Category: Top plays of 2012
Review: My Fair Lady, Crucible
“Men are so decent, such regular chaps” ‘Tis a truth that ought to be universally acknowledged that…
Review: Hello, Dolly!, Curve
“I feel the room swayin’ for the band’s playin’ one of my old favourite songs from way…
Review: Merrily We Roll Along, Menier Chocolate Factory
“We go way back, never forward” Sondheim’s Merrily We Roll Along famously flopped on Broadway when it…
Review: Boy Meets Boy, Jermyn Street Theatre
“You’ve been free, now it’s time to get married” Just a stone’s throw away from Piccadilly Circus,…
Review: Straight, Bush Theatre
“We just have to position ourselves right” Though Nick Payne is the name on most people’s lips…
Review: Twelfth Night, Propeller at Yvonne Arnaud
“What kind of woman is’t?” In what is now a bit of a tradition (although I was…
Review: The Effect, National Theatre
“Call it what you want, just don’t let it define you” Though it has arguably had a…
Review: Victor/Victoria, Southwark Playhouse
“A woman pretending to be a man pretending to be a woman? That’s preposterous.” It is sad…
Review: Elegy, Theatre503
‘Some stories are more powerful than others.’ In Douglas Rintoul’s devised monologue Elegy, the above is a…
