which had been running at the Orange Tree Theatre, the Lyric Hammermith Theatre’s Love Love Love by Bartlett, Winsome Pinnock’s Rockets and Blue Lights, from the Royal Exchange in Manchester, and Crowe’s Shoe Lady, which was being staged by the Royal Court in London. Continue reading “News: Lockdown Theatre Festival brings four cancelled shows to radio”
John Gassner Playwriting Award
Charly Evon Simpson, Behind the Sheet
Jeremy Kareken, David Murrell and Gordon Farrell, The Lifespan of a Fact
Donja R. Love, Sugar in Our Wounds
Ming Peiffer, Usual Girls
Jeremy O. Harris, Slave Play
No real big surprises here though it was a shame that Hamilton’s success (7 awards in total) crowded out Everybody’s Talking About Jamie from nabbing anything. Particularly pleased to see Terera and Atim’s efforts recognised, it’s almost like I saw it coming…
Best New Play The Ferryman: Gielgud Theatre and Jerwood Theatre Downstairs at the Royal Court Theatre – WINNER Ink: Almeida (& Duke of York’s) Theatre Network: National Theatre – Lyttelton Oslo: Harold Pinter Theatre
An interesting set of nominations have been announced for the 2018 Laurence Olivier Awards. Perhaps predictably, the headline grabbers are Hamilton with their record 13 nominations, and The Ferryman which received 8. I’m pleased to see Follies and Angels in America represent a strong showing for the National with 10 and 6 respectively, and also lovely to see Everybody’s Talking About Jamie close behind with 5. Beyond delighted for The Revlon Girl too, my play of the year.
Naturally, not everything can get nominated and for me, it was most disappointing to see Barber Shop Chronicles miss out on any recognition. And with Hamilton crowding out the musicals categories, there was sadly no room for The Grinning Man, Romantics Anonymous and The Secret Diary of Adrian Mole (although I’m unsure of the Menier’s eligibility with regards to SOLT). And I think Victoria Hamilton (Albion). Philip Quast (Follies) and Louis Maskell and Julian Bleach (The Grinning Man) are entitled to be a bit miffed.
How do you feel about these nominations? And what do you think should have been nominated instead?