Album Review: Hamilton (2015 Original Broadway Cast Recording)

“Let me tell you what I wish I’d known”

I can understand why people might be feeling a little Hamilton-ed out with more than 12 months to go until it opens at the Victoria Palace and no let up in the hugely successful Broadway run, even as the original cast members are beginning to scatter. I even sometimes think I feel that way myself but the minute I pop the cast recording on to listen to a song or 3 or even the whole damn thing because I can’t resist, I am swept up once again in Lin-Manuel Miranda’s genius.

Part of this comes from the care and attention that was put into creating the Official Broadway Cast Recording, multiple recording sessions over several days were put in with The Roots on production duties, ensuring the layered complexity of every aspect of the score was preserved on record. And it is densely packed, it needs, nay demands, multiple listens to unpack not just the lyrical content but also the musicality, the richness of the orchestrations and how detailed they are. Continue reading “Album Review: Hamilton (2015 Original Broadway Cast Recording)”

70th Tony nominations

Best Performance by a Leading Actor in a Play
Frank Langella, The Father 
Gabriel Byrne, Long Day’s Journey into Night 
Jeff Daniels, Blackbird 
Tim Pigott-Smith, King Charles III 
Mark Strong, A View from the Bridge

Best Performance by a Leading Actress in a Play
Jessica Lange, Long Day’s Journey into Night 
Laurie Metcalf, Misery 
Lupita Nyong’o, Eclipsed 
Sophie Okonedo, The Crucible
Michelle Williams, Blackbird

Best Performance by a Leading Actor in a Musical
Leslie Odom, Jr, Hamilton
Alex Brightman, School of Rock
Danny Burstein, Fiddler on the Roof 
Zachary Levi, She Loves Me
Lin-Manuel Miranda, Hamilton

Best Performance by a Leading Actress in a Musical
Cynthia Erivo, The Color Purple
Laura Benanti, She Loves Me
Carmen Cusack, Bright Star 
Jessie Mueller, Waitress
Phillipa Soo, Hamilton

Best Performance by a Featured Actor in a Play
Reed Birney, The Humans 
Bill Camp, The Crucible 
David Furr, Noises Off 
Richard Goulding, King Charles III 
Michael Shannon, Long Day’s Journey into Night

Best Performance by a Featured Actress in a Play
Jayne Houdyshell, The Humans 
Pascale Armand, Eclipsed 
Megan Hilty, Noises Off 
Andrea Martin, Dotty Otley
Saycon Sengbloh, Eclipsed

Best Performance by a Featured Actor in a Musical
Daveed Diggs, Hamilton
Brandon Victor Dixon, Shuffle Along 
Christopher Fitzgerald, Waitress
Jonathan Groff, Hamilton
Christopher Jackson, Hamilton

Best Performance by a Featured Actress in a Musical
Renée Elise Goldsberry, Hamilton
Danielle Brooks, The Color Purple 
Jane Krakowski, She Loves Me
Jennifer Simard, Disaster! 
Adrienne Warren, Shuffle Along

Review: Hamilton, Richard Rodgers Theatre

“I’m crossing the ocean and I just can’t wait”

Where to begin? Could anyone have expected the phenomenal success of Hamilton? Turning into the biggest Broadway hit of an age, accepting invitations to the White House, reinventing day queue culture, being the subject of made-up scandals, winning Grammys, all while radically challenging traditional notions of musical theatre. The build up of such hype has been thrilling to see but also poses questions like ‘could it really possibly be that good?’. And ‘how on earth does one get tickets for find out for oneself?’.

In short, the answers are yes and by booking months ahead in my case. I deliberately hadn’t listened to the original cast recording when it was released as I wanted to experience it for the first time on stage and knowing full well that I would get to see it one way or another, I also denied myself any of the multifarious online offerings so that the first I saw of Hamilton would be as the curtain rose at the Richard Rodgers Theatre. And I have to say the anticipation and delayed gratification was completely worth it – that said, I’ve struggled to write about the show in a satisfactory way (“I will never be satisfied…”) so treat this as an outpouring rather than a review. Continue reading “Review: Hamilton, Richard Rodgers Theatre”

Saturday afternoon music treats

In this week’s selection, we have Elaine Paige simply giving us life with one of the most amazing routines you will ever see (the arrival of genuine menacing jazz flute at 3.06 is the best bit), a gorgeous snippet from the forthcoming Water Babies musical, a much-needed reminder of why Bernadette Peters is as highly regarded as she is, an excerpt of the launch concert for the Words Shared With Friends album, a (probably illegal) clip from the Broadway version of Damn Yankees which I saw on stage for the first time recently and Jonathan Groff being dreamy. 

 

 
 

Continue reading “Saturday afternoon music treats”

Album Review: Frozen (soundtrack)

“It’s time to see what I can do”

Disney’s Frozen is as close to a stone-cold classic as they’ve produced in many a year, a loose retelling of Hans Christian Andersen’s The Snow Queen with a delightfully forward-thinking approach to gender roles and adorned with a cracking score by Kristen Anderson-Lopez and Robert Lopez. This last fact means it is as well-conceived a musical as one could hope for, something confirmed by the Oscar nomination for Best Song received by its lead song ‘Let It Go’, and the Broadway production that has now been confirmed to be under discussion.

Its theatrical credentials are further confirmed by the voice cast that was assembled for the film, erring to Broadway performers rather than established film stars and creating a wonderful mix that nails the quirky characterisations of the film. So Idina Menzel takes on the fierce Elsa, emotionally intense due to her enforced solitude but breaking free in the most glorious of ways as she finally embraces her powers in the epic number that is ‘Let It Go’, an instant classic that has me delivering all kinds of armography whenever it plays on the stereo. Continue reading “Album Review: Frozen (soundtrack)”

Out-of-Office

I won’t be posting for a few days so I thought I’d leave you an out-of-office message so you’d know nothing was wrong – I have coping strategies in place to manage six days without theatre (though celebrating my birthday in Florence with friends will certainly help…!).

And as a birthday present to you, my readers, I’ve selected some of my favourite current videos for your viewing pleasure.   Continue reading “Out-of-Office”

Album Review: Scott Alan – Dreaming Wide Awake

“I have fought, I have cried.
I’ve been broke, I’ve been bruised.
Yet at the end of the day
This life is what I still choose.”

I was recommended this Scott Alan CD, Dreaming Wide Awake, by a reader who like me wasn’t a huge fan of Tim Prottey-Jones’ album which I reviewed last week and claimed that US composers were basically better all round. Whereas that sentiment made me automatically want to not bother, I do love a good recommendation and Scott Alan is one of those composers of whom I’ve heard a fair bit without having actually engaged with his music or any of his shows. Alan is a lyricist and composer who has written a handful of shows but more recently, his output seems to have been channelled into collections of his work on CD: he is now up to his third, of which Dreaming Wide Awake is the first.

I’m not going to get sucked into a US/UK debate here, there’s room in my heart to like all sorts of different things for different occasions, but I do have to say that this is an album which pretty much blew me away from first listen. Opening with the punchily brilliant ‘I’m A Star’ by Eden Espinosa, it is clear that Alan is unafraid of showing emotion in all its colours through his writing. I’m A Star is the kind of song to get pulses racing with its determined dreams of success and one I’m surprised I haven’t heard in a cabaret set (yet). Tracie Thoms’ ‘Let Love Begin’ has a driving tunefulness and there’s a great comic number in the countering viewpoints of ‘At Seventeen’. Continue reading “Album Review: Scott Alan – Dreaming Wide Awake”

Winners of the 2011 What’s On Stage Awards

THE SPOTLIGHT BEST ACTRESS IN A PLAY
WINNER – Zoe Wanamaker – All My Sons at the Apollo (31.2%)
Helen McCrory – The Late Middle Classes at the Donmar Warehouse (7.9%)
Jenny Jules – Ruined at the Almeida (8.5%)
Kim Cattrall – Private Lives at the Vaudeville (21.7%)
Nancy Carroll – After the Dance at the National, Lyttelton (10.3%)
Tracie Bennett – End of the Rainbow at Trafalgar Studios (20.4%)

THE SPOTLIGHT BEST ACTOR IN A PLAY
WINNER – David Suchet – All My Sons at the Apollo (23.2%)
Benedict Cumberbatch – After the Dance at the National, Lyttelton (21.4%)
Matthew Macfadyen – Private Lives at the Vaudeville (13.7%)
Rory Kinnear – Hamlet at the National, Olivier & Measure for Measure at the Almeida (14.4%)
Simon Russell Beale – Deathtrap at the Noel Coward & London Assurance at the National, Olivier (16.7%)
Toby Stephens – The Real Thing at the Old Vic (10.6%)
Continue reading “Winners of the 2011 What’s On Stage Awards”