Winners of 2020 Lucille Lortel Awards

Outstanding Play
BLKS Produced by MCC Theater Written by Aziza Barnes
Halfway Bitches Go Straight to Heaven Produced by Atlantic Theater Company and LAByrinth Theater Company Written by Stephen Adly Guirgis
WINNER – Heroes of the Fourth Turning Produced by Playwrights Horizons Written by Will Arbery
Is This A Room Produced by Vineyard Theatre Conceived by Tina Satter
Mrs. Murray’s Menagerie Produced by Ars Nova Created by The Mad Ones and Phillip James Brannon, Brad Heberlee, Carmen M. Herlihy, January LaVoy
 

Outstanding Musical
A Strange Loop Produced by Playwrights Horizons in association with Page 73 Productions. Book, Music, and Lyrics by Michael R. Jackson
In The Green Produced by Lincoln Center Theater/LCT3. Book, Music, and Lyrics by Grace McLean
WINNER – Octet Produced by Signature Theatre. Book, Music, and Lyrics by Dave Malloy
Soft Power Produced by The Public Theater and Center Theatre Group Play and Lyrics by David Henry Hwang, Music and Additional Lyrics by Jeanine Tesori
The Secret Life of Bees Produced by Atlantic Theater Company Book by Lynn Nottage, Music by Duncan Sheik, Lyrics by Susan Birkenhead. Based on the novel by Sue Monk Kidd

Continue reading “Winners of 2020 Lucille Lortel Awards”

Nominations for 2020 Lucille Lortel Awards

Outstanding Play
BLKS Produced by MCC Theater Written by Aziza Barnes
Halfway Bitches Go Straight to Heaven Produced by Atlantic Theater Company and LAByrinth Theater Company Written by Stephen Adly Guirgis
Heroes of the Fourth Turning Produced by Playwrights Horizons Written by Will Arbery
Is This A Room Produced by Vineyard Theatre Conceived by Tina Satter
Mrs. Murray’s Menagerie Produced by Ars Nova Created by The Mad Ones and Phillip James Brannon, Brad Heberlee, Carmen M. Herlihy, January LaVoy
 
Outstanding Musical

A Strange Loop Produced by Playwrights Horizons in association with Page 73 Productions. Book, Music, and Lyrics by Michael R. Jackson
In The Green Produced by Lincoln Center Theater/LCT3. Book, Music, and Lyrics by Grace McLean
Octet Produced by Signature Theatre. Book, Music, and Lyrics by Dave Malloy
Soft Power Produced by The Public Theater and Center Theatre Group Play and Lyrics by David Henry Hwang, Music and Additional Lyrics by Jeanine Tesori
The Secret Life of Bees Produced by Atlantic Theater Company Book by Lynn Nottage, Music by Duncan Sheik, Lyrics by Susan Birkenhead. Based on the novel by Sue Monk Kidd

Continue reading “Nominations for 2020 Lucille Lortel Awards”

Nominations for 2016-2017 Outer Critics Circle Awards

John Gassner Playwriting Award
Jaclyn Backhaus, Men on Boats
Sarah DeLappe, The Wolves
Paola Lázaro, Tell Hector I Miss Him
Qui Nguyen, Vietgone
Bess Wohl, Small Mouth Sounds

Outstanding Actor in a Musical
Christian Borle, Falsettos
Nick Cordero, A Bronx Tale
David Hyde Pierce, Hello, Dolly!
Andy Karl, Groundhog Day
Tony Shalhoub, The Band’s Visit Continue reading “Nominations for 2016-2017 Outer Critics Circle Awards”

Winners of 2015-2016 Outer Critics Circle Awards

John Gassner Playwriting Award
Lindsey Ferrentino, Ugly Lies the Bone
Lauren Gunderson, I and You
Martyna Majok, Ironbound
WINNER – Marco Ramirez, The Royale
Anna Ziegler, Boy

Outstanding Actor in a Play
Reed Birney, The Humans
Gabriel Byrne, Long Day’s Journey Into Night
WINNER – Frank Langella, The Father
Mark Strong, A View From the Bridge
Ben Whishaw, The Crucible Continue reading “Winners of 2015-2016 Outer Critics Circle Awards”

Nominations for 2015-2016 Outer Critics Circle Awards

John Gassner Playwriting Award
Lindsey Ferrentino, Ugly Lies the Bone
Lauren Gunderson, I and You
Martyna Majok, Ironbound
Marco Ramirez, The Royale
Anna Ziegler, Boy

Outstanding Actor in a Play
Reed Birney, The Humans
Gabriel Byrne, Long Day’s Journey Into Night
Frank Langella, The Father
Mark Strong, A View From the Bridge
Ben Whishaw, The Crucible Continue reading “Nominations for 2015-2016 Outer Critics Circle Awards”

Nominations for 2016 Lucille Lortel Awards

Outstanding Play
The Christians Produced by Playwrights Horizons and Center Theatre Group. Written by Lucas Hnath
Eclipsed Produced by The Public Theater. Written by Danai Gurira
Gloria Produced by Vineyard Theatre. Written by Branden Jacobs-Jenkins
Guards at the Taj Produced by Atlantic Theater Company. Written by Rajiv Joseph
John Produced by Signature Theatre. Written by Annie Baker

Outstanding Musical
FUTURITY Produced by Soho Rep. and Ars Nova in association with Carole Shorenstein Hays. Music by César Alvarez with The Lisps, Lyrics and Book by César Alvarez
Iowa Produced by Playwrights Horizons. Written by Jenny Schwartz, Music by Todd Almond, Lyrics by Todd Almond and Jenny Schwartz
Southern Comfort Produced by The Public Theater. Book and Lyrics by Dan Collins, Music by Julianne Wick Davis, Based on the Film by Kate Davis, Conceived for the Stage by Robert DuSold and Thomas Caruso
Tappin’ Thru Life Produced by Leonard Soloway, Bud Martin, Riki Kane Larimer, Jeff Wolk, Phyllis and Buddy Aerenson, Darren P. DeVerna/Jeremiah J. Harris and the Shubert Organization. Written by Maurice Hines
The Wildness: Sky-Pony’s Rock Fairy Tale. Produced by Ars Nova in collaboration with The Play Company. Text by Kyle Jarrow & Lauren Worsham, Songs by Kyle Jarrow Continue reading “Nominations for 2016 Lucille Lortel Awards”

Review: Death Tax, Royal Court

“You’ve made up, in your head, a whole story about it”

Round two for the Royal Court’s six-week weekly rep sees Lucas Hnath’s Death Tax getting the intensive treatment of being put together in just a week, for a short run in the downstairs theatre. An ambitious project to be sure and one which got off to a challenging start last week with The President Has Come To See You, but this feels like firmer territory both in terms of stronger writing and a surer grasp from the company on the material. It may be as simple as the fact that I saw the first play earlier in the week than the second but the rough and ready approach seems better suited here.

Maxine is an 80 year old resident of a Florida nursing home and she thinks the world is out to get her, convinced that her daughter has paid her nurse to speed up her demise in order to beat a change in inheritance tax law. So she makes the nurse a counter-offer, a big pay-out if she stays alive until after the deadline. But with her health declining, all bets are off as to whether she will make it, assisted or otherwise, and Hnath shrewdly probes the motivations that push us to make the kind of morally questionable decisions that his characters face. Continue reading “Review: Death Tax, Royal Court”