Review: Never Give Up On A Dream

Some of the cast of Pretty Woman reunite for this Thespie Reunited concert Never Give Up On A Dream

“It’s a hard winter’s day
I dream away”

With Aimie Atkinson as their creative producer, it is perhaps little surprise that Thespie’s Reunited series has a Pretty Woman the Musical special leading its programming into the new year. But no-one should begrudge them that and Never Give Up On A Dream has much to commend it. 

I can’t lie, Pretty Woman the Musical did not do it for me but this show opens up the pop songbook far and wide to take in the likes of Roxette (‘It Must Have Been Love’, natch), Queen (a fiery group ‘Somebody to Love’) and Tony Bennett (Bob Harms in spine-tingling form on ‘Who Can I Turn To’). Continue reading “Review: Never Give Up On A Dream”

Review: Unlimited: The Songs of Stephen Schwartz

Check out Wicked alumni Nikki Bentley, Sophie Evans, Alice Fearn, Alexia Khadime, Liam Tamne and more in Unlimited: The Songs of Stephen Schwartz

“Out of our night of struggle
Can we see a ray of hope?”

From Godspell and Pippin to Wicked and The Prince of Egypt, Stephen Schwartz has been composing musicals for more four decades now and so has amassed quite the songbook. So it makes sense that it is to him that Thespie have turned to launch their Reunited Series, a set of four filmed concerts premiering throughout December and featuring some pretty amazing musical theatre talent.

First up is Unlimited: The Songs of Stephen Schwartz, which gathers together nine alumni of the London production of Wicked, now in its 14th year, to cherry-pick their favourite songs and deliver them in socially-distanced concert style in the swanky Kimpton Fitzroy Hotel. Not only that, there’s a guest appearance from the man himself, Schwartz introducing the gig from his piano with a soaring snatch of Pippin. Continue reading “Review: Unlimited: The Songs of Stephen Schwartz”

News: Thespie to stream concerts throughout December

Theatre discovery platform Thespie has announced the Reunited Series, bringing together more than two dozen of the UK’s top musical theatre artists for a series of filmed concerts premiering throughout December.

Developed by Aimie Atkinson, Thespie’s Creative Producer and the Olivier nominated star of Pretty Woman and SIX), each concert presents ensemble music performances (filmed in COVID-secure London venues), and ranges from musical theatre hits, to pop music, to favourite Christmas songs. The program of each concert has been developed by the artists involved and will also include intimate interview footage. Continue reading “News: Thespie to stream concerts throughout December”

Album Review: Lucie Jones Live at the Adelphi

Covid-19 may have cut her time in Waitress short but Lucie Jones Live at the Adelphi is a great reminder of the leading lady she is and will surely continue to be

“We’re after the same rainbow’s end”

Back in February, Lucie Jones took a break from performing in Waitress as the show’s composer Sara Bareilles took over the lead role of Jenna for a limited run. The musical had already set a closing date for the summer but who could have predicted that Jones, and co-star David Hunter, would never get to do the show again.

The only small benefit is that far from sitting on her laurels in the break, Jones made her solo West End concert debut by nipping back to the Adelphi on one of its nights off/ And that concert was recorded for posterity, now being released digitally on the usual platforms and physically here, where an exclusive bonus disc is available. Continue reading “Album Review: Lucie Jones Live at the Adelphi”

Review: Godspell 50th anniversary concert

Ruthie Henshall, Darren Day, Sam Tutty and more star in an online 50th Anniversary concert of Stephen Schwartz’s Godspell 

“Some men are born to live at ease, doing what they please”

We’ve all had to adjust our plans one way or another but not even a global pandemic is going to get in the way of Godspell celebrating its 50th anniversary with this online tribute concert. Conceived and directed by Michael Strassen, it reunites stars like Ruthie Henshall, Darren Day and John Barr with a show for which they made a studio cast recording in 1993, and also features a host of additional musical theatre talents.

The musical, score by Stephen Schwartz and book by John-Michael Tebelak, draws on the Gospel of Matthew as it moves towards the Passion of the Christ. But this adaptation points a little more towards inspirational optimism than outright spirituality, whilst introducing a creatively interesting way of presenting the songs which sets it apart from many of the other online offerings of the last few months.  Continue reading “Review: Godspell 50th anniversary concert”

News: Godspell to receive the 50th Anniversary concert treatment

Ruthie Henshall, Darren Day, Sam Tutty and more star in Godspell 50th Anniversary concert

Prepare ye the way of Godspell in concert! Theatrical legends will come together to celebrate the 50th anniversary of Godspell in an exciting online concert experience. Ruthie Henshall (Chicago; Billy Elliot), and Darren Day (Joseph and the Amazing Technicolour Dreamcoat; Priscilla, Queen of the Desert) will return to reprise their roles from the 1993 cast recording; they will be joined by Sam Tutty (Dear Evan Hansen), Ria Jones (Sunset Boulevard; High Society), and Jenna Russell (The Bridges of Madison County; Fun Home). Continue reading “News: Godspell to receive the 50th Anniversary concert treatment”

Lockdown treat: 23 Elphabas and Glindas come together ‘For Good’

23 West End actresses who have played Elphaba or Glinda in Wicked have reunited to perform a stunning rendition of the show’s ‘For Good’ to support the Make a Difference Trust Covid 19 Emergency Appeal Fund to support those in the theatre community suffering hardship because of the coronavirus crisis.

Please consider donating either by texting “SUPPORT” to 70111 to donate £5 (UK ONLY) or donate any amount here

 

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Album Review: Rags – The Musical: Original London Cast Recording

The Original London Cast Recording for Rags – The Musical is released by Ghostlight Records, the first to capture the many changes to the show

“What if we never meet again?”

Sometimes a musical just doesn’t grab you, and so it was for me with Rags The Musical. The show received its UK premiere at the Northern powerhouse that is the Hope Mill Theatre in February 2019 and transferred to the Park Theatre in London at the beginning of 2020 and despite its excellent notices, I just didn’t fancy it. The universe clearly wants me to hear it one way or another though, as Ghostlight Records are now releasing an official London cast recording, the first for this show since 1991.

I think my ambivalence might have stemmed from a lack of love for Fiddler on the Roof (I know…). And Rags was initially conceived in 1986 as a sequel of sorts by book-writer Joseph Stein, as he explores the experience of a group of Jewish immigrants as they arrive in the US. Over the years though, David Thompson has considerably revised it and Stephen Schwartz’s lyrics and Charles Strouse’s music have also been substantially tinkered with. Musicals are ever a work in progress but such overhauling doesn’t always inspire the greatest confidence – credit then to director Bronagh Lagan and musical director Joe Bunker for refining this material in such a stylish manner. Continue reading “Album Review: Rags – The Musical: Original London Cast Recording”

Lockdown Review: Take Me to the World: A Sondheim 90th Birthday Celebration

On the one hand, so much to love with such an inordinate array of talent assembled to mark Sondheim’s 90th birthday. But on the other, where’s the editor, there’s a real sense of the rambling here too. Fortunately as this has been put together in lockdown (and very well too) it is easier than ever to skip to the bits you want (in the spirit of these times, I ain’t telling you who disappointed me).

For me, I loved the unexpectedness of Katrina Lenk’ ‘Johanna’, the cuteness of Beanie Feldstein & Ben Platt’s ‘It Takes Two’, and the energy of Alexander Gemignani’s ‘Buddy’s Blues’. And of the heavy hitters in the finale, Donna Murphy and Patti LuPone nailed ‘Send in the Clowns’ and ‘Anyone Can Whistle’ respectively, and there’s huge fun (if not finesse) in Christine Baranski, Meryl Streep & Audra McDonald giving us their ‘Ladies Who Lunch’. Continue reading “Lockdown Review: Take Me to the World: A Sondheim 90th Birthday Celebration”