As distinct from my favourite shows of the year, this list celebrates the fact that sometimes the good and the not-so-good co-exist right next to each – some of my favourite moments.
For reference, here’s my 2020 list, 2019 list, 2018 list, 2017 list, 2016 list, 2015 list and 2014 list.
Helen McCrory, in memoriam
I still don’t really have the words to talk about how sad the passing of Helen McCrory is, such a favourite actor of mine for so long. But what was joyful was hearing the absolute esteem in which seemingly every one of her colleagues held her, a testament to the person as well as the performer.
Being scared, by women
After having declared that scary theatre just didn’t work for me, the Terrifying Women made me eat my words in quite some style with their Halloween special. Continue reading “10 top theatrical moments of 2021”
A set of six spooky short plays make Terrifying Women the perfect Halloween (trick or) treat at the Golden Goose Theatre
“I learned at an early age the power of a scary story”
Yes, I know. Having declared last week that horror doesn’t work particularly well for me onstage, I spent part of my Halloween weekend watching more horror onstage. And this time, I had my spine well and truly chilled by the terrifying women of Terrifying Women at the Golden Goose Theatre (also now streaming), all much more acutely aware of how to instil a growing sense of real dread and make you jump the f*ck out of your seat.
They – Morgan Lloyd Malcolm, Sampira and Abi Zakarian – are aided in no small part by the form of the evening they have put together. A series of short plays, all monologues, slices out the need for atmosphere-draining scene changes, and taut running times means that the writers are necessarily highly efficient in getting the job done, whether indicting governmental complacency, invoking Armenian genocide or investigating childhood fears. Continue reading “Review: Terrifying Women, Golden Goose Theatre”
Paul Foster’s concert presentation of Gypsy at Alexandra Palace has added to its already exciting castlist. Joining the seven-fold Rose of Tracie Bennett, Nicola Hughes, Melanie La Barrie, Rebecca Lock, Keala Settle, Samantha Spiro and Sally Ann Triplett will be will be Laura Pitt-Pulford as Louise, Carly Mercedes Dyer as June and Christopher Howell as Herbie.
Directed by Paul Foster with choreography by Joanna Goodwin and sound design by Paul Smith, the show will feature a 26-piece orchestra playing the show’s original orchestrations, conducted by Alex Parker. Book your tickets for 21st February 2022 here. Continue reading “News: Jamie Lloyd and Gypsy production updates”