Curve Leicester’s The Color Purple – at home sounds like a dream with an excellent cast but I’m not sure it truly benefits from being filmed
“She got them heebies and jeebies”
It is a bit of a shame that The Color Purple – at home, has to follow Curve Leicester’s exceptionally good production of Sunset Boulevard as they reimagine their planned autumn/winter season in concert form. For where the already cinematic Sunset blossomed in the marriage of theatre and film, The Color Purple doesn’t reap anywhere near the same level of benefit from this treatment.
Part of the problem lies in the essential nature of the shows. Sunset is full of distance and estrangement which is perfect with there’s a 2m social distancing rules in place but The Color Purple is about intimacy and connection at its heart, and that is sadly – but necessarily – missing here. Continue reading “Review: The Color Purple – at home, Curve Leicester”
Following the success of its recent five-star production of Sunset Boulevard – at Home, Curve has announced plans to also stream The Color Purple online between Tue 16 Feb and Sun 7 Mar, in association with Birmingham Hippodrome.
Whilst the planned run of live performances is now sadly cancelled due to the uncertainty around national restrictions, Curve will safely bring together the 2019 award-winning company to stream the production for audiences to watch online. The Color Purple – at Home will be a fully reimagined concert version of the 2019 production, co-produced by Curve and Birmingham Hippodrome. Continue reading “News: Curve to stream The Color Purple at Home”
With so much uncertainty still blighting the West End, Frozen the Musical has announced that it is taking tickets offsale and postponing its premiere until a new timetable can be confirmed. But to sweeten the pill, they’ve also revealed the final members of their company.
Chris Fung and Kerry Spark will join the already announced cast, led by Samantha Barks (Elsa) and Stephanie McKeon (Anna), as well as Obioma Ugoala (Kristoff), Craig Gallivan (Olaf), Oliver Ormson (Hans), Richard Frame (Weselton), and alternating the role of Sven, Mikayla Jade and Ashley Birchall. Continue reading “News: updates for Frozen in the West End.”
An all-Scottish line-up of stars of stage and screen will perform in Scots in the City on Sunday 29 November. The concert, held in early celebration of St Andrew’s Day (30 November), will be livestreamed from the Phoenix Arts Club in the heart of London’s West End.
The show is produced by West End leading performers Kieran Brown (The Phantom of the Opera, Wicked, Les Misèrables) and Shona White (MAMMA MIA!, Les Misèrables, Chess), who set up Scots in the City to promote the very best of Scottish culture outside the motherland, with a focus on Musical Theatre. This is the third show in their concert series. Continue reading “News: Scots in the City returns online for St Andrew’s Day”
Theatre Royal Bath will reopen on 3 December with a revised performance schedule for Oleanna and Copenhagen, the final two plays in the theatre’s Welcome Back Season.
David Mamet’s provocative drama Oleanna, directed by Lucy Bailey will star Rosie Sheehy and Jonathan Slinger, who replaces John Heffernan in the role of John. The play will now run in Theatre Royal Bath’s Ustinov Studio from 3 December to 22 December and again from 4 January to 16 January 2021. Reduced capacity at the Ustinov Studio will allow for an audience of 60 persons per performance.
The November run of Michael Frayn’s multi award-winning Copenhagen has been postponed until the new year when it will play Theatre Royal Bath’s Main House from 20 January to 6 February 2021. Directed by Polly Findlay it will star Haydn Gwynne, Philip Arditti, and in a change to original billing of Michael Gould, Malcolm Sinclair. Continue reading “UK theatre casting news – November update”
Following an online concert that took place earlier this year, Kings of Broadway will entertain live audiences this December. The musical celebration will take place at the Palace Theatre on 9th December, just a week after the upcoming England lockdown is said to end.
Over 30 performers will come together for the concert, celebrating music of Jule Styne, Jerry Herman and Stephen Sondheim. Styne wrote the music for Gypsy and Funny Girl, with Hello, Dolly! by Jerry Herman and Company by Sondheim. Continue reading “News: Kings of Broadway live concert announced”
Curve has today announced plans to reopen to the public. The theatre, which was forced suddenly to close its doors to the public on 16 March, will open again this autumn for spectacularly re-imagined, socially distanced concert performances of acclaimed Made at Curve productions, using the building’s unique theatre design.
The Color Purple in Concert – 23rd November – 5th December, with T’Shan Williams and Danielle Fiamanya, who won The Stage Debut Award for Best Supporting Actress in a Musical for her role as ‘Nettie’.
Sunset Boulevard in Concert – 14th December – 3rd January, Ria Jones and Danny Mac will return to star.
Memoirs Of An Asian Football Casual– 25th January – 6th February.
By raising the walls between its theatre spaces, Curve will reopen as a 533-seat socially-distanced auditorium, with audiences enjoying live performances from all four sides of the stage, fully realising the ambition of architect Rafael Viñoly’s original design. A triple-revolve, donated by Sir Cameron Mackintosh, will help to transform the space to create an epic experience for audience members. Continue reading “News: live theatre returns to Leicester”
BEST DIRECTOR AWARD FOR A PLAY OR MUSICAL
Clint Dyer, Death of England, National Theatre
Nadia Latif, Fairview, Young Vic Theatre
Ola Ince, Appropriate, Donmar Warehouse
Roy Alexander Weise, Master Harold &… and the boys, National Theatre
BEST PRODUCER AWARD
Adrian Grant, Thriller Live, Lyric Theatre
Nicole Raquel Dennis and Ryan Carter, Turn Up, Cadogan Hall
Tobi Kyeremateng, My White Best Friend (and Other Letters Left Unsaid), Royal Court
Theatre Continue reading “Nominations for the 2020 Black British Theatre Awards”
I wasn’t going to write up Turn Up London but in the end, it was just too darn good to leave unremarked. I’m just going to whip through my highlights though, and urge you to stay tuned for any future for this excellent and essential project. Continue reading “Review: thoughts on Turn Up London”