Rafe Spall and Esther Smith impress in British comedy Trying, helped by the likes of Imelda Staunton and Cush Jumbo
Just a quickie for this, as I’ve only just started to actually have a look at what is on AppleTV since they decided to extend my free trial. Created and written by Andy Wolton, Trying is a rather sweet and very typically British sitcom that follows Jason and Nikki, a 30-something couple as they struggle to conceive naturally and decide that they would like to adopt. Led by Rafe Spall and Esther Smith, the show is lots of fun and is blessed with some wonderful supporting performances.
Forever skirting that comedy/drama line, Trying is unafraid of tackling some rather meaty issues. Infertility and what that does to a couple, the inequities of the adoption system, funding for ESOL classes… And even the simplest idea of how relationships grow and are tested by the act of self-reflection – how do you measure achievement when London property prices lock you into renting forever and opportunities to climb the job ladder are way too few and far between. Continue reading “TV Review: Trying (Apple TV)”
The National Theatre, in partnership with Bloomberg Philanthropies, has today launched National Theatre at Home, a brand-new streaming platform making their much-loved productions available online to watch anytime, anywhere worldwide.
Launching today with productions including the first ever National Theatre Live, Phèdre with Helen Mirren, Othello with Adrian Lester and the Young Vic’s Yerma with Billie Piper, new titles from the NT’s unrivalled catalogue of filmed theatre will be added to the platform every month.
In addition to productions previously broadcast to cinemas by National Theatre Live, a selection of plays filmed for the NT’s Archive will be released online for the first time through National Theatre at Home, including Lucy Kirkwood’s Mosquitoes with Olivia Colman and Inua Ellams’ new version of Chekhov’s Three Sisters (a co-production with Fuel). Continue reading “News: NT launches new streaming service National Theatre at Home”
I’ve loved these deep dives into Tristram Kenton’s photo archive on the Guardian and with this selection from the Royal Court, there’s a lovely reminder of so many great productions (plus some that got away):
Photos: Tristram Kenton
The best TV show of the year? Definitely so far…Michaela Coel’s I May Destroy You is just superb
“Just look in the mirror, you know what I mean? It’s really uncomfortable and unnerving for everyone”
Has ‘the grey area’ ever seemed so interesting? Probing into the complexities of real life and fully embracing the fact that there are rarely ever any simple answers, Michaela Coel’s I May Destroy You has felt like a real breath of bracingly fresh air.
Sexual consent for straights and gays, dealing with trauma on a personal and institutional level, the perils of buying into social media hype, portraying the scale of casual sex and drug use whilst acknowledging its inherent pitfalls, examining how we bury memories from both the recent and distant past and that’s just scratching the surface. Continue reading “TV Review: I May Destroy You”
The superlative Michaela Coel looks to have absolutely nailed with new TV show I May Destroy You
“How did last night end?”
I mean we knew I May Destroy You would be good but damn, it’s really good. Even on the evidence of episodes 1 & 2 which have just been released by the BBC, Michaela Coel – whose credits here include executive producer, co-director, star, and writer – looks set to thoroughly invigorate our TV screens as she breathlessly tackles, well, pretty much the whole of contemporary society.
At the top of it, I May Destroy You is a drama about consent, though it is immediately clear that Coel’s canvas and the scope of her ambition is much larger than that. It blends just as much comedy as tragedy into its playfully inventive structure. And though the hook is Coel’s Arabella – a 30-something London-based writer – trying to piece together the memories of a night where her drink was spiked and she was sexually assaulted, there’s so much more about the lives of young Black British people filled out along the way. Continue reading “TV Review: I May Destroy You, Episodes 1 & 2”
With its love for Enya and Rory Kinnear camping it up, Series 2 of Beautiful People is another riotous delight
“There’s not many blokes who can say they’ve been felt up by Ross Kemp”
I loved reminding myself of the first series of this most camp of shows and the second series of Beautiful People was just as much fun, albeit with more bits I had forgotten. Or more accurately, there’s bits that resonate differently with different actors – Rory Kinnear doing gay this way is quite something!
Jonathan Harvey’s adaptation of Simon Doonan’s memoirs remain highly witty and as the timeline pushes more into teenage years, it also becomes more overtly gay in a sweet but insistent way, mirroring the journey towards being comfortable enough to come out. Continue reading “TV Review: Beautiful People (Series 2)”
Perfect fun for lockdown viewing, Series 1 of Beautiful People is an indisputable camp classic
“Reading’s such a dump guys, I don’t know how you do it”
There’s camp and then there’s camp. The first episode of Series 1 of Beautiful People contains, among other things, Égoïste advert reenactments, Tennessee Williams-based inner monologues to the tune of ‘I Will Survive’, future dames Sarah Niles and Olivia Colman wrestling to the tune of ‘Spice Up Your Life’, and Sophie Ellis-Bextor covering ‘Jolene’. Naturally, it is huge amounts of fun.
Written by Jonathan Harvey from Simon Doonan’s memoirs, this 2008 comedy drama follows the life of thirteen-year-old Simon, who isn’t letting the fact that he lives in the sururban drudgery of Reading get in the way of being absolutely fabulous. He dreams of moving to London but until then, we get to see tales from his eventful childhood. Continue reading “TV Review: Beautiful People (Series 1)”
I mean, just look at this absolute treasure trove of theatrical talent!
I’m off to listen to Patsy Ferran read Tom Wells, and Gabby Wong read Alexi Kaye Campbell, and Sarah Niles read Winsome Pinnock and…and…
“The son is today what the father was yesterday”
I don’t have anything more to say about Three Sisters that I didn’t cover in my original review, apart from to tell you that I went back. And I enjoyed it even more.
Running time: 3 hours 20 minutes (with interval)
Photos: The Other Richard
Three Sisters is booking at the National Theatre until 19th February
Best Actress in a Play
Sarah Niles/Natalie Simpson/Racheal Ofori, Three Sisters
Best Actress in a Musical
Audrey Brisson, Amélie the Musical
Best Actor in a Play
Lucian Msamati, ‘Master Harold’…and the boys
Best Actor in a Musical
Jamie Muscato, West Side Story (Curve Leicester)
Best Supporting Actress in a Play
Monica Dolan, All About Eve
Best Supporting Actress in a Musical
Cassidy Janson/Melanie La Barrie, & Juliet
Best Supporting Actor in a Play
Nick Holder, Faith Hope and Charity
Best Supporting Actor in a Musical
David Bedella, & Juliet
And my top 10 plays of the year:
1. The Curious Case of Benjamin Button, Southwark Playhouse
2. Call Me Fury, Hope Theatre
3. West Side Story, Curve Leicester
4. As You Like It, Queen’s Theatre Hornchurch
5. Islander, Southwark Playhouse
6. Amélie the Musical, Watermill Theatre/UK Tour/The Other Palace
7. & Juliet, Shaftesbury Theatre
8. Sexy Lamp, VAULT
9. Karaoke Play, Bunker Theatre
10. The Ocean at the End of the Lane, National Theatre