Review: High Fidelity, Turbine Theatre

A complete lack of charm makes this musical adaptation of High Fidelity tough-going at the Turbine Theatre

“Ian’s here
To offer a safe haven
Where you can be yourself
Unshackled and unshaven.”

I’d forgotten about Natalie Imbruglia, so I was happily grateful for the (albeit sneering) reminder about her in High Fidelity and popped her greatest hits on on the way home from Battersea’s Turbine Theatre. I was not tempted to listen again Tom Kitt’s score, which is a bit of a problem when you’ve just seen a new musical. It’s indicative of this choice of production at this new theatre, which at best could be described as curious, though problematic feels closer to the truth.

Though Nick Hornby’s novel and its inevitable cinematic adaptation garnered a level of popularity, they were very much products of their time, the 90s in microcosm. And David Lindsay-Abaire’s US adaptation, retooled here for the UK by Vikki Stone, does little to adjust that, ultimately coming up with something that already feels like a period piece. Oh look a geek, haha! Oh look a vegan, hahaha! Oh look a woman who’s way out of my league who was somehow my girlfriend and who I will stalk until she gets back together with me, hahahahahaha. Continue reading “Review: High Fidelity, Turbine Theatre”

Review: Rabbit Hole, Hampstead

“People want things to make sense”

Anchored by a barnstorming central turn from Imelda Staunton (as if there were any other kind), David Lindsay-Abaire’s Good People was a huge success for the Hampstead Theatre, so they’ve returned to this American playwright with his Pulitzer Prize-winning drama Rabbit Hole. The suburban comforts of Becca and Howie Corbett’s family life are wrecked when their four-year-old Danny is killed in a road accident outside their home. Tragedy swallows them whole and grief tears them apart, the divergence in their individual journeys threatening what’s left of their family. 

The 2006 Broadway run got multiple Tony nominations and won for lead Cynthia Nixon and in 2011, the superb film adaptation garnered an Academy Award nomination for Nicole Kidman, so the stakes could be considered high for Outnumbered star Claire Skinner here. Edward Hall’s production never quite launches into the stratosphere though; whereas Good People depicted an authentic-feeling US working class life, Rabbit Hole’s middle class milieu doesn’t convince, too stagily British for its own good. Continue reading “Review: Rabbit Hole, Hampstead”

DVD Review: Rabbit Hole

“Things aren’t nice any more”

London has yet to see the theatrical premiere of David Lindsay-Abaire’s Pulitzer Prize-winning Rabbit Hole as the Joanne Froggatt-starring production mooted for the Vaudeville late last year was postponed due to scheduling issues and with no further news about it forthcoming. Which is possibly a good thing for me as on watching the film version, the ugly crying it reduced me to once again is not something I’d want to replicate in a theatre!

Rabbit Hole is a simple but stunning look at the way that families deal with loss, specifically the loss of a child, and what if anything can be done to help acknowledge and move on from such a tragedy. Danny and Becca’s 4 year old Danny died in a car accident outside their house 8 months ago and it has shattered them. Caught in their own worlds of grief, their friends and family look on helplessly as they drift apart, unaware or unwilling to accept the help on offer.  Continue reading “DVD Review: Rabbit Hole”

Review: Good People, Hampstead Theatre

“I never had anyone watching from a window for me. You got lucky.”

As if there was any doubt that Imelda Staunton wouldn’t be excellent in Good People… Though the way that she inhabits the part of Margie, a hard-bitten, working-class Bostonian single mother is simply quite astonishing. From the opening moments of this David Lindsay-Abaire play as she faces the prospect of losing the job that is barely keeping her afloat due to the desperation of forlorn hope etched on her face at the end, it is a sensational performance in the midst of a sensational production.

Jobs are few and far between in the tough neighbourhood of South Boston and the demands of caring for her disabled daughter mean Margie needs to seize the bull by the horns to get alternative employment. When she hears from a friend that Mike, an old flame is back in town – someone who has definitely gone up in the world to become a doctor – she batters down his door and procures a birthday party invite where apparently somebody might have something for her. Continue reading “Review: Good People, Hampstead Theatre”

Nominations for the 2011 Drama Desk Awards

Outstanding Play
Jon Robin Baitz, Other Desert Cities
Adam Bock, A Small Fire
Stephen Adly Guirgis, The Motherf**ker With the Hat
Samuel D. Hunter, A Bright New Boise
Rajiv Joseph, Bengal Tiger at the Baghdad Zoo
David Lindsay-Abaire, Good People
Nick Stafford, War Horse

Outstanding Musical
In Transit
Priscilla Queen of the Desert: The Musical
See Rock City & Other Destinations
Sister Act
The Book of Mormon
The Kid Continue reading “Nominations for the 2011 Drama Desk Awards”

Nominations for 2010-2011 Outer Critics Circle Awards

John Gassner Playwriting Award
Matthew López, After the Revolution
Matthew López, The Whipping Man
Kim Rosenstock, Tigers Be Still
David West Read, The Dream of the Burning Boy

Outstanding Actor in a Musical
Norbert Leo Butz, Catch Me If You Can
Josh Gad, The Book of Mormon
Daniel Radcliffe, How To Succeed in Business Without Really Trying
Tony Sheldon, Priscilla Queen of the Desert
Aaron Tveit, Catch Me If You Can
Continue reading “Nominations for 2010-2011 Outer Critics Circle Awards”

Nominations for the 2009 Drama Desk Awards

Outstanding Play:

Annie Baker, Body Awareness
Gina Gionfriddo, Becky Shaw
Neil LaBute, reasons to be pretty
Lynn Nottage, Ruined
Michael Weller, Fifty Words
Craig Wright, Lady

Outstanding Musical:

9 to 5
Billy Elliot The Musical
Fela!
Liza’s at the Palace….
Shrek The Musical
The Story of My Life

Outstanding Revival of a Play:

Blithe Spirit
Exit the King
Mary Stuart
The Cripple of Inishmaan
The Norman Conquests
Waiting for Godot

Outstanding Revival of a Musical:

Enter Laughing The Musical
Hair
Pal Joey
West Side Story

Outstanding Actor in a Play:

Simon Russell Beale,The Winter’s Tale
Reed Birney, Blasted
Raúl Esparza, Speed-The-Plow
Bill Irwin, Waiting for Godot
Daniel Radcliffe, Equus
Geoffrey Rush, Exit the King
Thomas Sadoski, reasons to be pretty

Outstanding Actress in a Play:

Saidah Arrika Ekulona, Ruined
Jane Fonda, 33 Variations
Marcia Gay Harden, God of Carnage
Elizabeth Marvel, Fifty Words
Jan Maxwell, Scenes From an Execution
Janet McTeer, Mary Stuart

Outstanding Actor in a Musical:

James Barbour, A Tale of Two Cities
Daniel Breaker, Shrek The Musical
Brian d’Arcy James, Shrek The Musical
Josh Grisetti, Enter Laughing The Musical
Sahr Ngaujah, Fela!
Will Swenson, Hair

Outstanding Actress in a Musical:

Stephanie J. Block, 9 to 5
Stockard Channing, Pal Joey
Sutton Foster, Shrek The Musical
Megan Hilty, 9 to 5
Allison Janney, 9 to 5
Karen Murphy, My Vaudeville Man!

Outstanding Featured Actor in a Play:

Brian d’Arcy James, Port Authority
Jeremy Davidson, Back Back Back
Peter Friedman, Body Awareness
Ethan Hawke, The Winter’s Tale
Pablo Schreiber, reasons to be pretty (Off-Broadway)
Jeremy Shamos, Animals Out of Paper

Outstanding Featured Actress in a Play:

Rebecca Hall, The Cherry Orchard
Zoe Kazan, The Seagull
Angela Lansbury, Blithe Spirit
Andrea Martin, Exit the King
Carey Mulligan, The Seagull
Condola Rashad, Ruined

Outstanding Featured Actor in a Musical:

Hunter Foster, Happiness
Demond Green, The Toxic Avenger
Gregory Jbara, Billy Elliot The Musical
Marc Kudisch, 9 to 5
Bryce Ryness, Hair
Christopher Sieber, Shrek The Musical

Outstanding Featured Actress in a Musical:

Farah Alvin, The Marvelous Wonderettes
Christina Bianco, Forbidden Broadway Goes to Rehab
Haydn Gwynne, Billy Elliot The Musical
Karen Olivo, West Side Story
Nancy Opel, The Toxic Avenger
Martha Plimpton, Pal Joey

Outstanding Director of a Play:

Sarah Benson, Blasted
Michael Blakemore, Blithe Spirit
Garry Hynes, The Cripple of Inishmaan
Terry Kinney, reasons to be pretty
Matthew Warchus, The Norman Conquests
Kate Whoriskey, Ruined

Outstanding Director of a Musical:

Walter Bobbie, Irving Berlin’s White Christmas
Stephen Daldry, Billy Elliot The Musical
Joe Mantello, 9 to 5
Jason Moore, Shrek The Musical
Diane Paulus, Hair
Stuart Ross, Enter Laughing The Musical

Outstanding Choreography:

Karole Armitage, Hair
Andy Blankenbuehler, 9 to 5
Peter Darling, Billy Elliot The Musical
Bill T. Jones, Fela!
Randy Skinner, Irving Berlin’s White Christmas
Lynne Taylor-Corbett and Shonn Wiley, My Vaudeville Man!

Outstanding Music:

Neil Bartram,The Story of My Life
Zina Goldrich, Dear Edwina
Elton John, Billy Elliot The Musical
Dolly Parton, 9 to 5
Stephen Sondheim, Road Show
Jeanine Tesori, Shrek The Musical

Outstanding Lyrics:

Neil Bartram, The Story of My Life
Jason Robert Brown, 13
Marcy Heisler, Dear Edwina
David Lindsay-Abaire, Shrek The Musical
Dolly Parton, 9 to 5
Stephen Sondheim, Road Show

Outstanding Book of a Musical:

Steven Cosson and Jim Lewis, This Beautiful City
Joe DiPietro, The Toxic Avenger
Lee Hall, Billy Elliot The Musical
Brian Hill, The Story of My Life
David Lindsay-Abaire, Shrek The Musical
Patricia Resnick, 9 to 5

Outstanding Orchestrations:

Larry Blank, Irving Berlin’s White Christmas
Bruce Coughlin, 9 to 5
Aaron Johnson and Antibalas, Fela!
Edward B. Kessel, A Tale of Two Cities
Martin Koch, Billy Elliot The Musical
Danny Troob, Shrek The Musical

Outstanding Music in a Play:

Mark Bennett, The Cherry Orchard
Mark Bennett, The Winter’s Tale
Dominic Kanza, Ruined
DJ Rekha, Rafta, Rafta…
Richard Woodbury, Desire Under the Elms
Gary Yershon, The Norman Conquests

Outstanding Set Design of a Play:

Dale Ferguson, Exit the King
Rob Howell, The Norman Conquests
David Korins, Why Torture is Wrong, and the People Who Love Them
Derek McLane, 33 Variations
Neil Patel, Fifty Words
Walt Spangler, Desire Under the Elms

Outstanding Set Design of a Musical:

Tim Hatley, Shrek The Musical
Anna Louizos, Irving Berlin’s White Christmas
Thomas Lynch, Happiness
Scott Pask, 9 to 5
Scott Pask, Hair
Basil Twist, Arias With a Twist

Outstanding Costume Design:

Tim Hatley, Shrek The Musical
Rob Howell, The Norman Conquests
William Ivey Long, 9 to 5
Michael McDonald, Hair
Martin Pakledinaz, Blithe Spirit
Carrie Robbins, Irving Berlin’s White Christmas

Outstanding Lighting Design in a Play:

Marcus Doshi, Hamlet (Theatre for a New Audience)
David Hersey, Equus
Ben Kato, Washing Machine
R. Lee Kennedy, Bury the Dead
Paul Pyant, The Winter’s Tale
Hugh Vanstone, Mary Stuart

Outstanding Lighting Design in a Musical:

Kevin Adams, Hair
Jules Fisher and Kenneth Posner, 9 to 5
Rick Fisher, Billy Elliot The Musical
Jason Lyons, Clay
Sinéad McKenna, Improbable Frequency
Richard Pilbrow, A Tale of Two Cities

Outstanding Sound Design:

Acme Sound Partners, Irving Berlin’s White Christmas
Paul Arditti, Billy Elliot The Musical
Gregory Clarke, Equus
John Gromada, Shipwrecked! An Entertainment The Amazing Adventures of Louis de Rougemont (As Told by Himself)
André J. Pluess, 33 Variations
John H. Shivers, 9 to 5

Outstanding Solo Performance:

Mike Birbiglia, Sleepwalk With Me
Frank Blocker, Southern Gothic Novel
Michael Laurence, Krapp, 39
Lorenzo Pisoni, Humor Abuse
Matt Sax, Clay
Campbell Scott, The Atheist

Unique Theatrical Experience:

Absinthe (2008 Edition)
Arias With a Twist
Celebrity Autobiography: In Their Own Words
Désir
Soul of Shaolin
Surrender

Nominations for 2008-2009 Outer Critics Circle Awards

John Gassner Playwriting Award
Annie Baker, Body Awareness
Gina Gionfriddo, Becky Shaw
Beau Willimon, Farragut North

Outstanding Actor in a Musical
James Barbour, A Tale of Two Cities
Matt Cavenaugh, West Side Story
Brian d’Arcy James, Shrek the Musical
Josh Grisetti, Enter Laughing
David Pittu, What’s That Smell? The Music of Jacob Sterling Continue reading “Nominations for 2008-2009 Outer Critics Circle Awards”