Producers Jamie Lambert and Eliza Jackson have announced a production of Carmel Dean’s song cycle, entitled Well-Behaved Women, to be performed at Cadogan Hall on 3rd September and directed by none other than Julie Atherton. The show explores how the behaviours and attitudes of leading ladies throughout history have changed the world today and thus features the likes of Boudicca, Cleopatra and Mary Magdalene.
The line-up features Maisey Bawden as Lady Liberty, Anna-Jane Casey as Billie Jean King and Janet Armstrong, Janie Dee as Eleanor Roosevelt, Nicole Raquel Dennis as Eve, Hiba Elchikhe plays Cleopatra and Malala Yousafzai, Kerry Ellis as Boudicca, Gabriela Garcíaas Frida Kahlo, Cassidy Janson as Virginia Woolf, Rachel John as Maya Angelou, Linda John-Pierre as Harriet Tubman and Rachael Wooding as Mary Magdalene.
Due to arrive on 25th June, Jon M Chu’s film of In The Heights, based on Lin-Manuel Miranda and Quiara Alegría Hudes’s vibrant musical, tells the story of a Hispanic-American community threatened by gentrification. The film stars, among others, Anthony Ramos, Leslie Grace, Dascha Polanco, Stephanie Beatriz, Corey Hawkins, Melissa Barrera and Lin-Manuel Miranda predictably makes an appearance, though as Piragüero not Usnavi. Continue reading “News: musicals coming to the screen soon”
Pickle Productions’ new version of Adam Gwon’s Ordinary Days is streaming via The Theatre Cafe now
“I’m simply letting breakfast stir my soul”
Adam Gwon’s four-hander Ordinary Days is one of those musicals that keeps popping up every couple of years and for good reason, since its affecting and uplifting spirit really is rather lovely and, evidently, enduringly timeless. This production by Pickle Productions was destined for a Spring tour but as with so many others, has had to pivot. Staged and filmed in a theatre in Norfolk, it is now available for streaming via The Theatre Cafe.
The show follows 4 young-ish New Yorkers on a seemingly unremarkable day. But as Deb looks for her thesis notes and Warren for a purpose, as Jason moves in with Claire and Claire checks out emotionally, Gwon makes us look at how the vast majority of life is lived in the ‘ordinary’ and how the ongoing search for happiness is tied up in the many everyday decisions that on their own, might not seem to count for much. Continue reading “Review: Ordinary Days”
Fourth Wall Live and The Hippodrome Casino London are thrilled to announce a series of over 40 shows at the Hippodrome Casino this winter. The season runs from 18 November every week for 5 weeks and will include two shows nightly at 7.00pm and 9.00pm.
Following the launch of their new free digital membership, h Club London (formerly The Hospital Club) are pleased to announce a brand new virtual musical theatre hour, Sunday in the Club with Oscar, as part of their ongoing commitment to the theatre community. The sessions, which are produced by Danielle Tarento, will take place bi-weekly on Sundays at 6pm (starting 24th May), and will be hosted by Only Fools and Horses The Musical star Oscar Conlon-Morrey, who will be joined by a host of leading West End musical actors for chats, laughs and some belting songs.
The schedule has been announced for week 4 of Leave A Light On, a series of live-streamed concerts.
The shows will be live streamed as part of the Leave A Light on series of concerts produced by Lambert Jackson and The Theatre Café, which aims not only to provide financial support for the performers involved, but also to provide entertainment for people in self-isolation.
Ever behind the curve, I present 10 of my top moments in a theatre over the last ten years (plus a few bonus extra ones because whittling down this list was hard, and it will probably be different tomorrow anyway!)
Extraordinary Public Acts for a National Theatre
The establishment of the Public Acts programme at the National Theatre offered up something sensational in Pericles, an initiative designed to connect grassroot community organisations with major theatres, resulting in a production that swept over 200 non-professional performers onto the stage of the Olivier to create something that moved me more than 99% of professional productions. A truly joyous and momentous occasion.
New musical The Green Fairy is a bleak but bold experience at the Union Theatre, featuring the unmissable, almighty voice of Julie Atherton
“So how are you, aside from being an alcoholic”
The Green Fairy announces itself as “a queer pub musical” which sounds like a genre that should have existed for years already and certainly feels like one rich with potential. And in the hands of debut musical writers Jack Sain (book, music and lyrics) and Stephen Libby (lyrics) together with dramaturg Hannah Hauer-King, it proves intriguing, even if the final effect is considerably more Once than Old Compton Street.
Which is a good thing because this musical fully embraces its intimate actor-musician ensemble and in a still all-too-rare occurrence, focuses on the L (or perhaps the B) in LGBT+. It is open mic night at newly refurbished pub The Green Fairy and knowing her estranged daughter is going to be singing, Jo turns up to the place where she used to work and live and drink, and where the ghosts of her past – her girlfriend, her husband, her childhood best friend – still linger on. Continue reading “Review: The Green Fairy, Union Theatre”