Katherine Kelly’s lead performance is excellent but I’m not sure there’s enough here to justify reviving Innocent into an anthology series
“Everything they stole from me, I want it all back”
Three years after its first series, Matthew Arlidge and Chris Lang’s Innocentreturns to ITV, re-emerging as an anthology series. So we’re now in the Lake District, focusing on the murder of 16-year-old Matty Taylor for which teacher Sally Wright has done several years inside. Five years down the line, new evidence has exonerated her and laced with vengeance, she returns to Keswick to reclaim what she believes is hers.
Initially, it’s an intriguing twist on the format as Katherine Kelly plays Sally with all the spikiness and rough edges that you would expect from someone who believes they’ve been wrongfully imprisoned. Removing children from the equation, which instantly created sympathy for Season 1’s ‘victim’ David, there’s a more visceral sense of injustice permeating this narrative, which is paired with Kelly’s impassive forthrightness as Sally. Continue reading “TV Review: Innocent (Series 2)”
If you’re feeling festive and missing musical theatre, then All I Want For Christmas Is Theatre is the place to be
“But it’s not like Christmas at all I remember when you were here”
Thespie’s Reunited series has been a fun way of getting your musicals fix over the past few weeks and in a rather clever move, they’ve managed to put together a Christmas special featuring the companies already featured, plus some brand new special guests. So All I Want For Christmas Is Theatre so we get to see Team Schwartz and Team Girl Power again and my personal faves, Team Juliet as they tackle a range of festive classics.
For me though, it was the promise of concerts to come that proved most exciting. The tight harmonies of Heathers alumni Sophie Isaacs, Jodie Steele and T’Shan Williams were a particular delight on both ‘Santa Claus is Coming to Town’ and ‘Christmas (Baby Please Come Home)’ and the women of Pretty Woman are in wonderfully high spirits on both ‘Last Christmas’ and ‘Santa Baby’ so consider my appetite whetted for their forthcoming gigs. Continue reading “Review: All I Want For Christmas Is Theatre”
Check out Wicked alumni Nikki Bentley, Sophie Evans, Alice Fearn, Alexia Khadime, Liam Tamne and more in Unlimited: The Songs of Stephen Schwartz
“Out of our night of struggle Can we see a ray of hope?”
From Godspell and Pippin to Wicked and The Prince of Egypt, Stephen Schwartz has been composing musicals for more four decades now and so has amassed quite the songbook. So it makes sense that it is to him that Thespie have turned to launch their Reunited Series, a set of four filmed concerts premiering throughout December and featuring some pretty amazing musical theatre talent.
Theatre discovery platform Thespie has announced the Reunited Series, bringing together more than two dozen of the UK’s top musical theatre artists for a series of filmed concerts premiering throughout December.
Developed by Aimie Atkinson, Thespie’s Creative Producer and the Olivier nominated star of Pretty Woman and SIX), each concert presents ensemble music performances (filmed in COVID-secure London venues), and ranges from musical theatre hits, to pop music, to favourite Christmas songs. The program of each concert has been developed by the artists involved and will also include intimate interview footage. Continue reading “News: Thespie to stream concerts throughout December”
Fourth Wall Live and The Hippodrome Casino London are thrilled to announce a series of over 40 shows at the Hippodrome Casino this winter. The season runs from 18 November every week for 5 weeks and will include two shows nightly at 7.00pm and 9.00pm.
23 West End actresses who have played Elphaba or Glinda in Wicked have reunited to perform a stunning rendition of the show’s ‘For Good’ to support the Make a Difference Trust Covid 19 Emergency Appeal Fund to support those in the theatre community suffering hardship because of the coronavirus crisis.
Please consider donating either by texting “SUPPORT” to 70111 to donate £5 (UK ONLY) or donate any amount here
Perhaps predictably, I have anything but a lovely jubbly time at Only Fools and Horses The Musical at the Theatre Royal Haymarket
“You can’t whack the big pineapple”
Full disclosure – I don’t know if I’ve ever seen an episode of Only Fools and Horses voluntarily. I mean I’ve seen clips and I’ve probably been in a room where other people were watching it, but it was never a show that has figured in my life. So news of Only Fools and Horses The Musical didn’t bring quite the excitement it did for so many others, ensuring that this was a commercial success long before any critics got near it.
If gay jokes and boob jokes and dick jokes are your thing, then Young Frankenstein is for you. Not for me though, not at all.
“Though your genitalia Has been known to fail ya You can bet your ass on the brain”
It’s alive…barely. Mel Brooks’Young Frankensteinstaggers into the West End after some more time on the operating table since its 2007 Broadway opening (2 new songs are among the changes made) and a short run in Newcastle to tighten the bolts. But for a piece of new musical theatre, it is so desperately old-fashioned that you half expect Russ Abbot and Bella Emberg to pop up and do a turn.
Given that Brooks is now over 90 and that the film on which it is based dates from 1974, it is perhaps little surprise that it feels dated. But also given director/choreographer Susan Stroman’s close collaborative relationship with him, the opportunity to be necessarily brutal about what works and what doesn’t feels to have been lost, lightning really hasn’t struck twice for the creators of The Producers. Continue reading “Review: Young Frankenstein, Garrick”