Following on from the brilliant Emilia, Morgan Lloyd Malcolm’s new play Mum is a powerfully bracing experience at the Soho Theatre
“Motherhood’s not for everyone”
Morgan Lloyd Malcolm’s Mum gives us a portrait of a side of motherhood that is often alluded to but rarely fully acknowledged, those early days, weeks, months when the realities of parenthood hit like a sledgehammer and the fear of being overwhelmed is punishingly real. Nina is one such mother, preparing for her first night away from baby Ben after a difficult birth three months ago but as she gets him ready for a trip to Grandma’s, those fears only grow. Abigail Graham’s production opens at the Soho Theatre after playing the Theatre Royal Plymouth earlier this month.
An outsize mobile dominates the gloomy space of Sarah Beaton’s set design and as it turns, Sally Ferguson’s carefully poised lighting casts shadows on the wall that become increasingly hallucinatory. For as Nina cracks open a bottle of white wine with best pal Jackie, determined to have a night ‘off’, the guilt weighs ever heavier as she unburdens herself by saying the quiet parts out loud, talking frankly about how just how fricking difficult it is operate on such tiredness, such helplessness, such conflicting emotions as provoked by something society has dictated you will love wholeheartedly from the off. Continue reading “Review: Mum, Soho Theatre”
Francesca Moody Productions, Soho Theatre and Theatre Royal Plymouth in association with Popcorn Group have announced that Sophie Melville, Denise Black and Cat Simmons will appear in the world premiere of MUM. This provocative and unflinching portrayal of early motherhood and mental health, written by Olivier award-winning playwright Morgan Lloyd Malcolm(Emilia, The Globe/ West End) and directed by Abigail Graham (soon to also direct Aladdin at Lyric Hammersmith) will run at Theatre Royal Plymouth from 30 September – 16 October before transferring to Soho Theatre from 20 October – 20 November.
Motherhood. No one can prepare you for it. No matter how much you tell yourself you can do it – can you? Where’s the rush of love? When will you sleep again? What if the thing you fear most is also the thing you crave? All you wanted was one night of unbroken sleep, what have you done?
Nina is a new mum and tonight is her first night off. Tonight is about pizza and wine and letting go. But Nina didn’t feel prepared for motherhood and isn’t sure she fits the job description. Nina feels like she’s losing her grip.
Auburn Jam Music are delighted to be releasing ‘You Will Be Found’ by #CheerUpCharlie & West End Friends, a fundraising charity single in aid of youth charity The Diana Award, on Sunday 15 November to tie in with the start of National Anti-Bullying Week (16-20 November).
The nominees for the 9th annual Mousetrap Awards are announced
These awards are voted for by young people, anyone aged 15-29 is invited to have their say as to who should pick up the trophies at the ceremony on Sunday 19th April. And while usual suspects Dear Evan Hansen, Waitress and & Juliet are leading the pack, it is nice to see such love for Small Island here too.
Mousetrap Theatre Projects strive to make London’s theatre scene accessible to young people, low-income families, mainstream and SEND state schools, and those with additional needs.
The highly anticipated musical Come From Away leaves me dry-eyed at the Phoenix Theatre despite a very strong cast
“There’s nothing to do, nothing to see Thank god we stopped at the duty-free”
I didn’t check the merchandise stand at Irene Sankoff and David Hein’s Come From Away but I wouldn’t be surprised if they were seeing branded tissues, such is the weight of expectation that comes with this musical, set in the days after 9/11. But rather than New York, the show is set more than 2,000 kilometres away in the remote town of Gander, Newfoundland, where 38 planes with 6,579 passengers were grounded in the aftermath of the attacks.
There, in a Canadian town that practically doubled in population overnight, we witness the unfolding of a tragedy but more significantly, the response of a community willing and able to do anything to extend the hand of friendship. Doors are flung open, shoulders proffered, bottles opened, an unquestioned barrage of hospitality seeking to envelop traumatised passengers who had been trapped for hours on their planes (in a pre-social media age remember), only to be released to find out the terrible news. Continue reading “Review: Come From Away, Phoenix Theatre”
I’d thought I didn’t need to see Richard IIagain for a good while but Michelle Terry’s tenure at the Globe is most certainly testing that resolve. The forthcoming production there is to be staged by the first-ever company of women of colour in a Shakespeare play on a major UK stage. Co-directed by Adjoa Andoh and Lynette Linton, Adjoa will also play the titular role. Continue reading “Theatre news round-up”
#2 in the National Theatre’s Queer Theatre season of rehearsed readings “Here Where one night can leave you legendary Or a subsidiary”
The world has changed just a little in the decade or so since Tarell Alvin McCraney wrote Wig Out. McCraney is now an Oscar-winning writer after the phenomenal success of Moonlight (based on one of his unproduced plays) and RuPaul has dragged drag into the mainstream by its charisma, uniqueness, nerve and talent. So to see the play now is an entirely different prospect than its 2008 production at the Royal Court and an interesting example of how cultural touchstones shift.
Wig Out feels intimately connected to Paris Is Burning (if you’ve not seen it, to Netflix with you now) in its focus on ball culture in the black and Latino gay communities of New York and we get to see it fully turned out as the House of Light take on their rivals in the House of Diabolique. The ball scene is an unalloyed pleasure as outré performance follows outré performance (Craig Stein and Kobna Holdbrook-Smith took the honours for the night) and really make you want to see a fully fledged production.
Albany Launch Campaign to Provide a Free Theatre Ticket to Every Child in Lewisham
A Theatre Trip for Every Child, Lewisham is a new giving scheme to provide a free theatre ticket for every 5-year-old in the Borough of Lewisham. ‘Every Child’ enables businesses and individuals to give a local child the chance to experience the magic of theatre.