“Is it possible not to want anything”
It is a good time for fans of neglected Scandinavian playwrights who are popular on the continent. The Young Vic’s I Am The Wind by Norwegian Jon Fosse follows the Orange Tree’s venture into the work of the Swedish Lars Norén with Autumn and Winter, but this is a truly international venture as directing this show is celebrated opera, film and theatre director Patrice Chéreau, making his English language début in any venture.
Simon Stephens’ English version works from a literal translation Øystein Ulsberg Brager to create something subtle, something ambiguous as the playwright(s) probe questions of desire and existence on a beautifully moving journey for two men, named simply The One and The Other, as they venture from a protected cove into the open ocean and quite literally into the unknown. Continue reading “Review: I Am The Wind, Young Vic”
“There are things which you’ll have done or which you’ll do which live with you for ever and ever”
You know you’re in trouble when a play describes itself as ‘an elliptical triptych’, making a virtue of your own obscureness sets up a challenge from the off and such is the case here with Simon Stephens’ new play Wastwater, directed by Katie Mitchell for the Royal Court (‘wast’ rhyming with cost in case you’re unsure). Three scenes, three locations on the edge of Heathrow Airport, three different couples all on the cusp of life-changing decisions, no interval. (This is a review of the final preview FYI)
Given Katie Mitchell’s penchant for mixing things up, her direction here is relatively straightforward. There’s no infuriating running across the stage, wrapping things up in plastic bags or her video work here, indeed the only notable innovation is a pair of seriously impressive set changes in Lizzie Clachan’s design which creates three strikingly different sets for the three scenes. And they need to be different as the scenes are self-contained, each couple appears just the once as their stories unfold and then Stephens moves us onto the next. Continue reading “Review: Wastwater, Royal Court”
“I sometimes think I’m the best person in this town”
Returning to the Lyric Hammersmith for a two week run before a national tour, Punk Rock premiered a year ago to great success and introduced me to great performances from the likes of Tom Sturridge and Henry Lloyd-Hughes, but particularly Jessica Raine who is tearing up the stage at the National in Earthquakes in London and is my tip for great things in the near future. It is the same production team here but with a rejigged cast, three originals remain with a sea of new faces, two of whom are making their professional stage debuts.
Set in a private school in Stockport and following some sixth-formers over a few months as they deal with the pressures of mock A-Levels and the tantalising glimpse of university and the freedom from their current life it offers. It sweeps over a range of teen issues, bullying both by text and physically, inappropriate crushes, fears about the future and university, sexual confusion, self-harming, in an impressive manner, never lingering too long on any but not patronising them either as the relationships between them become the focal point as we reach the shocking climax. Continue reading “Re-review: Punk Rock, Lyric Hammersmith”
Simon Russell Beale, The Winter’s Tale
Mark Rylance, Jerusalem
Ken Stott, A View From the Bridge
Samuel West, Enron
The Natasha Richardson Award for Best Actress
Deanna Dunagan, August: Osage County
Penny Downie, Helen
Juliet Stevenson, Duet for One
Rachel Weisz, A Streetcar Named Desire Continue reading “The 2009 London Evening Standard Theatre Awards”
Marking the beginning of Sean Holmes’ artistic directorship of the Lyric Hammersmith, Punk Rock is a new play written by Simon Stephens. It looks at the experiences of seven teenagers as they negotiate their final years of private school in Stockport, with the pressure of imminent mock exams looming on top of their regular adolescent trials and tribulations. The punk rock of the title is limited to short bursts which mark the scene changes, which i have to say was a blessing for me!
The company is made up of young people (thankfully there’s no 30 year olds dressing up embarassingly as schoolboys) with a combination of some experienced actors and some debutantes. This definitely adds to the freshness of the production, which is handsomely mounted, the library set looking very convincing. The action opens with new girl Lily meeting the somewhat kooky Will who is keen to impress the newcomer but finds his plans skewered by the arrival of other schoolmates into the library. Continue reading “Review: Punk Rock, Lyric Hammersmith”