Review: Ordinary Days

Pickle Productions’ new version of Adam Gwon’s Ordinary Days is streaming via The Theatre Cafe now

“I’m simply letting breakfast stir my soul”

Adam Gwon’s four-hander Ordinary Days is one of those musicals that keeps popping up every couple of years and for good reason, since its affecting and uplifting spirit really is rather lovely and, evidently, enduringly timeless. This production by Pickle Productions was destined for a Spring tour but as with so many others, has had to pivot. Staged and filmed in a theatre in Norfolk, it is now available for streaming via The Theatre Cafe.

The show follows 4 young-ish New Yorkers on a seemingly unremarkable day. But as Deb looks for her thesis notes and Warren for a purpose, as Jason moves in with Claire and Claire checks out emotionally, Gwon makes us look at how the vast majority of life is lived in the ‘ordinary’ and how the ongoing search for happiness is tied up in the many everyday decisions that on their own, might not seem to count for much. Continue reading “Review: Ordinary Days”

News: Lambert Jackson Productions and The Theatre Café announce the return of Leave A Light On

Lambert Jackson Productions and The Theatre Café have announced the return of popular online concert series Leave A Light On, with 70 performances being re-streamed via stream.theatre.

Shows from across the two series’ feature Zoe BirkettJordan Luke GageDavid HunterCassidy JansonLucie JonesBeverley Knight and Layton Williams many more famous West End faces.

Shows will be available to watch every day at 5pm and 8pm from 15 March to 24 April. Continue reading “News: Lambert Jackson Productions and The Theatre Café announce the return of Leave A Light On”

News: the Hippodrome to host music, magic and comedy this winter

Fourth Wall Live and The Hippodrome Casino London are thrilled to announce a series of over 40 shows at the Hippodrome Casino this winter. The season runs from 18 November every week for 5 weeks and will include two shows nightly at 7.00pm and 9.00pm.

The series will feature stars from the world of musical theatre, comedy and magic with all tickets priced £20. Audiences will be safely socially distanced following the most up-to-date safety guidelines. There will be 130 tickets on sale per show and tickets go on sale soon. Sign up at www.fw-live.com for advance presale and further announcements. Continue reading “News: the Hippodrome to host music, magic and comedy this winter”

News: now we can spend ‘Sunday in the Club with Oscar’

Following the launch of their new free digital membership, h Club London (formerly The Hospital Club) are pleased to announce a brand new virtual musical theatre hour, Sunday in the Club with Oscar, as part of their ongoing commitment to the theatre community. The sessions, which are produced by Danielle Tarento, will take place bi-weekly on Sundays at 6pm (starting 24th May), and will be hosted by Only Fools and Horses The Musical star Oscar Conlon-Morrey, who will be joined by a host of leading West End musical actors for chats, laughs and some belting songs.

For the first session on 24th May, Oscar will be joined by performers from shows including SixAvenue QBat Out of HellFollies and Waitress, with the following in attendance: Continue reading “News: now we can spend ‘Sunday in the Club with Oscar’”

News: line-up for week 4 of Leave A Light On

The schedule has been announced for week 4 of Leave A Light On, a series of live-streamed concerts.

The shows will be live streamed as part of the Leave A Light on series of concerts produced by Lambert Jackson and The Theatre Café, which aims not only to provide financial support for the performers involved, but also to provide entertainment for people in self-isolation.

Tickets to watch the live streams are a bargainous £7.50, just click on this link to book. Continue reading “News: line-up for week 4 of Leave A Light On”

10 of my top moments of the decade

Ever behind the curve, I present 10 of my top moments in a theatre over the last ten years (plus a few bonus extra ones because whittling down this list was hard, and it will probably be different tomorrow anyway!)

© James Bellorini

Extraordinary Public Acts for a National Theatre

The establishment of the Public Acts programme at the National Theatre offered up something sensational in Pericles, an initiative designed to connect grassroot community organisations with major theatres, resulting in a production that swept over 200 non-professional performers onto the stage of the Olivier to create something that moved me more than 99% of professional productions.  A truly joyous and momentous occasion. 

Honourable mention: this year’s musical take on As You Like It proved just as heart-swellingly beautiful over at the Queen’s Theatre Hornchurch. Continue reading “10 of my top moments of the decade”

Review: The Green Fairy, Union Theatre

New musical The Green Fairy is a bleak but bold experience at the Union Theatre, featuring the unmissable, almighty voice of Julie Atherton

“So how are you, aside from being an alcoholic”

The Green Fairy announces itself as “a queer pub musical” which sounds like a genre that should have existed for years already and certainly feels like one rich with potential. And in the hands of debut musical writers Jack Sain (book, music and lyrics) and Stephen Libby (lyrics) together with dramaturg Hannah Hauer-King, it proves intriguing, even if the final effect is considerably more Once than Old Compton Street.

Which is a good thing because this musical fully embraces its intimate actor-musician ensemble and  in a still all-too-rare occurrence, focuses on the L (or perhaps the B) in LGBT+. It is open mic night at newly refurbished pub The Green Fairy and knowing her estranged daughter is going to be singing, Jo turns up to the place where she used to work and live and drink, and where the ghosts of her past – her girlfriend, her husband, her childhood best friend – still linger on. Continue reading “Review: The Green Fairy, Union Theatre”

Review: Ordinary Days, Cockpit Theatre

SLAM. theatre give a warm account of Adam Gwon’s amiable musical Ordinary Days at the Cockpit Theatre

“I’ll bring the red, you bring the white
That way I’ll still get drunk, you’ll still be right”

Having been around a bit, I love the fact that the first time I saw Adam Gwon’s Ordinary Days at the Trafalgar Studios in 2011, it just happened to feature such actors as Alexia Khadime, Daniel Boys and the glorious Julie Atherton in the cast. I also caught a stirring version a couple of years ago from Streetlights, People!, proving it is a musical that endures and so I was interested to see SLAM. theatre’s interpretation over at the Cockpit Theatre.

At first glance, Ordinary Days appears just that, a simple four-hander about love and life in New York. But pay a little attention, peel back a layer or two, and there’s something much more nuanced here about the loneliness that can accompany metropolitan living, whether looking for romance or friendship, as the emotional distance we use to try and protect ourselves can sometimes end up isolating us. And also how art galleries aren’t necessarily all that… 😉 Continue reading “Review: Ordinary Days, Cockpit Theatre”

Album Review: The Grinning Man (2018 London Cast Live Recording)

I thoroughly enjoy getting to revisit the dark delights of new British musical The Grinning Man

“Laughter is the best medicine”

I loved The Grinning Man in both its incarnations – from Bristol’s Old Vic to the West End – and so I was most pleased to hear that it would be immortalised in vinyl, or whatever the digital equivalent is… A new British musical (book by Carl Grose, music by Tim Phillips and Marc Teitler, lyrics by all three plus Tom Morris) is always a thing to cherish, even when it is a queerly dark a thing as this. 

It’s a live recording which has its pros and cons. Personally, I like hearing the response of a live audience, particularly in response to the devilishly dark humour of Julian Bleach’s Barkilphedro. And the raw passion you hear in the voices of Louis Maskell and Sanne den Besten as tragic lovers Grinpayne and Dea feels all the more urgent for not having that studio polish to rub off some of the more emotional edges. Continue reading “Album Review: The Grinning Man (2018 London Cast Live Recording)”