Spotlight on Plays from Broadway’s Best Showsis the virtual theatre experience you’ve been waiting for. It’s Morgan Freeman, Patti LuPone, Laura Linney, Paul Mescal, Alan Cumming, and more of the world’s top actors performing their hearts out in a series of must-see plays, live from their living rooms — while you watch from yours.
Right now, get pay-what-you-can tix to 7 upcoming virtual productions by some of the most popular playwrights ever. These tickets are available only on TomorrowTix and every single purchase supports The Actor’s Fund.
Multiple performers share the roles of some characters, with Brian Tyree Henry, Andrew Rannells, and Paul Dano as Prior Walter; Lois Smith and Vella Lovell as Harper Pitt; and Jeremy O. Harris, S. Epatha Merkerson, and Larry Owens as Belize. The cast also includes Glenn Close as Roy Cohn, Brandon Uranowitz as Louis Ironson, Laura Linney as Hannah Pitt, and Nikki M. James, Patti LuPone, Linda Emond, and Daphne Rubin-Vega as the angels Lumen, Fluor, Phosphor, and Candle, respectively.
On the one hand, so much to love with such an inordinate array of talent assembled to mark Sondheim’s 90th birthday. But on the other, where’s the editor, there’s a real sense of the rambling here too. Fortunately as this has been put together in lockdown (and very well too) it is easier than ever to skip to the bits you want (in the spirit of these times, I ain’t telling you who disappointed me).
For me, I loved the unexpectedness of Katrina Lenk’ ‘Johanna’, the cuteness of Beanie Feldstein & Ben Platt’s ‘It Takes Two’, and the energy of Alexander Gemignani’s ‘Buddy’s Blues’. And of the heavy hitters in the finale, Donna Murphy and Patti LuPone nailed ‘Send in the Clowns’ and ‘Anyone Can Whistle’ respectively, and there’s huge fun (if not finesse) in Christine Baranski, Meryl Streep & Audra McDonald giving us their ‘Ladies Who Lunch’. Continue reading “Lockdown Review: Take Me to the World: A Sondheim 90th Birthday Celebration”
Legendary Broadway composer Stephen Sondheim will be toasted with an all-star birthday concert, streaming live on Sunday 26th April. Hosted by Raúl Esparza, with musical direction by Mary-Mitchell Campbell, and coinciding with the 50th Broadway anniversary of Sondheim’s Company, Take Me to the World: A Sondheim 90th Birthday Celebration can be seen for free on YouTube.
This once-in-a-lifetime event, benefiting ASTEP (Artists Striving to End Poverty), will include a range of songs from the Sondheim catalogue performed by many of the artists who delivered iconic turns in his musicals, including Meryl Streep, Bernadette Peters, Patti LuPone, Mandy Patinkin, Audra McDonald, Christine Baranski, Donna Murphy, Kristin Chenoweth, Sutton Foster, Brian Stokes Mitchell, Kelli O’Hara, Aaron Tveit, Maria Friedman, Katrina Lenk, Michael Cerveris, Brandon Uranowitz, Elizabeth Stanley, Chip Zien, Alexander Gemignani, Iain Armitage, Stephen Schwartz and, from the cast of Pacific Overtures at Classic Stage Company, Ann Harada, Austin Ku, Kelvin Moon Loh and Thom Sesma.
In which I ask WWPD (what would Patti do) and decide to honour my reviewing schedule as best as I can
“A toast to that invincible bunch”
So…what’s a Clown to do in times of Coronavirus, apart from look longingly at this amazing Patti LuPone photoshoot from Town and County Magazine? It’s hard, if not impossible, to know what the right thing to do is at an unprecedented moment like this. When the creative industries that I love and cherish so dearly are under threat of being decimated, when the day job is also wracked by uncertainty, when the act of trying to manage my own anxiety feels hard enough on its own. Heck, even the idea of staying in of an evening feels strange after a decade of intensive theatregoing.
My answer, for now, is to keep busy and to that end, I am going to be honouring my reviewing schedule as it looked for the forthcoming month. Obviously I can’t reviews shows that haven’t happened but I’m going to try to pull together mini-feature pieces for them, to collate any previews and interviews they may have done, to give you the means of staying in touch with the companies and theatres and most significantly, the ways in which any support that you can offer can be given. Obviously, the precariousness of the situation affects so many of us but any assistance that can be offered, in any shape, will surely help in the process of getting through to the other side. Do as Patti says – “everybody rise”.
Any film with Patti LuPone has to be a winner, even if Last Christmas only features her for 90 seconds or so. Nowhere near as bad as they’d have you believe…
“Before we eat lesbian pudding…”
There’s always a measure of slight disappointment when something doesn’t live up to its billing. To look at most of its press coverage, you’d think Last Christmaswas ZOMG WORST FILM IN THE WORLD™ (a title it might have held at least for the four weeks before Cats came out…). But the reality, as per usual, is something much more mundane – it’s a perfectly serviceable piece of festive fluff, hardly ground-breaking but then what rom-com is?
Obviously I’m biased since the great Patti LuPone makes a random cameo early on, but I found the whole thing to be quite watchable. Its guest cast is a winner from start to finish – Michelle Yeoh! David Mumeni’s inexplicably rebuffed pub guy, Anna Calder-Marshall’s spiky homeless woman, Lydia Leonard and Jade Anouka as a lesbian couple, Amit Shah’s bumbling estate agent…and that joy of trying to work out which bit of London is being used at any given time. Continue reading “Film Review: Last Christmas (2019)”
Ever behind the curve, I present 10 of my top moments in a theatre over the last ten years (plus a few bonus extra ones because whittling down this list was hard, and it will probably be different tomorrow anyway!)
Extraordinary Public Acts for a National Theatre
The establishment of the Public Acts programme at the National Theatre offered up something sensational in Pericles, an initiative designed to connect grassroot community organisations with major theatres, resulting in a production that swept over 200 non-professional performers onto the stage of the Olivier to create something that moved me more than 99% of professional productions. A truly joyous and momentous occasion.