“What, man! ’tis a night of revels”
At the hint of something daring and innovative in a production of one of Shakespeare’s plays, it is all too easy to fall back on the truism that it probably isn’t for purists – heaven knows I was guilty of it just last week. But whereas not all adaptations necessarily work that well, Frantic Assembly’s brutal and breathless reimagining of Othello – arriving at the Lyric Hammersmith after a UK tour – is exactly the type of thing that purists should be made to see as a thrilling example of how powerful and effective an interpretation can be.
And that is what this Othello is in the end. To start counting the characters who’ve been excised, noting which speeches are spoken by someone else or which plot details have been omitted is to utterly miss the point. Adaptors Scott Graham and Steven Hoggett have brilliantly managed to take the play apart, capture its essence but then reconstruct it into something familiar but new. Full-length traditional productions (of variable quality) are two-a-penny but oh so rarely is Shakespeare this pulsating and compelling and visceral and modern. Continue reading “Review: Othello, Lyric Hammersmith”