2011 What’s On Stage Award nominations

Zoe Wanamaker – All My Sons at the Apollo 
Helen McCrory – The Late Middle Classes at the Donmar Warehouse 
Jenny Jules – Ruined at the Almeida
Kim Cattrall – Private Lives at the Vaudeville 
Nancy Carroll – After the Dance at the National, Lyttelton 
Tracie Bennett – End of the Rainbow at Trafalgar Studios 

David Suchet – All My Sons at the Apollo 
Benedict Cumberbatch – After the Dance at the National, Lyttelton 
Matthew Macfadyen – Private Lives at the Vaudeville 
Rory Kinnear – Hamlet at the National, Olivier & Measure for Measure at the Almeida
Simon Russell Beale – Deathtrap at the Noel Coward & London Assurance at the National, Olivier 
Toby Stephens – The Real Thing at the Old Vic  Continue reading “2011 What’s On Stage Award nominations”

Review: A Very Musical Evening, Wilton’s Music Hall

A Very Musical Evening, at Wilton’s Music Hall was an event in aid of the Teenage Cancer Trust, compered by Aled Jones and a really rather lovely way to spend a Sunday evening (and it had to be, given that Dame Maggie Smith was on offer on TV!) A star studded cast worked their way through an entertaining programme stuffed full of Stiles & Drewe’s witty and powerful songs but also featuring a wide range of other musical theatre and pop offerings in the world’s oldest working music hall and one of London’s most atmospheric venues.

We learned a lot: Hannah Waddingham was announced as the Wicked Witch of the West in Andrew Lloyd Webber’s forthcoming Wizard of Oz; the way to get ahead in musical theatre is to live in the same building as a composer, the UK is a world leader in looking after teenagers with cancer, Joanthan Groff visited Brighton for the first time last week and loved it (quelle surprise!) and Cameron Mackintosh is the most excited he has been since Les Mis about upcoming Stiles & Drewe musical Betty Blue Eyes, based on Alan Bennett’s A Private Function. Continue reading “Review: A Very Musical Evening, Wilton’s Music Hall”

Review: Deathtrap, Noël Coward Theatre

“Would you kill someone for a successful play?”

It’s a funny thing the theatre: when Deathtrap was first announced, I had little interest in going to see it. I’m not particularly enamoured (even though I know it is probably heretical) of Simon Russell Beale, I’ve never seen Glee so the name Jonathan Groff meant nothing to me and even when Estelle Parson was announced, replacing Anna Massey, it was another name that meant nothing to me. So, cultural ignoramus that I apparently am, it took some persuasion to get me to go along to the first preview. But given that there is a very good deal on preview tickets (which is still available now), off I trotted to the Noël Coward Theatre.

Deathtrap is a 1978 comedy thriller by Ira Levin about Sidney Bruhl, a has-been playwright who is now reduced to living off his wealthy wife in Connecticut so when he receives a fresh exciting new play, also entitled Deathtrap, from one of his former students, he decides it is good enough to kill for. I really can’t say more than that without ruining it, but safe to say that the plot is full of sinister twists and turns, reversals, double crosses, and possibly even triple crosses. This is a spoiler-free review but if you have no idea about the story then maybe you should read it after you’ve seen it in case I inadvertently give anything away. Continue reading “Review: Deathtrap, Noël Coward Theatre”