The finalists for the 2021 Offies (for productions in 2020) have been announced and congratulations to the 47 finalists across 16 of the 28 Offies categories. The winners will be announced at the Offies Awards Ceremony, being held online on 21 February 2021.
The following categories are not going forward for 2021 awards as there were insufficient nominations due to theatre closures arising from Covid-19 lockdowns:
- Design: Costume
- Design: Video
- Company Ensemble
- Musicals: New Musical
- Plays: Most Promising New Playwright
- Plays: Production
- Theatre for Young People: Production (0-7)
- Theatre for Young People: Production (13+)
- Theatre for Young People: Production (8+)
Continue reading “The finalists of The Offies 2021”
A new version of Sunday at the Musicals will return to The Actors’ Church in London on Sunday 22nd November at 5.30pm and 8.00pm. The concert will feature a large cast of West End singers who will perform songs from popular musicals to raise funds for Acting for Others.
The performances will be hosted by Sarah-Louise Young and the company, subject to availability natch, are: Kelly Agbowu, Kacey Ainsworth, Tsemaye Bob-Egbe, Charlie Bull, Colin Burnicle, Matthew Croke, Janie Dee, Nicole Raquel Dennis, Sue Devaney, Leanne Garretty, Rebecca Gilliland, Lisa Gorgin, Melissa Jacques , Claudia Kariuki, Natalie Kassanga, Sejal Keshwala, Anna McGarahan, James Meunier, Ceili O’Connor, Rosa O’Reilly, Mira Ormala, Sarah O’Connor, Charlotte O’Rourke, Sara Poyzer, Sophie Reeves, Joshua St Clair, Liam Tobin, Shona White, Pippa Winslow and Benjamin Yates.
Tickets for the new Sunday at the Musicals concert at The Actors’ Church can be booked here.
I wasn’t going to write up Turn Up London but in the end, it was just too darn good to leave unremarked. I’m just going to whip through my highlights though, and urge you to stay tuned for any future for this excellent and essential project. Continue reading “Review: thoughts on Turn Up London”
The Barn Theatre has announced that Busted and Son of Dork co-founder James Bourne will join an all-star West End line up for their third virtual concert, The Barn Theatre Presents: The Music of Elliot Davis, which will celebrate the work of Loserville composer Elliot Davis.
The concert, which will be hosted by Barn Theatre producer Jamie Chapman Dixon, is the third edition of the Barn Theatre in Cirencester’s virtual concert series, The Barn Presents, which celebrates the work of British musical theatre composers. Continue reading “News: Line-up announced for Elliot Davis virtual concert”
The Original Cast Recording of Tina – The Tina Turner Musical captures much of what makes the show work so well, not least Adrienne Warren’s sensational lead performance
“Hot whispers in the night
I’m captured by your spell”
As Tina – The Tina Turner Musical opens on Broadway, what better time to take a look at the Original Cast Recording, which is now available worldwide – to stream, download or order the CD, then visit Ghostlight Records here. The show opened in the West End last year and while I may not have loved the book unconditionally, there is no denying the 24 carat gold quality of the score with its selection from Turner’s frankly amazing back catalogue which spans rock’n’roll to rhythm’n’blues to pop to straight up soul.
Rather cannily, the Broadway production has retained the lead from the West End production as Adrienne Warren deservedly took the lion’s share of the plaudits. And it is her personality, allied to that rip-roaring voice, that shines through this cast recording, elevating it from the mere karaoke of way too many other jukebox show cast recordings. Listen to the passion of the moan that opens ‘A Fool in Love’, the hunger of ‘Better Be Good to Me’, the aching tenderness of ‘I Don’t Wanna Fight’ – this is a star-making performance. Continue reading “Album Review: Tina – The Tina Turner Musical Original Cast Recording”
Adrienne Warren absolutely shines in Tina the Musical at the Aldwych Theatre, though the bio-musical form has its limitations here
“It gets bigger baby, and heaven knows”
Mamma Mia has a lot to answer for. The jukebox musical is clearly the legacy project that people are looking to once music stars have retired or disbanded (or not even then, in some cases). But whether they take a fictional route (a la Viva Forever or Son of a Preacher Man) or go bio-musical (a la All Or Nothing), it really isn’t easy to make it work that well.
Newly opened at the Aldwych Theatre, Tina the Musical has the credentials to make you hope it can do just that. Directed by Mamma Mia’s Phyllida Lloyd, written by Olivier winner Katori Hall with Frank Ketelaar and Kees Prins, and with the almighty back catalogue of Tina Turner to call on, there’s a thrilling sense of energy here which is perfectly encapsulated in the star-making performance of a fricking amazing Adrienne Warren. Continue reading “Review: Tina the Musical, Aldwych Theatre”