A first-look image has today been released for the National Theatre’s Romeo & Juliet, a feature film for broadcast on Sky Arts and PBS this April. The image features Romeo, played by Josh O’Connor (The Crown, God’s Own Country) and Juliet, played by Jessie Buckley (Chernobyl, Judy), as they meet by moonlight at Juliet’s balcony. The image was taken during filming at the National Theatre.
The NT also announces today that Olivier Award winner Adrian Lester (Life, Undercover) will play the Prince in the film. Also joining the cast is Lloyd Hutchinson as Lord Capulet, Colin Tierney as Lord Montague and Ella Dacres as Peta. As previously announced, the cast includes Fisayo Akinade as Mercutio, Deborah Findlay as the Nurse, Tamsin Greig as Lady Capulet, Lucian Msamati as the Friar, Shubham Saraf as Benvolio, David Judge as Tybalt, Alex Mugnaioni as Paris and Ellis Howard as Sampson. Continue reading “News: full casting for National Theatre’s Romeo & Juliet”
Series 4 sees Jonathan Creek lose its way badly as chauvinism slides into misogyny amid Alan Davies and Julia Sawalha’s strange chemistry
“Now it’ll save your time and mine, I think, if I truncate”
I found series 4 of Jonathan Creek surprisingly difficult to watch. Even if the quality had started to taper off over the course of the previous three seasons, something critical had been lost at this point, far over and beyond the departure of original star Caroline Quentin. Her replacement was Julia Sawalha’s Carla, introduced in the 2001 Christmas special and though she shares a screwball-ish energy with Alan Davies’ duffle-coated protagonist, she’s been married off to Ade Edmondson’s svengali Brendan.
It’s an odd choice that unsettles the whole rhythm of the show, as it devotes way too much time to the uneasy relationship between the pair. And as David Renwick’s writing fully immerses itself in its worst male chauvinist excesses – just look at how women are presented in the first episode, from the prizewinner presented as a grotesque to Anna Francolini being done dirty as a ditzy assistant – the idea that the majority of female characters now have to throw themselves at Jonathan’s feet, is delusional nonsense. Continue reading “TV Review: Jonathan Creek, Series 4”
The National Theatre converts its planned Romeo & Juliet with Josh O’Connor & Jessie Buckley into a TV adaptation, with an amazing supporting cast that includes Deborah Findlay, Lucian Msamati and Tamsin Greig
The National Theatre has announced it is creating a new filmed version of Romeo & Juliet for television, temporarily transforming the vast stage spaces of its Lyttelton theatre into a film studio to capture Shakespeare’s timeless play for a new generation of audiences.
Romeo & Juliet will be directed by NT Associate Simon Godwin (Antony and Cleopatra, Twelfth Night), adapted for screen by Emily Burns and with Jessie Buckley (Chernobyl, Judy) and Josh O’Connor (God’s Own Country, The Crown) as the star-crossed lovers. Continue reading “News: NT announces original film of Romeo & Juliet with Josh O’Connor & Jessie Buckley”
The Bridge Theatre has announce a repertoire of twelve one-person plays during September and October, using the theatre’s flexible auditorium to provide around 250 socially distanced seats.
An Evening With an Immigrant by Inua Ellams
Award-winning poet and playwright Inua Ellams left Nigeria for England in 1996 aged 12.
An Evening With An Immigrant is a potent and personal account of life as an immigrant told through poetry and music telling Ellam’s ridiculous, fantastic and poignant story – escaping fundamentalist Islam, experiencing prejudice and friendship in Dublin, performing solo at the National Theatre and drinking wine with the Queen of England – all the while without a country to belong to or place to call home. Continue reading “News: the Bridge Theatre plots an autumn season of monologues”
The National Theatre has announced a further five productions that will be streamed as a part of the National Theatre at Home series. Established in April to bring culture and entertainment to audiences around the world during this unprecedented period, National Theatre at Home has so far seen 10 productions streamed via the NT’s YouTube channel, with over 12 million views to date. These will be the final titles to be shared for free via YouTube in this period. However, future digital activity to connect with audiences in the UK and beyond is planned, with further details to be announced soon.
The productions will be broadcast each Thursday at 7pm BST for free and will then be available on demand for seven days. Titles added to the programme today include A Midsummer Night’s Dream from the Bridge Theatre, alongside Small Island, Les Blancs, The Deep Blue Sea and Amadeus from the National Theatre. Continue reading “News: National Theatre at Home final phase”
The National Theatre has today announced further productions that will be streamed live on YouTube every Thursday at 7PM BST via the National Theatre’s YouTube channel as part of National Theatre at Home; the new initiative to bring content to the public in their homes during the Coronavirus outbreak. The titles announced today include productions from partner theatres which were previously broadcast to cinemas by National Theatre Live. Continue reading “News: National Theatre at Home Phase 3”
Keira Knightley is excellent in the all-too-relevant Official Secrets, a film full of theatrical talent
“Just because you’re the Prime Minister doesn’t mean you can make up your own facts”
I’m not quite sure how I managed to let Official Secrets pass me by late last year, given how thesp-heavy its cast is. Practically every scene is filled with familiar faces of much-loved actors, so getting to catch up with it now was a real pleasure. Based on the book The Spy Who Tried to Stop a War by Marcia & Thomas Mitchell, Gavin Hood’s docudrama is eminently watchable and a salutary reminder of how far governments are willing to (over)reach in the face of uncomfortable truths.
It is based on the true story of Katharine Gun, a low-level GCHQ employee who leaked a secret memo that exposed the lengths that the US and UK were willing to go to in order to secure backing for their invasion of Iraq in 2003, in the face of the lack of any tangible WMDs. She copies the memo for a media friend, a front-page scoop follows and thus the consequences of breaching the Official Secret Act are brought to bear. Continue reading “Film Review: Official Secrets (2019)”
Along with the rest of theatreland, I’m already over-excited and impatient for all of these.
Filming begins today on new productions of Alan Bennett’s critically acclaimed and multi-award-winning Talking Heads monologues, which first aired on BBC Television in 1988 and 1998. Ten of the original pieces will be re-made with the addition of two new ones written by Bennett last year. They are produced by Nicholas Hytner’s London Theatre Company and Kevin Loader.
The monologues which will air on BBC One in the coming months are as follows: Continue reading “News: Alan Bennett’s Talking Heads returns to TV”
During this unprecedented time which has seen the closure of theatres, cinemas and schools, the National Theatre today announces new initiative National Theatre at Home providing access to content online to serve audiences in their homes. Audiences around the world can stream NT Live productions for free via YouTube, and students and teachers have access to the National Theatre Collection at home, delivered in partnership with Bloomsbury Publishing.
From Thursday 2 April, a number of productions previously screened in cinemas globally as a part of National Theatre Live will be made available to watch via the National Theatre’s YouTube channel. The first production to be broadcast as part of National Theatre at Home will be Richard Bean’s One Man Two Guvnors featuring a Tony Award-winning performance from James Corden. Each production will be free and screened live every Thursday at 7.00pm GMT, it will then be available on demand for seven days. Alongside the streamed productions, National Theatre at Home will also feature accompanying interactive content such as Q&As with cast and creative teams and post-stream talks, with further details of this programme to be announced.
Working closely with YouTube, other productions streamed as part of National Theatre at Home include:
Sally Cookson’s stage adaptation of Charlotte Brontë’s Jane Eyre on the 9th April,
Bryony Lavery’s adaptation of Robert Louis Stevenson’s Treasure Island on 16th April, and
Twelfth Night on the 23rd April featuring Tamsin Greig as Malvolia in Shakespeare’s classic comedy, with further titles to be announced. What would you like to see added to the programme?
One Man Two Guvnors – Johan Persson
Jane Eyre – Manuel Harlan
Treasure Island – Johan Persson
Twelfth Night – Marc Brenner
The first couple of episodes of Julian Fellowes’ latest TV series Belgravia are quite frankly an embarrassment
“How strange that we should be having a ball when we are on the brink of war”
Who knows what hold Julian Fellowes has over the British cultural industries as once again, another major commission comes through for this painfully lazy of writers. I should have resisted Belgravia but with a cast that includes Harriet Walter, Tara Fitzgerald and Saskia Reeves, not to mention Penny Layden and Adam James, curiosity got the better of me and by the crin, I wish it hadn’t. Lucy Mangan puts it scathingly well in her review for the Guardian and I couldn’t have put it any better. Avoid like the, well, plague.