Review: All I Want For Christmas Is Theatre

If you’re feeling festive and missing musical theatre, then All I Want For Christmas Is Theatre is the place to be

“But it’s not like Christmas at all
I remember when you were here”

Thespie’s Reunited series has been a fun way of getting your musicals fix over the past few weeks and in a rather clever move, they’ve managed to put together a Christmas special featuring the companies already featured, plus some brand new special guests. So All I Want For Christmas Is Theatre so we get to see Team Schwartz and Team Girl Power again and my personal faves, Team Juliet as they tackle a range of festive classics.

For me though, it was the promise of concerts to come that proved most exciting. The tight harmonies of Heathers alumni Sophie Isaacs, Jodie Steele and T’Shan Williams were a particular delight on both ‘Santa Claus is Coming to Town’ and ‘Christmas (Baby Please Come Home)’ and the women of Pretty Woman are in wonderfully high spirits on both ‘Last Christmas’ and ‘Santa Baby’ so consider my appetite whetted for their forthcoming gigs. Continue reading “Review: All I Want For Christmas Is Theatre”

Review: Unlimited: The Songs of Stephen Schwartz

Check out Wicked alumni Nikki Bentley, Sophie Evans, Alice Fearn, Alexia Khadime, Liam Tamne and more in Unlimited: The Songs of Stephen Schwartz

“Out of our night of struggle
Can we see a ray of hope?”

From Godspell and Pippin to Wicked and The Prince of Egypt, Stephen Schwartz has been composing musicals for more four decades now and so has amassed quite the songbook. So it makes sense that it is to him that Thespie have turned to launch their Reunited Series, a set of four filmed concerts premiering throughout December and featuring some pretty amazing musical theatre talent.

First up is Unlimited: The Songs of Stephen Schwartz, which gathers together nine alumni of the London production of Wicked, now in its 14th year, to cherry-pick their favourite songs and deliver them in socially-distanced concert style in the swanky Kimpton Fitzroy Hotel. Not only that, there’s a guest appearance from the man himself, Schwartz introducing the gig from his piano with a soaring snatch of Pippin. Continue reading “Review: Unlimited: The Songs of Stephen Schwartz”

News: Thespie to stream concerts throughout December

Theatre discovery platform Thespie has announced the Reunited Series, bringing together more than two dozen of the UK’s top musical theatre artists for a series of filmed concerts premiering throughout December.

Developed by Aimie Atkinson, Thespie’s Creative Producer and the Olivier nominated star of Pretty Woman and SIX), each concert presents ensemble music performances (filmed in COVID-secure London venues), and ranges from musical theatre hits, to pop music, to favourite Christmas songs. The program of each concert has been developed by the artists involved and will also include intimate interview footage. Continue reading “News: Thespie to stream concerts throughout December”

News: the Hippodrome to host music, magic and comedy this winter

Fourth Wall Live and The Hippodrome Casino London are thrilled to announce a series of over 40 shows at the Hippodrome Casino this winter. The season runs from 18 November every week for 5 weeks and will include two shows nightly at 7.00pm and 9.00pm.

The series will feature stars from the world of musical theatre, comedy and magic with all tickets priced £20. Audiences will be safely socially distanced following the most up-to-date safety guidelines. There will be 130 tickets on sale per show and tickets go on sale soon. Sign up at www.fw-live.com for advance presale and further announcements. Continue reading “News: the Hippodrome to host music, magic and comedy this winter”

Lockdown treat: 23 Elphabas and Glindas come together ‘For Good’

23 West End actresses who have played Elphaba or Glinda in Wicked have reunited to perform a stunning rendition of the show’s ‘For Good’ to support the Make a Difference Trust Covid 19 Emergency Appeal Fund to support those in the theatre community suffering hardship because of the coronavirus crisis.

Please consider donating either by texting “SUPPORT” to 70111 to donate £5 (UK ONLY) or donate any amount here

 

Heart vector created by starline – www.freepik.com

Review: Only Fools and Horses The Musical, Theatre Royal Haymarket

Perhaps predictably, I have anything but a lovely jubbly time at Only Fools and Horses The Musical at the Theatre Royal Haymarket

“You can’t whack the big pineapple”

Full disclosure – I don’t know if I’ve ever seen an episode of Only Fools and Horses voluntarily. I mean I’ve seen clips and I’ve probably been in a room where other people were watching it, but it was never a show that has figured in my life. So news of Only Fools and Horses The Musical didn’t bring quite the excitement it did for so many others, ensuring that this was a commercial success long before any critics got near it.

And as such, my own reaction can only be viewed through this lens. When people say ‘you don’t have to have seen the TV show to get the jokes’. I can tell you they’re having a laugh. This musical is suffused with injokes, from the pre-show announcements onwards and in some ways, rightly so (having had a similar kind of experience with Acorn Antiques the Musical in this very theatre). Continue reading “Review: Only Fools and Horses The Musical, Theatre Royal Haymarket”

The Curtain Up Show Album of the Year 2018 nominees

Best UK Cast Recording
Broken Wings – Original Concept Album
Calendar Girls – Original London Recording
Everybody’s Talking About Jamie – Original West End Cast Recording
Six The Musical – Studio Cast Recording
Working: A Musical – Original London Cast Recording
Young Frankenstein – Original London Cast Recording

Best American Cast Recording
Frozen – Original Broadway Cast Recording
Mean Girls – Original Broadway Cast Recording
My Fair Lady – 2018 Broadway Cast Recording
Once On This Island – New Broadway Cast Recording
Pretty Woman – Original Broadway Cast Recording
The Prom – Original Broadway Cast Recording

Best Solo Album
Audra McDonald – Sing Happy
Carrie Hope Fletcher – When The Curtain Falls
David Hunter – Silver Linings
Louise Dearman – For You, For Me
Natasha Barnes – Real
Sutton Foster – Take Me To The World

Review: Young Frankenstein, Garrick

If gay jokes and boob jokes and dick jokes are your thing, then Young Frankenstein is for you. Not for me though, not at all. 

“Though your genitalia
Has been known to fail ya
You can bet your ass on the brain”

It’s alive…barely. Mel Brooks’ Young Frankenstein staggers into the West End after some more time on the operating table since its 2007 Broadway opening (2 new songs are among the changes made) and a short run in Newcastle to tighten the bolts. But for a piece of new musical theatre, it is so desperately old-fashioned that you half expect Russ Abbot and Bella Emberg to pop up and do a turn.

Given that Brooks is now over 90 and that the film on which it is based dates from 1974, it is perhaps little surprise that it feels dated. But also given director/choreographer Susan Stroman’s close collaborative relationship with him, the opportunity to be necessarily brutal about what works and what doesn’t feels to have been lost, lightning really hasn’t struck twice for the creators of The ProducersContinue reading “Review: Young Frankenstein, Garrick”

Review: Whisper House, The Other Palace

“That doesn’t look good, 
it doesn’t bode well, kid”

The reinvention of the St James Theatre into The Other Palace continues, but with the curious choice of another US musical, this time the European premiere of Whisper House, written by Duncan Sheik and Kyle Jarrow. Curious because it is an oddity of a show that rarely makes the case for its place in this new home for developing musical theatre, heaven knows there’s British musicals aplenty that would have benefited from this slot in the programme.

For Adam Lenson’s production certainly tries its creative best with the material. Andrew Riley’s circular design is an arresting and inventive use of the space, projections are thrown onto the back wall to transport us to Maine in the midst of the Second World War, illusions attempt to conjure the supernatural. But the problem lies in a story that is far too slight and a pop-rock score that is jauntily loud for something trying to be a ghost story. Continue reading “Review: Whisper House, The Other Palace”