Review: All New People, Duke of York’s

“We’re all in pain, Charlie”

Zach Braff’s debut play All New People premiered off-Broadway last year with the new playwright remaining behind the scenes. But for its arrival into the West End, after a short UK tour, the Scrubs star has taken up the lead role as the suicidal Charlie. He’s shut himself away in a New Jersey beach house in the depth of winter to do the deed, but his solitude is interrupted by the arrival of three misfits who set about infuriating him yet ultimately helping to shift his outlook in the subtlest of ways.

Yet the play is anything but subtle. The cutaways to flashbacks to explain why each of the characters has ended up in this particular circumstance offer amusing cameos from a range of stars, but rob scenes of their dramatic impetus; the destruction of a bead-filled piece of African art sets up some painfully contrived pratfalls; the continued recourse to (sometimes highly amusing) one-liners; the clunky shoehorning in of the show’s title in a moment of cod-philosophy in the final moments. The clumsy construction of the play’s components is frequently laid bare and the lack of finesse in the writing all too apparent. Continue reading “Review: All New People, Duke of York’s”